Cott’s acclaimed study includes a new preface in which Cott assesses her own and other historian’s development of the concept of domesticity from the 1970s to the 1990s. “Nancy Cott’s Bonds of Womanhood is not just a pioneer work in women’s history. It is a classic. Despite all the work published since, it is still an essential starting place for understanding New England in the early republic.”—Laurel Thatcher Ulrich “Cott, still the best historian of women’s bonds and bondage, foresaw twenty years ago the tendency of domesticity’s bonds to lead both to feminism and the far right. An essential book for understanding today’s women.”—Carolyn Heilbrun Reviews of the earlier edition: “A lovely, gentle, scholarly, and valuable book.”—Doris Grumbach, New York Times Book Review “Women’s history at its best.”—Phyllis Kriegel, New Directions for Women

    She finds in those intersections the basis for understanding why women were accused of witchcraft more often than men, why they confessed more often, and why they frequently accused other women of being witches. In negotiating their beliefs about the devil's powers, both women and men embedded womanhood in the discourse of depravity.Puritan ministers insisted that women and men were equal in the sight of God, with both sexes equally capable of cleaving to Christ or to the devil. Nevertheless, Reis explains, womanhood and evil were inextricably linked in the minds and hearts of seventeenth-century New England Puritans. Women and men feared hell equally but Puritan culture encouraged women to believe it was their vile natures that would take them there rather than the particular sins they might have committed.Following the Salem witchcraft trials, Reis argues, Puritans' understanding of sin and the devil changed. Ministers and laity conceived of a Satan who tempted sinners and presided physically over hell, rather than one who possessed souls in the living world. Women and men became increasingly confident of their redemption, although women more than men continued to imagine themselves as essentially corrupt, even after the Great Awakening.

    

    His pioneering study is informed by the conviction that color is a contingent, historical occurrence whose meaning, like language, lies in the particular contexts in which it is experienced and interpreted.Gage covers topics as diverse as the optical mixing techniques implicit in mosaic; medieval color-symbolism; the equipment of the manuscript illuminator's workshop, the color languages and color practices of Latin America at the time of the Spanish Conquest; the earliest history of the prism; and the color ideas of Goethe and Runge, Blake and Turner, Seurat and Matisse.From the perspective of the history of science, Gage considers the bearing of Newton's optical discoveries on painting, the chemist Chevreul's contact with painters and the growing interest of experimental psychologists in the topic of color in the late nineteenth century, particularly in relation to synaesthesia. He includes an invaluable overview of the twentieth-century literature that bears on the historical interpretation of color in art. Gage's explorations further extend the concepts he addressed in his prize-winning book, Color and Culture.

    Seemingly established on a dream of religious freedom, in reality the town is led by fervent puritans who prohibit the residents from living, trading, and worshipping as they choose. By the time an unfamiliar ship, bearing new colonists, appears on the horizon one summer morning, Anglican outsiders have had enough.With gripping, immersive details and exquisite prose, TaraShea Nesbit reframes the story of the pilgrims in the previously unheard voices of two women of very different status and means. She evokes a vivid, ominous Plymouth, populated by famous and unknown characters alike, each with conflicting desires and questionable behavior.Suspenseful and beautifully wrought, Beheld is about a murder and a trial, and the motivations―personal and political―that cause people to act in unsavory ways. It is also an intimate portrait of love, motherhood, and friendship that asks: Whose stories get told over time, who gets believed―and subsequently, who gets punished?

    Based on vegetative rather than floral characteristics, this practical guide gives anyone who works with plants the ability to identify weeds before they flower.- A dichotomous key to all the species described in the book is designed to narrow the choices to a few possible species. Identification can then be confirmed by reading the descriptions of the species and comparing a specimen with the drawings and photographs.- A fold-out grass identification table provides diagnostic information for weedy grasses in an easy-to-use tabular key.- Specimens with unusual vegetative characteristics, such as thorns, square stems, whorled leaves, or milky sap, can be rapidly identified using the shortcut identification table.The first comprehensive weed identification manual available for the Northeast, this book will facilitate appropriate weed management strategy in any horticultural or agronomic cropping system and will also serve home gardeners and landscape managers, as well as pest management specialists and allergists.

