An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

    It's been updated to keep coverage in step with the fast-changing world of electronics. Yet, it retains Malvino's clear writing style, supported throughout by abundant illustrations and examples.

    Charles knows just what to do with the scared feline. If only her love life were as easy to deal with as her love for familiars.Vampire Brody Carmichael hasn’t been living in Sable Cove long, but he likes the quietness of the small, seaside town. A transplant from a big city, he’s enjoying the laid-back attitude of the townsfolk and trying to figure out how to get to know the gorgeous witch Delaney. When a warlock tries to abduct an abandoned familiar and it appears that Delaney’s life is in jeopardy, Brody will stop at nothing to protect her and get to the bottom of the mystery surrounding the kitten.Will Delaney get an opportunity to find out what Brody looks like underneath the uniform, or will her life be snuffed out before she even has a chance to discover what it’s like to kiss a man with fangs?

    Boy, was I wrong. Now they’ve become my temptations… and they’re willing to share.Matt, Dereck, and Bryce made sure my high school experience was hell. They pushed me to the edge until I saw no other way out, but to run.After transferring and finishing high school far away from the cruel trio, I’m on my way to becoming the best goddamn nurse ever.Then, the boys show up on my campus, and everything goes to shit. Working as a firefighter, cop, and paramedic while going to school, they might’ve fooled everyone into thinking they’re the saviors, but I know they’re up to their old tricks. Only this time, it’s not my mind, but my body they’re after.Too bad I’m not the weak girl I used to be. This time, I won’t run. This time, I’ll face the trio and bring them down to their knees.Yet the more time I spend with them, the more I see that they’ve changed. My heart is telling me I can trust them. My soul wants all three. Will I be able to leave my past demons behind and give myself to my three men?Her Temptations is a steamy reverse harm, enemies to lovers, college romance. No cheating, No cliffhanger, plenty of heat, and a guaranteed HEA!

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    Now I’m taking Princess Lessons.” Katherine Saunders had every intention of enjoying her two-week study abroad trip to the tiny European country of Montavian. With nothing more on her agenda than having a good time, she envisioned sleeping til noon on downy featherbeds every day, and hitting hottest clubs by night. But a chance encounter with the world’s most cocky Crown Prince has derailed those plans, leaving her not only breathless, but wanting far more. Eric Jean-Francois Devillers III has more important things to think about than a flighty American student intent on seeing the sights, but there’s something about Kat that he can’t get out of his head. No matter how many times he cuts her down with a biting remark—more intent on convincing himself that she’s no Queen than trying to convince her—he can’t stop thinking about the petite spitfire from across the pond. But there’s more to being the future queen than just a pretty face and a sharp wit. Katherine has generations of royals to convince that she’s suitable for the role…and even has to convince herself. *BONUS BOOK*: One Night with a Bad Boy: (A Redemption Story), a full-length novel from Ella Slade, is included at the end of this book, completely FREE!

    A lyrical, moving valedictory.

    Coetzee reinvents the story of Robinson Crusoe—and in so doing, directs our attention to the seduction and tyranny of storytelling itself.In 1720 the eminent man of letters Daniel Foe is approached by Susan Barton, lately a castaway on a desert island. She wants him to tell her story, and that of the enigmatic man who has become her rescuer, companion, master, and sometimes lover: Cruso. Cruso is dead, and his manservant, Friday, is incapable of speech. As she tries to relate the truth about him, the ambitious Barton cannot help turning Cruso into her invention. For as narrated by Foe—as by Coetzee himself—the stories we thought we knew acquire depths that are at once treacherous, elegant, and unexpectedly moving.~from the back cover

    When Henry joins this nefarious crew, which includes a beautiful blonde tattooist named Tulip, contortionist twins, and a woman referred to only as “the knockout,” he becomes inextricably linked to its ringleader, the mysterious herring connoisseur Mr. Kindt, whose identity can be traced through twists and turns all the way back to the corpse depicted in Rembrandt’s The Anatomy Lesson.Mirrored by a concurrently running story set in a hospital where Henry and Mr. Kindt are patients attended to by a certain Dr. Tulp, the mysteries surrounding Mr. Kindt’s past, Henry’s fate, and murders both staged and real begin to unravel in the most extraordinary ways. Substantive, stylish, and darkly comic, The Exquisite is a skillful dissection of reality, human connection, and the very nature of existence.

