The Abominable Charles Christopher follows the adventures of a dim-witted yeti through a forest full of colourful animal characters.Who is Charles? Where did he come from? Where is he going? He knows about as much as you do - probably much less, actually - and his adventure is just beginning.

    Happily Ever After humorously captures what everyday love looks like—both the sweet moments and the mundane—making it a fitting gift for weddings, anniversaries, and Valentine’s Day.

    Until he gets a letter from the HR department insisting he use up his accrued vacation time, that is. In this humorous and heartfelt book from beloved illustrator Brian Rea, readers take a peek at Death's journal entries as he documents his mandatory sabbatical in the world of the living. From sky diving to online dating, Death is determined to try it all! Death Wins a Goldfish is an important reminder to the overstressed, overworked, and overwhelmed that everyone—even Death—deserves a break once in a while. If you enjoyed Brian Rea's work in Mary Karr's The Liars' Club: A Memoir or in the New York Times' popular Modern Love column you'll love his delightful illustrations of Death in this funny, heartfelt collection of works.This book is a great gift or self-purchase if you're looking for:Funny BooksFunny ComicsHumor Books

    I have done stand-up, sketches, movies, monologues, awards show introductions, sound bites, blurbs, talk show appearances, and tweets, but the idea of a one-panel image with or without a caption mystified me. I felt like, yeah, sometimes I'm funny, but there are these other weird freaks who are actually funny. You can understand that I was deeply suspicious of these people who are actually funny." So writes the multitalented comedian Steve Martin in his introduction to A Wealth of Pigeons: A Cartoon Collection. In order to venture into this lauded territory of cartooning, he partnered with the heralded New Yorker cartoonist Harry Bliss. Steve shared caption and cartoon ideas, Harry provided impeccable artwork, and together they created this collection of humorous cartoons and comic strips, with amusing commentary about their collaboration throughout. The result: this gorgeous, funny, singular book, perfect to give as a gift or to buy for yourself.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    . . 9 times!Cave Cat—the first cat crawled out of the sea 10 million years ago. He was happy to be out of the water—until he met Big Bob!The Vikings—he was big, he was mean, he was a Viking. Garfield the Orange had looted a lot of cities, but none like St. Paul, Minnesota.Babes and Bullets—Sam Spayed wasn’t the best private investigator in the world, but he did have one terrific thing going for him—a secretary who made a great cup of coffee.The Exterminators—no mouse was safe from the exterminators. Catching mice was their life. It wasn’t a pretty job—especially the way they did it.Lab Animal—Specimen 19-GB was not happy at the prospect of being dissected, so he did something about it. What happened set the federal government on its ear.The Garden—life was a carefree romp among hovering harmonicas for Cloey and the orange kitten . . . until they confronted the crystal box.Primal Self—he was an ordinary house cat leading an ordinary existence. A shadowy memory from another time changed all that.Garfield—the marvelous cat we all know and love. This is his life in a nutshell.Space Cat—he was lost in space with a computer built by the lowest bidder. And, he was not about to let his life slip away that easily.