A stressed-out single mom of two and struggling novelist, Finlay’s life is in chaos: The new book she promised her literary agent isn’t written; her ex-husband fired the nanny without telling her; and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors.When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet. She soon discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation.Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from award-winning Elle Cosimano.

    Edvardsson's A Nearly Normal Family and lauds it as a "page-turner" that forces the reader to confront "the compromises we make with ourselves to be the people we believe our beloveds expect." (NYTimes Book Review Summer Reading Issue)When the teenage daughter of responsible, upstanding parents is accused of murder, a family realizes that it isn't love that will keep them together: it's lies.Eighteen-year-old Stella Sandell stands accused of the brutal murder of a man almost fifteen years her senior. She is an ordinary teenager from a respectable local family. What reason could she have to know a shady businessman, let alone to kill him?Told in an unusual three-part structure, this gripping, domestic drama pushes a family to its limits. The father, a pastor, believes his daughter can only be innocent, despite mounting evidence. The mother, a defense attorney, believes no one is telling the truth. And the daughter, desperate for her dreams of the future, believes no one understands how far she is willing to go.In this complex, multi-layered novel, every character's loyalty and morality is tested. Are we duty-bound to defend our family, even with the evidence against them? Is anyone who they seem on the surface? And what are we willing to compromise to keep our lives, as we know them, intact?

    How can it be true that Lissa, the strongest swimmer they know, drowned? Granted, there is something strange about Kanu Cove, where Lissa was last seen, swimming off the coast of the fabulous island resort she owned with her husband.Lissa's closest friends gather at the resort to honor her life, but Georgie and Bron can't seem to stop looking over their shoulders. Danger lurks beneath the surface of the crystal-clear water, and even their luxurious private villas can't help them feel safe. As the weather turns ominous, trapping the funeral guests together on the island, nobody knows who they can trust. Lissa's death was only the beginning....

    Greenwood follows one woman's journey through heartbreak and loss to courage and resolve, as she searches for the truth about a missing child. Eight years ago, Tess and Jake were considered a power couple of the New York publishing world--happy, in love, planning a family. Failed fertility treatments and a heartbreaking attempt at adoption have fractured their marriage and left Tess edgy and adrift. A visit to friends in rural Vermont throws Tess's world into further chaos when she sees a young, half-dressed child in the middle of the road, who then runs into the woods like a frightened deer. The entire town begins searching for the little girl. But there are no sightings, no other witnesses, no reports of missing children. As local police and Jake point out, Tess's imagination has played her false before. And yet Tess is compelled to keep looking, not only to save the little girl she can't forget but to salvage her broken heart as well. Blending her trademark lyrical prose with a superbly crafted and suspenseful narrative, Where I Lost Her is a gripping, haunting novel from a remarkable storyteller.

    But then an invitation to her ten-year reunion arrives in the mail, along with an anonymous note that reads, “We need to talk about what we did that night.” It seems that the secrets of Ambrosia’s past—and the people she thought she’d left there—aren’t as buried as she believed. Amb can’t stop fixating on what she did or who she did it with: larger-than-life Sloane “Sully” Sullivan, Amb’s former best friend, who could make anyone do anything. At the reunion, Amb and Sully receive increasingly menacing messages, and it becomes clear that they’re being pursued by someone who wants more than just the truth of what happened that first semester. This person wants revenge for what they did and the damage they caused—the extent of which Amb is only now fully understanding. And it was all because of the game they played to get a boy who belonged to someone else and the girl who paid the price. Alternating between the reunion and Amb’s freshman year, The Girls Are All So Nice Here is a “chilling and twisty thriller” (Book Riot) about the brutal lengths girls can go to get what they think they’re owed, and what happens when the games we play in college become matters of life and death.

    There, in his late wife's hometown, Hawley finds work as a fisherman, while Loo struggles to fit in at school and grows curious about her mother's mysterious death. Haunting them both are twelve scars Hawley carries on his body, from twelve bullets in his criminal past; a past that eventually spills over into his daughter's present, until together they must face a reckoning yet to come. This father-daughter epic weaves back and forth through time and across America, from Alaska to the Adirondacks. Both a coming-of-age novel and a literary thriller, The Twelve Lives of Samuel Hawley explores what it means to be a hero, and the cost we pay to protect the people we love most.