    For most ordinary Englishmen, venturing off into the depths of unexplored America would have been a once in a lifetime adventure: but not for Stephen. By the time he turned forty, he had already survived a hurricane, been shipwrecked in the Bermuda Triangle, been written into a Shakespearean play, witnessed the famine and abandonment of Jamestown Colony, and participated in the marriage of Pocahontas. He was once even sentenced to death! He got himself and his family onto the Pilgrims' Mayflower, and helped found Plymouth Colony. He signed the Mayflower Compact, lodged the famous Squanto in his house, participated in the legendary Thanksgiving, and helped guide and govern the early colonists. Yet Stephen was just an ordinary man, with a wife, three sons, seven daughters, a small house, some farmland for his corn, and cows named Motley, Sympkins, Curled, and Red. These are the extraordinary adventures of an ordinary man.

    Parlour games. Cocktails. Welcome to a glorious journey through the golden age of the country house party - and you are invited. Our host, celebrated historian Adrian Tinniswood, traces the evolution of this quintessentially British pastime from debauched royal tours to the flamboyant excess of the Bright Young Things. With cameos by the Jazz Age industrialist, the bibulous earl and the off-duty politician - whether in moated manor houses or ornate Palladian villas - Tinniswood gives a vivid insight into weekending etiquette and reveals the hidden lives of celebrity guests, from Nancy Astor to Winston Churchill, in all their drinking, feasting, gambling and fornicating. The result is a deliciously entertaining, star-studded, yet surprisingly moving portrait of a time when social conventions were being radically overhauled through the escapism of a generation haunted by war - and a uniquely fast-living period of English history. Praise for The Long Weekend:'Delicious, occasionally fantastical, revealing in ways that Downton Abbey never was. It is as if Tinniswood is at the biggest, wildest, most luxuriantly decadent party ever thrown, and he knows everyone.' Observer 'A deliciously jaunty and wonderfully knowledgeable book. Tinniswood displays a terrific insider's grasp of gossip . A meticulous, irresistible story.' Spectator 'Elegant, encyclopedic and entertaining . A confident and skilled historian who understands the mores of his era and wears his learning lightly . Deserves to be on every costume drama producer's bookshelf.' Times

    Under the care of Hannah Owens, Maria learns about the “Nameless Arts.” Hannah recognizes that Maria has a gift and she teaches the girl all she knows. It is here that she learns her first important lesson: Always love someone who will love you back. When Maria is abandoned by the man who has declared his love for her, she follows him to Salem, Massachusetts. Here she invokes the curse that will haunt her family. And it’s here that she learns the rules of magic and the lesson that she will carry with her for the rest of her life. Love is the only thing that matters. Magic Lessons is a celebration of life and love and a showcase of Alice Hoffman’s masterful storytelling.

    From dawn until dusk, these ladies work the looms, but the thrill of independence, change in their pockets, and friendships formed along the way mostly make the backbreaking labor worthwhile. In fact, Hiram Fiske, the steely-eyed titan of industry, has banked on that. But the working conditions are becoming increasingly dangerous and after one too many accidents, Alice finds herself unexpectedly acting as an emissary to address the factory workers' mounting list of grievances.After traveling to the Fiske family's Beacon Hill mansion, Alice enters a world she's never even dared to dream about: exquisite silk gowns, sumptuous dinners, grand sitting parlors, and uniformed maids operating with an invisible efficiency. Of course, there's also a chilliness in the air as Alice presents her case. But with her wide, intelligent eyes and rosy-hued cheeks, Alice manages to capture the attention of Hiram's eldest son, the handsome and reserved Samuel Fiske.Their chemistry is undeniable, soon progressing from mutual respect and shy flirtation into an unforgettable romance. But when Alice's best friend, Lovey, is found strangled in a field, Alice and Samuel are torn between loyalty to "their kind" and a chance for true love.

