In this intimate and revealing memoir, Stein tells us much about the great man (and herself) and offers many insights into the life and art of the 20th century's greatest painter.Mixing biological fact with artistic and aesthetic comments, she limns a unique portrait of Picasso as a founder of Cubism, an intimate of Appollinaire, Max Jacob, Braque, Derain, and others, and a genius driven by a ceaseless quest to convey his vision of the 20th century. We learn, for example, of the importance of his native Spain in shaping Picasso's approach to art; of the influence of calligraphy and African sculpture; of his profound struggle to remain true to his own vision; of the overriding need to empty himself of the forms and ideas that welled up within him.Stein's close relationship with Picasso furnishes her with a unique vantage point in composing this perceptive and provocative reminiscence. It will delight any admirer of Picasso or Gertrude Stein; it is indispensable to an understanding of modern art.

    Liam is a bachelor professor of folklore and he's incurably superstitious. When people start getting murdered, it seems that Liam's demons are real.

    Used book in good condition, above image is a rerpresentative one

    Here the father—a former high school teacher—is demeaned by the only job he can get: gravedigger and cemetery caretaker. When local prejudice and the family's own emotional frailty give rise to an unthinkable tragedy, the gravedigger's daughter, Rebecca heads out into America. Embarking upon an extraordinary odyssey of erotic risk and ingenious self-invention, she seeks renewal, redemption, and peace—on the road to a bittersweet and distinctly “American” triumph.

    

    controlling Mother Nature! THE WEATHERMAKERS is a novel about climate change--literally. By the award-winning hard SF author of the THE EXILES TRILOGY, the Watchmen series, and the Grand Tour series. Excerpt: "I want an explanation of what happened Friday night," Rossman said. "Simple," Ted said. "We proved that weather control works." "Don't say we," Marrett!" Rossman snapped. "It's you; keep your friends out of it." Rossman shuffled through his papers. "Do you know what this is? It's an estimate of the cost to the Department of that plane's flight over the ocean. "And this," he pulled out a paper, "is a formal complaint from the Air Force about unauthorized persons being involved in their highly secret laser operations. Unauthorized. That's you, Marrett!" Rossman glowered at Ted. "And do you realize that you ruined Dr. Barneveldt's experiment?" "When are you going to realize," Ted demanded, "that we proved we can change the weather! Are you going to open your eyes or stand there blocking the way?" Rossman nearly turned purple and snapped, "Marrett, I will not have people sneaking be hind my back. And I will not tolerate insubordination. I'll expect your resignation on my desk by the end of the day. You're finished, Marrett. Finished!"Ben Bova is a six-time winner of the Hugo Award and many other awards, including the John W. Campbell Memorial Award for Best Novel of the Year (2006, for Titan) and the Lifetime Achievement Award of the Arthur C. Clarke Foundation. He is the former editor of Analog and Omni magazines, and the author of over a hundred books, both fiction and non-fiction. Bova has served as president of both Science Fiction & Fantasy Writers of America, Inc. and the National Space Society. He lives in Florida.Don't let a little hurricane or two ruin your plans -- read THE WEATHERMAKERS today!

     But Peter Miller, an analyst at the headquarters of the Office of Strategic Services in Washington D.C., learns of a secret Nazi weapons project that may pose a far greater threat: the Black Gate. Sent alone on a perilous mission into the heart of Germany in the guise of an SS officer, Peter discovers that Nazi scientists have recreated an ancient machine that opens a portal to another universe, a gate they believe literally leads to Hell. With the help of Mina Hass, a beautiful woman who is also the lover and confidant of the madman leading the project, Peter must find a way to close the gate forever before the Nazis unwittingly unleash Armageddon…

    Jason Gridley wants to rescue Emperor David from Kosaks.

    A gun is fired into a car which swerves on to the pavement, killing the person standing at a bus stop. It seems that a chilling gang initiation has cost an innocent victim their life. But the reality is far more sinister.

    Robb, is the perfect entry point into the compelling In Death police procedural series featuring Lieutenant Eve Dallas.As NY Lt. Eve Dallas and her billionaire husband Roarke are driving home, a young woman—dazed, naked, and bloody—suddenly stumbles out in front of their car. Roarke slams on the brakes and Eve springs into action.Daphne Strazza is rushed to the ER, but it’s too late for her husband Dr. Anthony Strazza. A brilliant orthopedic surgeon, he now lies dead amid the wreckage of his obsessively organized town house, his three safes opened and emptied. Daphne would be a valuable witness, but in her terror and shock the only description of the perp she can offer is repeatedly calling him “the devil”...While it emerges that Dr. Strazza was cold, controlling, and widely disliked, this is one case where the evidence doesn’t point to the spouse. So Eve and her team must get started on the legwork, interviewing everyone from dinner-party guests to professional colleagues to caterers, in a desperate race to answer some crucial questions: What does the devil look like? And where will he show up next?

    The story of an imposter and bigamist, who travels to the North where he marries the maid of Buttermere, a young woman whose natural beauty inspired the dreams and confirmed the theories of a=early 19th century writers.

    But when she’s surprised by returning guests on her last room of the day, she’s forced to hide in the closet to avoid getting caught, and inadvertently overhears a hitman being contracted to murder the wife of a wealthy lawyer.Letty is hardly a heroine, but this puts even her threadbare morality to the test.Only in hindsight will she see her choice to intervene for what it is…a dramatic fork in the trajectory of her life, propelling her toward a terrifying shocker of an ending that neither she (or you) ever saw coming.From the author of Desert Places, Abandon, and Serial Uncut comes this 10,000-word thriller novella, which also contains an interview with Blake, excerpts from all four of his novels, and two bonus excerpts.

    Each has a special magic, an aura that is sometimes beautiful and fascinating, sombre and frightening, or exciting and colourful. But what unites all these stories is the essential quality of folk-lore, something that transcends the boundaries of nations, of custom and time, that gives them their permanence and universality of appeal. "Authors need folk-tales," Richard Adams says, "in the same way as composers need folk-song. They're the headspring of the narrator's art, where the story stands forth at its simple, irreducible best. They don't date, any more than dreams, for they are the collective dreams of humanity." In order to preserve as far as possible the immediacy and directness of authentic folk story-telling, each of the nineteen tales is presented as being told by an imagined narrator to one or more hearers at a particular time and place, sometimes past, sometimes present. However, the reader is never told the identity either of the teller or his hearers, but is left free to infer both them and the occasion solely from the narrator's own words. This original technique adds a novel dash of piquancy to this fine collection.

    At the heart of the story is a Quaker family, who hide the boy after his landing party has been killed in an ambush. Because the captain of the Hessians had ordered the hanging of a local whom he thought might be a spy, the town militia lay in wait, massacred the Hessians, and hunted down the only survivor, Hans Pohl. His capture and trial provide an opportunity to explore the difficult moral position that war presents, complicated by the presence of the Quaker family. The story is told from the point of view of Evan Feversham, a doctor who has seen enough of death, and an outsider in the narrow world of Puritan New England. Based on a true event.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.