    As I have said, it happened when we were in the medical school1 where West had already made himself notorious through his wild theories on the nature of death and the possibility of overcoming it artificially. His views, which were widely ridiculed by the faculty and by his fellow-students, hinged on the essentially mechanistic nature of life; and concerned means for operating the organic machinery of mankind by calculated chemical action after the failure of natural processes. In his experiments with various animating solutions, he had killed and treated immense numbers of rabbits, guinea-pigs, cats, dogs, and monkeys, till he had become the prime nuisance of the college. Several times he had actually obtained signs of life in. animals supposedly dead; in many cases violent sign5; but he soon saw that the perfection of his process, if indeed possible, would necessarily involve a lifetime of research. It likewise became clear that, since the same solution never worked alike on different organic species, he would require human subjects for further and more specialised progress. It was here that he first came into conflict with the college authorities, and was debarred from future experiments by no less a dignitary than the dean of the medical school himself -- the learned and benevolent Dr. Allan Halsey, whose work in behalf of the stricken is recalled by every old resident of Arkham. I had always been exceptionally tolerant of West’s pursuits, and we frequently discussed his theories, whose ramifications and corollaries were almost infinite. Holding with Haeckel that all life is a chemical and physical process, and that the so-called "soul" is a myth, my friend believed that artificial reanimation of the dead can depend only on the condition of the tissues; and that unless actual decomposition has set in, a corpse fully equipped with organs may with suitable measures be set going again in the peculiar fashion known as life. That the psychic or intellectual life might be impaired by the slight deterioration of sensitive brain-cells which even a short period of death would be apt to cause, West fully realised. It had at first been his hope to find a reagent which would restore vitality before the actual advent of death, and only repeated failures on animals had shewn him that the natural and artificial life-motions were incompatible. He then sought extreme freshness in his specimens, injecting his solutions into the blood immediately after the extinction of life. It was this circumstance which made the professors so carelessly sceptical, for they felt that true death had not occurred in any case. They did not stop to view the matter closely and reasoningly. It was not long after the faculty had interdicted his work that West confided to me his resolution to get fresh human bodies in some manner, and continue in secret the experiments he could no longer perform openly. To hear him discussing ways and means was rather ghastly, for at the college we had never procured anatomical specimens ourselves. Whenever the morgue proved inadequate, two local negroes attended to this matter, and they were seldom questioned. West was then a small, slender, spectacled youth with delicate features, yellow hair, pale blue eyes, and a soft voice, and it was uncanny to hear him dwelling on the relative merits of Christchurch Cemetery and the potter’s field. We finally decided on the potter’s field, because practically every body in Christchurch was embalmed; a thing of course ruinous to West’s researches.

    They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it. Most will go peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, the horrors will come, skipping, to fetch them off to the highway of the damned ...From the brilliant World Fantasy Award winner Clive Barker come fourteen spine-chilling stories of darkness unleashed, gathered together in one volume for the first time. These are visionary tales of terror which will curdle the very marrow in your bones ...

    S. Eliot's powerful collections into one. It includes such classic poems as "The Love Song of J. Alfred Prufrock," "Portrait of a Lady," "Preludes," "Gerontion," "Sweeney Among the Nightingales," and "The Waste Land."

    A "wizard at blending levity and pathos" (Chicago Tribune), Leavitt displays here his characteristic grace and intelligence, as well as his remarkable candor and wit. Here are stories that range in form from a historical survey to a police interrogation to an e-mail exchange. In "The Infection Scene," a young man's determined effort to contract HIV is juxtaposed with an account of the early life of Lord Alfred Douglas. In the title story, an expatriate tries to make sense of his ex-partner's senseless murder. In "Crossing St. Gotthard," the members of an American family traveling in Europe at the turn of the twentieth century find themselves confronting their own mortality as they plunge into a train tunnel in Switzerland. And in "Black Box," the partner of a man killed in a plane crash is drawn into an unholy alliance with a fellow "crash widow." Moving from Rome to San Francisco to Florida, from fin-de-siccle London to Hollywood in the early 1960s, these stories showcase the agility and sensitivity that have earned David Leavitt his reputation as one of the most innovative voices in contemporary short fiction.

    It includes The Great Wall of China, Blumfeld, An Elderly Bachelor, Investigations of a Dog and his great sequences of aphorisms, with fables and parables on subjects ranging from the legend of Prometheus to the Tower of Babel. Allegorical, disturbing and possessing a dream-like clarity, these writings are quintessential Kafka.

    Among the short stories collected in the book are Love for $17.50, about a man named Robert whose infatuation with a mannequin in a junk shop leads him first to buy it, then make love to it, and then eventually fall in love with "her," much to the consternation of his real-life girlfriend; Maja Thurup, about a South American tribesman with an enormous penis who is brought to Los Angeles by the woman anthropologist who has "discovered" him and become his lover; and The Devil is Hot, about an encounter with Old Nick at an amusement pier in Santa Monica, where Scratch himself is caged and on display, fed only peanut butter and dogfood, exploited by a cynical carnie.The collection also features two of Bukowski's finest and most famous short stories: All the Assholes in the World Plus Mine, an autobiographical rumination on the treatment of his hemorrhoids, and Confessions of a Man Insane Enough to Live With Beasts. (The latter story originally was published as a chapbook of 500 copies by Bensenville Mimeo Press in 1965.)The short stories collected in the volume are evocative of Bukowski at his best, when he was one of the premier short story writers still at the top of his talent.- Wikipedia