Seen through the lens of four families who've been a part of one another's lives since their kids were born over a decade ago, the story reveals not only the lengths that some adults are willing to go to get ahead, but the effect on the group's children, sibling relationships, marriages, and careers, as simmering resentments come to a boil and long-buried, explosive secrets surface and detonate. It's a humorous, keenly observed, timely take on ambitious parents, willful kids, and the pursuit of prestige, no matter the cost.

    The author of the iconic The Good Mother and the best-selling While I Was Gone brings her marvelous gifts to a powerful story of two unconventional women who unexpectedly change each other’s lives.Meri is newly married, pregnant, and standing on the cusp of her life as a wife and mother, recognizing with some terror the gap between reality and expectation. Delia Naughton—wife of the two-term liberal senator Tom Naughton—is Meri’s new neighbor in the adjacent New England town house. Delia’s husband’s chronic infidelity has been an open secret in Washington circles, but despite the complexity of their relationship, the bond between them remains strong. What keeps people together, even in the midst of profound betrayal? How can a journey imperiled by, and sometimes indistinguishable from, compromise and disappointment culminate in healing and grace? Delia and Meri find themselves leading strangely parallel lives, both reckoning with the contours and mysteries of marriage, one refined and abraded by years of complicated intimacy, the other barely begun.Here are all the things for which Sue Miller has always been beloved—the complexity of experience precisely rendered, the richness of character and emotion, the superb economy of style—fused with an utterly engrossing story that has a great deal to say to women, and men, of all ages.

    Noah Selvaggio is a retired chemistry professor and widower living on the Upper West Side, but born in the South of France. He is days away from his first visit back to Nice since he was a child, bringing with him a handful of puzzling photos he's discovered from his mother's wartime years. But he receives a call from social services: Noah is the closest available relative of an eleven-year-old great-nephew he's never met, who urgently needs someone to look after him. Out of a feeling of obligation, Noah agrees to take Michael along on his trip. Much has changed in this famously charming seaside mecca, still haunted by memories of the Nazi occupation. The unlikely duo, suffering from jet lag and culture shock, bicker about everything from steak frites to screen time. But Noah gradually comes to appreciate the boy's truculent wit, and Michael's ease with tech and sharp eye help Noah unearth troubling details about their family's past. Both come to grasp the risks people in all eras have run for their loved ones, and find they are more akin than they knew.Written with all the tenderness and psychological intensity that made Room an international bestseller, Akin is a funny, heart-wrenching tale of an old man and a boy, born two generations apart, who unpick their painful story and start to write a new one together.

    For twelve years, it remained untouched.Now a near fatal riding accident has shattered Piper’s dreams of Olympic glory. After her grandfather’s death, she inherits the house and all its secrets, including a key to a room that doesn’t exist—or does it? And after her grandmother is sent away to a nursing home, she remembers the box buried in the backyard. In it are torn pages from a scrapbook, a charm necklace—and a newspaper article from 1939 about the body of an infant found floating in the Savannah River. The necklace’s charms tell the story of three friends during the 1930s— each charm added during the three months each friend had the necklace and recorded her life in the scrapbook. Piper always dismissed her grandmother as not having had a story to tell. And now, too late, Piper finds she might have been wrong.

    Ruth Plank is an artist and a romantic with a rich, passionate, imaginative life. The last of five girls born to a gentle, caring farmer and his stolid wife, she yearns to soar beyond the confines of the land that has been her family's birthright for generations. Dana Dickerson is a scientist and realist whose faith is firmly planted in the natural world. Raised by a pair of capricious drifters who waste their lives on failed dreams, she longs for stability and rootedness. Different in nearly every way, Ruth and Dana share a need to make sense of who they are and to find their places in a world in which neither has ever truly felt she belonged. They also share a love for Dana's wild and beautiful older brother, Ray, who will leave an indelible mark on both their hearts. Told in the alternating voices of Ruth and Dana, The Good Daughters follows these "birthday sisters" as they make their way from the 1950s to the present. Master storyteller Joyce Maynard chronicles the unlikely ways the two women's lives parallel and intersect—from childhood and adolescence to first loves, first sex, marriage, and parenthood; from the deaths of parents to divorce, the loss of home, and the loss of a beloved partner—until past secrets and forgotten memories unexpectedly come to light, forcing them to reevaluate themselves and each other. Moving from rural New Hampshire to a remote island in British Columbia to the '70s Boston art-school scene, The Good Daughters is an unforgettable story about the ties of home and family, the devastating force of love, the healing power of forgiveness, and the desire to know who we are.

    Lizzy is the steadfast grandmother; crazy, red-haired Josie, the mother; and Kit, the 14-year-old daughter who tells their story. Like a maritime cutter, the narrative sails along smoothly, and much of the dialogue is in the distinctive argot of that windy Atlantic island: "When it's clear like ice and ribbed on the bottom--that's the killin' frost. Your berries are dead. Good for moose and caribou pickin's. Now, there's them that picks 'em anyway, and that's why their jam is as tart as a whore's arse." With its partridgeberry patches, moose stew, and endless cups of tea, this is quintessential Newfoundland. After Lizzy dies, the nasty local pastor wants to put Kit in an orphanage and Josie in an appropriate institution. The compassionate Doctor Hodgins becomes their staunch defender against both do-gooders and those plotting Kit's downfall. This first novel is a female coming-of-age story of the rural variety, replete with endemic poverty, good-hearted and downright evil village people, and the constant irritant of Newfoundland's raw, nasty weather. It is also the touching story of Kit's first love, and it reads like a breeze. --Mark Frutkin

    A deeply evocative narrative about the profound connections between mothers and daughters, The Valley of Amazement returns readers to the compelling territory of Amy Tan's The Joy Luck Club. With her characteristic insight and humor, she conjures a story of inherited trauma, desire and deception, and the power and stubbornness of love.

