Part picaresque novel, part intimate diary, part memoir and philosophical musings, Enrique Vila-Matas has created a labyrinth in which writers as various as Cervantes, Sterne, Kafka, Musil, Bolano, Coetzee, and Sebald cross endlessly surprising paths. Trying to piece together his life of loss and pain, Jose leads the reader on an unsettling journey from European cities such as Nantes, Barcelona, Lisbon, Prague and Budapest to the Azores and the Chilean port of Valparaiso. Exquisitely witty and erudite, it confirms the opinion of Bernardo Atxaga that Vila-Matas is "the most important living Spanish writer."

    The writer's job is to tidy it up: he rants, "that was what my work was all about, cleaning up and giving a manicure to the Catholic hands that were piously getting ready to squeeze the balls of the military tiger." Mesmerized by the strange Vallejo-like poetry of the Indians' phrases ("the houses they were sad because no people were inside them"), the increasingly agitated and frightened writer is endangered twice over: by the spell the strangely beautiful heart-rending voices exert over his tenuous sanity, and by real danger—after all, the murderers are the very generals who still run this unnamed Latin American country.

    A plainspoken writer of consummate wryness, grace, and humor, the Egyptian author chronicles the lives of a polyglot Cairene upper crust, shortly after the fall of King Farouk, who are thoroughly unprepared to change their neo-feudal ways. This is the best book to date about post-Farouk Egypt.-Sylvie Drake, Los Angeles Times

    With the ethereal tone and aesthetic styling characteristic of Kawabata's prose, The Old Capital tells the story of Chieko, the adopted daughter of a Kyoto kimono designer, Takichiro, and his wife, Shige.Set in the traditional city of Kyoto, Japan, this deeply poetic story revolves around Chieko who becomes bewildered and troubled as she discovers the true facets of her past. With the harmony and time-honored customs of a Japanese backdrop, the story becomes poignant as Chieko’s longing and confusion develops.

    It tells the story of the virtuous Greeks Glaucus and Ione, their escape from Pompeii amid the eruption of Vesuvius in 79 CE, and their eventual conversion to Christianity, against a background of Roman decadence and corrupt Eastern religion.

    During this war a great Avar chieftain, Hadji Murád, broke with the Chechen leader Shamil and fled to the Russians for safety. Months later, while attempting to rescue his family from Shamil’s prison, Hadji Murád was pursued by those he had betrayed and, after fighting the most heroic battle of his life, was killed.Tolstoy, witness to many of the events leading to Hadji Murád’s death, set down this story with painstaking accuracy to preserve for future generations the horror, nobility, and destruction inherent in war.

    Where his later works carry these drives to inevitably dramatic conclusions, The Insulted & Injured confines them within the smaller boundaries of everyday event. In this story the impulse toward self-abnegation in love, which appears so markedly in both Vanya & Natasha, isn't itself enough to direct their lives; instead, it combines with their social world & the mundane ambitions of Prince Valkovsky to defeat their hope of happiness. Of all the characters in the novel, only Natasha's lover, the Prince's son Alyosha-the person least driven to mold life to his own terms-emerges untouched. Here are, to a greater extent than in Dostoevsky's more familiar works, flesh-&-blood people as we see them around every day. They are made up of both good & evil, of will & acceptance. Unfailingly they command interest & illuminate understanding.

    At first sight, he described it as "a most picturesque and beautiful city, situated in one of the loveliest landscapes that I have ever seen." Irving was preparing a book called A Chronicle of the Conquest of Granada, a history of the years 1478–1492, and was continuing his research on the topic. He immediately asked the then-governor of the historic Alhambra Palace as well as the archbishop of Granada for access to the palace, which was granted because of Irving's celebrity status. Aided by a 17-year old guide named Mateo Ximenes, Irving was inspired by his experience to write Tales of the Alhambra. Throughout his trip, he filled his notebooks and journals with descriptions and observations though he did not believe his writing would ever do it justice. He wrote, "How unworthy is my scribbling of the place." Irving continued to travel through Spain until he was appointed as secretary of legation at the United States Embassy in London, serving under the incoming minister Louis McLane. He arrived in London by late September 1829.

    A group of refugees, fleeing from the ruins of their plundered homes, arrive asking for protection - and suddenly the drama of the Passion becomes reality.

    And the discovery of her corpse—by a group of children playing near the irrigation canals—propels the whole village into an investigation of how and why this murder occurred. Rumors and suspicions spread. As the novel unfolds in a dazzling linguistic torrent, with each unreliable narrator lingering on new details, new acts of depravity or brutality, Melchor extracts some tiny shred of humanity from these characters that most would write off as utterly irredeemable, forming a lasting portrait of a damned Mexican village.Like Roberto Bolano’s 2666 or Faulkner’s greatest novels, Hurricane Season takes place in a world filled with mythology and violence—real violence, the kind that seeps into the soil, poisoning everything around: it’s a world that becomes more terrifying and more terrifyingly real the deeper you explore it.

