Meanwhile, Jess's home life is overshadowed by violence. When Nicu and Jess meet, what starts out as friendship grows into romance as the two bond over their painful pasts and hopeful futures. But will they be able to save each other, let alone themselves?For fans of Una LaMarche’s Like No Other, this illuminating story told in dual points of view through vibrant verse will stay with readers long after they've turned the last page.

    A mother's silence, a village with a terrible secret, and an Australian woman who travels to Poland to uncover the truth ... When forensic dentist Halina Shore arrives in Nowa Kalwaria to take part in a war crimes investigation, she finds herself at the centre of a bitter struggle in a community that has been divided by a grim legacy. What she does not realise is that she has also embarked on a confronting personal journey. Inspired by a true incident that took place in Poland in 1941, Diane Armstrong's powerful novel is part mystery, part forensic investigation, and a moving and confronting story of love, loss and sacrifice. 'A deeply moving and inspiring novel' GOOD READING 'A bold adventure of a novel ... Here is a consummate writer at the top of her form. A fine fictional debut from a writer who's already made her mark' CANBERRA TIMES 'Profoundly moving, compelling and superbly written' AUSTRALIAN WOMEN'S WEEKLY

    Crowds of tourists mix with the locals, enjoying the glorious surroundings and the play of light on water. But each of the four carries a complicated history from elsewhere; each is haunted by past intimacies, secrets and guilt: Ellie is preoccupied by her sexual experiences as a girl, James by a tragedy for which he feels responsible, Catherine by the loss of her beloved brother in Dublin and Pei Xing by her imprisonment during China's Cultural Revolution. Told over the course of a single Saturday, Five Bells describes four lives which chime and resonate, sharing mysterious patterns and symbols. But it is a fifth person, a child, whose presence at the Quay haunts the day and who will overshadow everything that unfolds. By night-time, when Sydney is drenched in a rainstorm, each life has been transformed.Five Bells is a novel of singular beauty and power by one of Australia's most gifted novelists.

    He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about talking to everybody and listening carefully. It’s about finding different ways to look at things.Most of all it’s about Indigenous thinking, and how it can save the world.

    Her brother and his friends are coming home from the Great War and her sisters are falling in love. But Tiney and her family find that building peace is far more complicated than they could ever have imagined.Tiney's year will hold a world of new experience, from tragedy to undreamt-of joy, from seances to masked balls and riots in the streets. At the end of a war and the dawn of the jazz age, Tiney Flynn will face her greatest fears and begin a journey that will change her destiny.'The story of [the sisters'] struggles to come to terms with grief, anxiety, and unbearable loss at the same time as trying to forge some kind of realistic future is tough and believable and ultimately heartwarming.

    It argued that classical Aboriginal society was more sophisticated than Australians had been led to believe because it resembled more closely the farming communities of Europe.In Farmers or Hunter-gatherers? Peter Sutton and Keryn Walshe ask why Australians have been so receptive to the notion that farming represents an advance from hunting and gathering. Drawing on the knowledge of Aboriginal elders, previously not included within this discussion, and decades of anthropological scholarship, Sutton and Walshe provide extensive evidence to support their argument that classical Aboriginal society was a hunter-gatherer society and as sophisticated as the traditional European farming methods.Farmers or Hunter-gatherers? asks Australians to develop a deeper understanding and appreciation of Aboriginal society and culture.

    In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.

    Mary, just nineteen years old at the time, had been living on her own for three years and had already lost a baby days after birth. She was deeply in love with famed poet Percy Bysshe Shelley, a mad man who both enthralled and terrified her, and her relationship with him was rife with scandal and ridicule. But rather than let it crush her, Mary fueled her grief, pain, and passion into a book that the world has still not forgotten 200 years later.Dark, intense, and beautiful, this free-verse novel with over 300 pages of gorgeous black-and-white watercolor illustrations is a unique and unforgettable depiction of one of the greatest authors of all time.

    In the suburb of Shyness, the sun doesn't rise. Wolfboy meets a stranger called Wildgirl, who dares him to be her guide through the endless night. There are things that can only be said in the dark.This is Shyness was shortlisted for a number of major Australian literary awards and named a Children's Book Council of Australia Notable Book.Leanne Hall won the 2009 Text Prize for Young Adult and Children's Writing for this spellbinding debut for readers fourteen and up.

    She can’t do anything right, except draw, but she draws the wrong pictures. When her father moves the family to a small prairie city, Raphaelle wants to leave behind the misfit rebel, the outcast, the vengeful trouble-maker she was. Reborn as “Ella,” she plans fit in at her new school, while her perfect younger sister goes to the Catholic girls’ school and her emotionally fragile mother looks for a job. But Ella might just be a different kind of misfit. She’s drawn to a brooding boy in her art class, Samir, and expresses her confused feelings in an explicit artwork. When a classmate texts a photo of Ella’s art to a younger friend, the horrendous fallout spreads though Ella’s life like an uncontrollable disease. Ella is expelled from school and faces pornography charges, her mother is hospitalized, her sister fails all her classes, and her distant father finally notices something is wrong.

    Strangers to each other, they have no idea where they are or how they came to be there with eight other girls, forced to wear strange uniforms, their heads shaved, guarded by two inept yet vicious armed jailers and a 'nurse'. Doing hard labour under a sweltering sun, the prisoners soon learn what links them: in each girl's past is a sexual scandal with a powerful man. They pray for rescue - but when the food starts running out it becomes clear that the jailers have also become the jailed. The girls can only rescue themselves.

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.

    Maas. Four teenagers – all born on the same Valentine’s Day – begin to disappear. As the bodies mount up, Pearl Linford has to work out what in the supernatural hell is going on, before it happens to her. Finn Blacklin is the boy with whom Pearl shares a birthday, the boy she has known all her life and disliked every second of it, the boy her subconscious has a totally annoying crush on. Finn is also the Valentine: a Seelie fairy changeling swapped for a human boy at birth. The Unseelie have come to kill the Valentine – except they don’t know who it is. And now both the Seelie and the Unseelie think Pearl is the Valentine, and if they find out she isn’t, she’ll disappear too. Pearl must use all her wits to protect herself. Finn must come to terms with his newfound heritage. And then there’s the explosive chemistry between them that neither of them know quite what to do about . . .

    Abandoned at birth, she serves the Tribequeen of her township. Ailia is not permitted to marry, excluded from tribal ceremonies and, most devastatingly, forbidden to learn. But the Mothers, the tribal ancestors, have chosen her for another path.Lured by the beautiful and enigmatic Taliesin, Ailia embarks on an unsanctioned journey to attain the knowledge that will protect her people from the most terrifying invaders they have ever faced.Set in Iron-Age Britain on the cusp of Roman invasion, Skin is a thrilling, full-blooded, mesmerising novel about the collision of two worlds, and a young woman torn between two men.

    Her so-called friends bully her, whatever semblance of a mother she had has been drowned at the bottom of a gin bottle ever since her dad left them for another woman, and now a teenage ghost is speaking to her through a broken phone booth. Kirra and the ghost make a pact. She'll prove who murdered him almost twenty years ago if he does three things for her. He makes her popular, he gets her parents back together, and he doesn't haunt her. Things aren't so simple however, and Kirra realises that people can be haunted in more ways than one.