    Rescued against his will, the narrator is obliged to attend sessions with a well-intentioned but naïve therapist. This sets the story in motion, leading us back to the narrator’s violent childhood in a war-torn country, forward into his current life in the smoky émigré cafés, and out into the frozen nighttime streets of Montreal. Bold, haunting, and emotionally trenchant, Cockroach is a powerful story of immigrant experience, indignation, and unrelenting fortitude.

    Diane takes the charge to heart and undertakes an often ribald, highly entertaining journey to restoring trust in herself and others that is at the same time an astute commentary on women and girls, gender differences, and the curious institution of marriage in the twenty-first century. All the details are up for scrutiny in this tender, brisk story of the path to recovery. Autopsy of a Boring Wife is a wonderfully fresh and engaging novel of the pitfalls and missteps of an apparently “boring” life that could be any of ours.

    Three cute kids. One small dog. It’s just a normal weekend. What could possibly go wrong?Sam and Clementine have a wonderful, albeit, busy life: they have two little girls, Sam has just started a new dream job, and Clementine, a cellist, is busy preparing for the audition of a lifetime. If there’s anything they can count on, it’s each other.Clementine and Erika are each other’s oldest friends. A single look between them can convey an entire conversation. But theirs is a complicated relationship, so when Erika mentions a last minute invitation to a barbecue with her neighbors, Tiffany and Vid, Clementine and Sam don’t hesitate. Having Tiffany and Vid’s larger than life personalities there will be a welcome respite.Two months later, it won’t stop raining, and Clementine and Sam can’t stop asking themselves the question: What if we hadn’t gone?In Truly Madly Guilty, Liane Moriarty takes on the foundations of our lives: marriage, sex, parenthood, and friendship. She shows how guilt can expose the fault lines in the most seemingly strong relationships, how what we don’t say can be more powerful than what we do, and how sometimes it is the most innocent of moments that can do the greatest harm.

    He has glimpsed his neighbors—beautiful manicurist Rayleen, lonely old Ms. Hinman, bigoted and angry Mr. Lafferty, kind-hearted Felipe, and 9-year-old Grace and her former addict mother Eileen. But most of them have never seen Billy. Not until Grace begins to sit outside on the building’s front stoop for hours every day, inches from Billy’s patio. Troubled by this change in the natural order, Billy makes it far enough out onto his porch to ask Grace why she doesn’t sit inside where it’s safe. Her answer: “If I sit inside, then nobody will know I’m in trouble. And then nobody will help me.” Her answer changes everything.

    Resonating with emotional intensity and narrative innovation reminiscent of Ann Patchett’s Bel Canto, Barbara Kingsolver’s The Poisonwood Bible, and Zora Neale Hurston’s Their Eyes Were Watching God, Haigh’s Mrs. Kimble is a timeless story of grief, passion, heartache, deception, and the complex riddle of love.

    Her mother, Polly, is a cantankerous, take-no-prisoners Southern woman who lives to shoot varmints, drink margaritas, and antagonize the neighbors and she sticks out like a sore thumb among the young modern mothers of their small conventional Texas town. She was in her late fifties when Willow was born, so Willow knows she's here by accident, a late-life afterthought. Willow's father died before she was born, her much older brother and sister are long grown and gone and failing elsewhere. It's just her and bigger-than-life Polly.Willow is desperately hungry for clues to the family life that preceded her, and especially Polly's life pre-Willow. Why did she leave her hometown of Bethel, Louisiana, fifty years ago and vow never to return? Who is Garland Jones, her long-ago suitor who possibly killed a man? And will Polly be able to outrun the Bear, the illness that finally puts her on a collision course with her past?

    Richard, the oldest, always keeps safe; Abba always has hope; Lucy is never lost and Kent can beat anyone in a fight. As for Angie, she always forgives, instantly. But over the years these so-called blessings ended up ruining their lives. Now Annie is dying and she has one last task for Angie: gather her far-flung brothers and sisters and assemble them in her grandmother's hospital room so that at the moment of her death, she can lift these blessings-turned-curses. And Angie has just two weeks to do it. What follows is a quest like no other, tearing up highways and racing through airports, from a sketchy Winnipeg nursing home to the small island kingdom of Upliffta, from the family's crumbling ancestral Toronto mansion to a motel called Love. And there is also the search for the answer to the greatest family mystery of all: what really happened to their father, whose maroon Maserati was fished out of a lake so many years ago?

    Church, marriage to a steady young man, children - her fortunes are already laid out for her, as are the shiny modern appliances in her new home. All she has to do is stay with Roy, who loves her. But as the decades unfold, what seems to be a safe, predictable existence overwhelms Hope. Where - among the demands of her children, the expectations of her husband and the challenges of her best friend, Emily, who has just read The Feminine Mystique - is there room for her? And just who is she anyway? A wife, a mother, a woman whose life is somehow unrealized?This beautifully crafted and perceptive work of fiction spans some fifty years of Hope Koop's life in the second half of the 20th century, from traditionalism to feminism and beyond. David Bergen has created an indelible portrait of a seemingly ordinary woman who struggles to accept herself as she is, and in so doing becomes unique.