    This up-to-date new survey draws on evidence produced at the cutting edge of modern archaeological research, revealing how the evidence for life in this city was first uncovered, and how archaeologists over the centuries have unpeeled the layers that enable us to reconstruct Pompeii's history.With its lavish illustrations, covering monumental architecture and inscriptions, shops, graffiti, wall-paintings, and mosaics, plus its numerous box features ranging from theatrical entertainments to water supply, The Complete Pompeii is the ultimate resource and inspirational guide to this iconic ancient town.Among the many topics covered:How Pompeii was destroyed in the eruption of AD 79What we know of the lives and deaths of its inhabitantsWhat the houses tell us about the people who lived in themWho was involved in politicsWhat can be reconstructed about religious practices

    Fahey made more than 40 albums between 1959 and his death in 2001, most of them featuring only his solo steel-string guitar. He fused elements of folk, blues, and experimental composition, taking familiar American sounds and recontextualizing them as something entirely new. Yet despite his stature as a groundbreaking visionary, Fahey’s intentions—as a man and as an artist—remain largely unexamined. Journalist Steve Lowenthal has spent years researching Fahey’s life and music, talking with his producers, his friends, his peers, his wives, his business partners, and many others. He describes Fahey’s battles with stage fright, alcohol, and prescription pills; how he ended up homeless and mentally unbalanced; and how, despite his troubles, he managed to found a record label that won Grammys and remains critically revered. This portrait of a troubled and troubling man in a constant state of creative flux is not only a biography but also the compelling story of a great American outcast.

    A four-part organization covers: Some Primal and Bygone Religions, The Religions of South Asia, The Religions of E

    He was listed in the Blue Book but joined no clubs. His magnificent dining room at Kragsyde, his house at Lobster Cove, rarely entertained visitors. If George Nixon Black was mentioned at all, it was almost as rumor. His greenhouses boasted rare plants, his collection of antiques and paintings were extraordinary and his patronage of the arts favored unknown female artists. Each winter he quietly boarded a luxury European-bound steamship with a man eighteen years his junior. Despite a privileged youth marred by violence and uncertainty, contrasted with the danger his lifestyle and secrets placed him in, his ability to obtain happiness and be himself was remarkable. While Black was probably content to slip away unnoticed, Kragsyde was to have no such fate. Garnering much attention when it was first built, and adored by architects and scholars ever since, the famous shingle-style house has made it impossible for Black to fully disappear. In The House at Lobster Cove, you will see behind the doors of Kragsyde, the house that sheltered and shaped him, and continued to tell his story long after both were gone. Using characters, letters and events from history, Jane Goodrich's first novel is part family saga and part love story, as well as an engaging personal journey for the author. Although Kragsyde was demolished in 1929, it was later rebuilt, in every detail, by Goodrich and her husband, doing all the work themselves on an island in Maine. A special feature of this edition is the letterpress printed cover and title page, hand printed on 100% cotton paper at the author's studios at Saturn Press in Maine.

    Lawyer Vickie Bunnell had been shot and killed by a local carpenter wielding an assault rifle. By then, three more people were already dead or dying. More mayhem was to ensue in an afternoon of plot twists too improbable for a novel. The roots of the incident stretch back twenty-five years, with tendrils deep in the history of New England’s North Country. These bloody events shocked America and made headlines across the world. Hundreds of local citizens became unwilling players in the drama—friends and colleagues of the dead, men and women who were themselves real or potential targets, along with their neighbors in law enforcement—but the town and its inhabitants were never passive victims. From the first shot fired that day, they remained courageously determined to survive. This is the story of that town, those people, and that day. In the Evil Day is a moving portrait of small-town life and familiar characters forever changed by sudden violence.