    From the winner of the Nobel Prize for Literature and author of the Cairo trilogy, comes Akhenaten, a fascinating work of fiction about the most infamous pharaoh of ancient Egypt.In this beguiling new novel, originally published in 1985 and now appearing for the first time in the United States, Mahfouz tells with extraordinary insight the story of the "heretic pharaoh," or "sun king,"--and the first known monotheistic ruler--whose iconoclastic and controversial reign during the 18th Dynasty (1540-1307 B.C.) has uncanny resonance with modern sensibilities.Narrating the novel is a young man with a passion for the truth, who questions the pharaoh's contemporaries after his horrible death--including Akhenaten's closest friends, his most bitter enemies, and finally his enigmatic wife, Nefertiti--in an effort to discover what really happened in those strange, dark days at Akhenaten's court.  As our narrator and each of the subjects he interviews contribute their version of Akhenaten, "the truth" becomes increasingly evanescent.Akhenaten encompasses all of the contradictions his subjects see in him: at once cruel and empathic, feminine and barbaric, mad and divinely inspired, his character, as Mahfouz imagines him, is eerily modern, and fascinatingly ethereal.  An ambitious and exceptionally lucid and accessible book, Akhenaten is a work only Mahfouz could render so elegantly, so irresistibly.

    The Twelve Detectives—a society of the twelve most famous, compelling, and dazzling detectives from around the world—have been asked to discuss the secrets of their trade as part of the fair's lineup of events. The Twelve travel to Paris to convene as a single body for the first time, but also, if some whispers are to be believed, to debate the very philosophy that underlies their pursuit of the world's most wanted criminals.But one detective is conspicuously absent: the legendary founding member of The Twelve, Renato Craig, will not attend. In his place he sends his novice assistant, Sigmundo Salvatrio—son of a shoemaker, a lifelong detective-arts devotee, and the only remaining student of Craig's famed Academy for Detectives in Buenos Aires. Salvatrio arrives in Paris, carrying a secret message meant only for Craig's best friend and cofounder of The Twelve, the brilliant, brooding, and fiercely competitive Viktor Arzaky.When a member of The Twelve is discovered dead at the foot of the gleaming Eiffel Tower, the first in what turns into a series of grisly murders, Arzaky and Salvatrio find themselves in a race against time around glorious fin de siècle Paris, encountering all manner of secret societies, solving philosophical puzzles, while also trying to save a dangerously beautiful woman.The pair soon realizes that the stakes involved are unimaginably high; they must not only catch the stalking murderer but also alter the fate of their precious brotherhood.Written in a strikingly original voice, and poignantly evoking a world about to lose its innocence forever, The Paris Enigma opens a window onto crime solving's early days, when wit, common sense, and intelligence were the only tools a detective could rely on.

    I am also called the Granadan, the Fassi, the Zayyati, but I come from no country, from no city, no tribe. I am the son of the road, my country is the caravan, my life the most unexpected of voyages." Thus wrote Leo Africanus, in his fortieth year, in this imaginary autobiography of the famous geographer, adventurer, and scholar Hasan al-Wazzan, who was born in Granada in 1488. His family fled the Inquisition and took him to the city of Fez, in North Africa. Hasan became an itinerant merchant, and made many journeys to the East, journeys rich in adventure and observation. He was captured by a Sicilian pirate and taken back to Rome as a gift to Pope Leo X, who baptized him Johannes Leo. While in Rome, he wrote the first trilingual dictionary (Latin, Arabic and Hebrew), as well as his celebrated Description of Africa, for which he is still remembered as Leo Africanus.

    He ravaged the coasts of Cuba and America, striking terror wherever he went. Morgan was obsessive. He had two driving ambitions: to possess the beautiful woman called La Santa Roja and to conquer Panama, the “cup of gold.” Steinbeck’s first novel and sole work of historical fiction, Cup of Gold is a lush, lyrical swashbuckling pirate fantasy, and sure to add new dimensions to readers’ perceptions of this all-American writer. This edition features an introduction by Susan F. Beegel.

    His idealistic teacher Diagoras is convinced the pupil's death is not as accidental as it appears, and asks the famous Heracles Pontor, the "Decipherer of Enigmas," to investigate. As the death toll rises, the two men find themselves drawn into the dangerous underworld of the Athenian aristocracy, risking their own lives to solve the riddle of these young men's deaths. Simultaneously, a second plot unfolds: that of the modern-day translator of the ancient text, who, as he proceeds with his work, becomes convinced that the original author has hidden a second meaning in the text, one that can be interpreted through certain repeated words and images. As the story advances, however, the translator is alarmed to discover references to himself, which seem to address him personally in an increasingly menacing fashion.