It's all or nothing. It's now or never.   It's time to ante up and go all in with God.No one has ever sacrificed anything for God.  If you always get back more than you gave up, have you sacrificed anything at all?  The eternal reward always outweighs the temporal sacrifice.  At the end of the day, our greatest regret will be whatever we didn’t give back to God. What we didn’t push back across the table to Him.  Eternity will reveal that holding out is losing out.Batterson writes, “For many years, I thought I was following Jesus.  I wasn’t.  I had invited Jesus to follow me.  I call it inverted Christianity.  And it’s a subtle form of selfishness that masquerades as spirituality.  That’s when I sold out and bought in.  When did we start believing that the gospel is an insurance plan?  It’s a daring plan.  Jesus did not die just to keep us safe. He died to make us dangerous.”

    

    A comprehensive guide to Amor Towles' acclaimed new novel 'A Gentleman in Moscow', this discussion aid includes a wealth of information and resources: useful literary and historical context; an author biography; a plot synopsis; analyses of themes & imagery; character analysis; twenty thought-provoking discussion questions; recommended further reading and even a quick quiz. For those in book clubs, this useful companion guide takes the hard work out of preparing for meetings and guarantees productive discussion. For solo readers, it encourages a deeper examination of a multi-layered text.

    The book and the dream are the poet’s primary objects of investigation here. Through deft, quietly authoritative lyrics, Fisher meditates on the problems and possibilities—the frail craft—of perception for the reader, the dreamer, maintaining that “if the eye can love—and it can, it does—then I held you and was held.” In her foreword to the book, Louise Glück writes that Fisher’s poetry is “haunting, elusive, luminous, its greatest mystery how plain-spoken it is. Sensory impressions, which usually serve as emblems of or connections to emotion, seem suddenly in this work a language of mind, their function neither metonymic nor dramatic. They are like the dye with which a scientist injects his specimen, to track some response or behavior. Fisher uses the sense this way, to observe how being is converted into thinking.”

    By turns sassy and serious, the poems can seem to sprint in two directions at once, managing to make the reader laugh at the same time they are struck by the emotional strength of the work. "Charming, inviting, beguiling and delightful poems in the language of someone who seems alive speaking refreshing riddles to herself." SHEILA HETI"Uptalk is a book of transcribed whale songs. Some scientists gave a whale a microphone and she took it home and stayed up all night under the covers talking to herself about faces and word-parts. I am delighted that Kimmy took it upon herself to transcribe this unique document of marine biology, and my heart goes out to the brilliant, charming whale author, wherever she may be." SARA WOODS

    What is needed is not ingenious exegetical rationalization of ancient texts, but the kind of transformation into a work of piety and art that is provided here.Addressed are the needs of a world seeking to counter individual and societal injustices by a global peace born of personal peace through prayer and practice. In short, here is the Book of Psalms recast in the light of the continuing revelation and evolution of the authentic religious spirit of the scriptures.

    

    Divided into four sections: love, loss, acceptance, and growth- the content serves the purpose of making you feel and finding the light at the end of the tunnel.

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.