    After her father's murder thirteen years prior, her mother ran away to join a cult and her twin sister Lanie, once Josie’s closest friend and confidant, betrayed her in an unimaginable way. Now, Josie has finally put down roots in New York, settling into domestic life with her partner Caleb, and that’s where she intends to stay. The only problem is that she has lied to Caleb about every detail of her past—starting with her last name.When investigative reporter Poppy Parnell sets off a media firestorm with a mega-hit podcast that reopens the long-closed case of Josie’s father’s murder, Josie’s world begins to unravel. Meanwhile, the unexpected death of Josie’s long-absent mother forces her to return to her Midwestern hometown where she must confront the demons from her past—and the lies on which she has staked her future.

    At twenty-one, she’s married to charming, handsome Paul, and has just given birth to a baby boy. But one phone call changes her life forever.When Paul’s niece, Ruby, reports that her father, Henry, has committed suicide, and that her mother, Silja, is missing, Angie and Paul drop everything and fly to the small upstate town of Stonekill, New York to be by Ruby’s side.Angie thinks they’re coming to the rescue of Paul’s grief-stricken young niece, but Ruby is a composed and enigmatic seventeen-year-old who resists Angie’s attempts to nurture her. As Angie learns more about the complicated Glass family, staying in Henry and Silja’s eerie and ultra-modern house on the edge of the woods, she begins to question the very fabric of her own marriage.Through Silja’s flashbacks, Angie’s discovery of astonishing truths, and Ruby’s strategic dissection of her parents’ state of affairs, a story of love, secrets, and ultimate betrayal is revealed.

    The local junkyard is burning, and the town pariah Lizzie Oullette is dead—with her husband, Dwayne, nowhere to be found. As scandal ripples through the community, Detective Ian Bird’s inquiries unexpectedly lead him away from small-town Maine to a swank city townhouse several hours south. Adrienne Richards, blonde and fabulous social media influencer and wife of a disgraced billionaire, had been renting Lizzie’s tiny lake house as a country getaway…even though Copper Falls is anything but a resort town.As Adrienne’s connection to the case becomes clear, so too does her connection to Lizzie, who narrates their story from beyond the grave. Each woman is desperately lonely in her own way, and they navigate a relationship that cuts across class boundaries: transactional, complicated, and, finally, deadly. A Gone Girl for the gig economy, this is a story of privilege, identity, and cunning, as two devious women from opposite worlds discover the dangers of coveting someone else’s life.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    Now she must run, not only to escape the dark secrets in her past, but to outwit the man who is stalking her every move.On the other side of the country, Allison's mother is desperate for news of her daughter, who is missing, presumed dead. Maggie refuses to accept that she could have lost her only child and sets out to discover the truth.Mother and daughter must fight - for survival and to find their way through a dark web of lies and back to one another, before it's too late...

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    The phone rings.The man on the other end says his daughter is missing.Your daughter. The baby you gave away over fifteen years ago. What do you do? Nora Watts isn't sure that she wants to get involved. Troubled, messed up, and with more than enough problems of her own, Nora doesn't want to revisit the past. But then she sees the photograph. A girl, a teenager, with her eyes. How can she turn her back on her? But going in search of her daughter brings Nora into contact with a past that she would rather forget, a past that she has worked hard to put behind her, but which is always there, waiting for her . . . In Eyes Like Mine, Sheena Kamal has created a kick-ass protagonist who will give Lisbeth Salander a run for her money. Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    So when he's called to a hospital bed where Nick is lying battered and bruised after a violent sexual assault, his protective instincts flare, and a white-hot rage begins to build.As a small-town New England lawyer, Tony's wife, Julia, has cases involving kids all the time. When Detective Rice gets assigned to this one, Julia feels they're in good hands. Especially because she senses that Rice, too, understands how things can quickly get complicated. Very complicated.After all, one moment Nick was having a drink with a handsome stranger; the next, he was at the center of an investigation threatening to tear not only him, but his entire family, apart. And now his attacker, out on bail, is disputing Nick's version of what happened.As Julia tries to help her brother-in-law, she sees Tony's desire for revenge, to fix things for Nick, getting out of control. Tony is starting to scare her. And before long, she finds herself asking: does she really know what her husband is capable of? Or of what she herself is?Exploring elements of doubt, tragedy, suspense, and justice, The Damage is an all-consuming read that marks the explosive debut of an extraordinary new writer.