CEO of a huge company.Should I say... complete opposites?I think that would be appropriate.And a good thing, considering my past.You see...I tend to attract a-holes.In all pretty shapes and sizes but a-holes, nonetheless.I credit that to my uncontrollable natural curves.My ex, for instance, was a stalker.He violated my boundaries and left me feeling...Well, you get the point.I moved to the glitz and glam of Manhattan after that whole ordeal.A fresh beginning was what I wanted.But instead, I run into my new boss...Aka my Mr. Opposite.Also, the guy I graduated with.And turns out, the guy that harbored a secret crush on me.But there was no way we could be that different and find the same path in life, right?Or could we?

    This title enables students to grasp key sociological concepts and learn the useful lesson that there is much that goes on in the social world that escapes the sociologically untrained eye.

    Now available in paperback, this highly-acclaimed book is a playful and ingenious gathering of interwoven stories. "At once terribly moving and wildly funny".--A.S. Byatt.

    In New Orleans in 1937, a man and a woman embark on a headlong flight into the wilderness of illicit passion, fleeing her husband and the temptations of respectability. In Mississippi ten years earlier, a convict sets forth across a flooded river, risking his own chance at freedom to rescue a pregnant woman. From these separate stories Faulkner composes a symphony of deliverance and damnation, survival and self-sacrifice, a novel in which elemental danger is juxtaposed wiht fatal injuries of the spirit. The Wild Palms is grandly inventive, heart-stopping in its prose, and suffused on every page with the physical presence of the country that Faulkner made his own.

    When it was published by Seix Barral in 1996, critics in Spain were quick to recognize the arrival of an important new talent. The book presents itself as a biographical dictionary of American writers who flirted with or espoused extreme right-wing ideologies in the twentieth and twenty-first centuries. It is a tour de force of black humor and imaginary erudition. Nazi Literature in the Americas is composed of short biographies, including descriptions of the writers’ works, plus an epilogue (“for Monsters”), which includes even briefer biographies of persons mentioned in passing. All of the writers are imaginary, although they are all carefully and credibly situated in real literary worlds. Ernesto Pérez Masón, for example, in the sample included here, is an imaginary member of the real Orígenes group in Cuba, and his farcical clashes with José Lezama Lima recall stories about the spats between Lezama Lima and Virgilio Piñera, as recounted in Guillermo Cabrera Infante’s Mea Cuba. The origins of the imaginary writers are diverse. Authors from twelve different countries are included. The countries with the most representatives are Argentina (8) and the USA (7).

    . . . Carver is a writer of astonishing compassion and honesty. . . . his eye set only on describing and revealing the world as he sees it. His eye is so clear, it almost breaks your heart” (Jonathan Yardley, Washington Post Book World).From the eBook edition.

    David wants to make his mummy happy, and tell her he loves her, but can't quite seem to find the words.His verbal communication center is giving him trouble again. He may have to go back to the factory.For more than four decades Brian Aldiss has been confounding the limits of satire, poetry, and science fiction, creating stories from the well of dreamscapes that come up sharp against the cutting edge of our technological society.

    Spain has become a land of extraordinary paradoxes in which traditional attitudes and contemporary preoccupations exist side by side. Focussing on issues which affect ordinary Spaniards, from housing to gambling, from changing sexual mores to rising crime rates. John Hooper's fascinating study brings to life the new Spain of the twenty-first century.

    The stories are told in a country villa outside the city of Florence by ten young noble men and women who are seeking to escape the ravages of the plague. Boccaccio's skill as a dramatist is masterfully displayed in these vivid portraits of people from all stations in life, with plots that revel in a bewildering variety of human reactions.Translated with an Introduction and Notes by G. H. McWilliam

    As early as the late seventeenth century, they were heavily featured in literature, art, theater, and even comedy, from the Tale of the Heike to the kabuki retellings of the 47 Ronin. This legacy remains with us today in the legendary Akira Kurosawa films, the shoguns of HBO's Westworld, and countless renditions of samurai history in anime, manga, and video games. Acknowledging these common depictions, this book gives readers access to the real samurai as they lived, fought, and served.Much as they capture the modern imagination, the samurai commanded influence over the politics, arts, philosophy and religion of their own time, and ultimately controlled Japan from the fourteenth century until their demise in the mid-nineteenth century. On and off the battlefield, whether charging an enemy on horseback or currying favor at the imperial court, their story is one of adventures and intrigues, heroics and misdeeds, unlikely victories and devastating defeats. This book traces the samurai throughout this history, exploring their roles in watershed events such as Japan's invasions of Korea at the close of the sixteenth century and the Satsuma Rebellion of 1877. Coming alive in these accounts are the samurai, both famed and ordinary, who shaped Japanese history.

    Years later and all grown up, Hannah, with her steady job and happy marriage, seems to have fallen on her feet. The same can't be said for Julie, however. First pregnant at fifteen, and now with three children from three different men and living with a serious drug addiction, she needs help. It's up to Hannah to step in, but in doing so she discovers, in the most devastating way, that her own life might not be so perfect after all...

    The story of the mythological king, who is doomed to kill his father and marry his mother, has resonated in world culture for almost 2,500 years. But Sophocles’ drama as originally performed was much more than a great story—it was a superb poetic script and exciting theatrical experience. The actors spoke in pulsing rhythms with hypnotic forward momentum, making it hard for audiences to look away. Interspersed among the verbal rants and duels were energetic songs performed by the chorus.            David Mulroy’s brilliant verse translation of Oedipus Rex recaptures the aesthetic power of Sophocles’ masterpiece while also achieving a highly accurate translation in clear, contemporary English. Speeches are rendered with the same kind of regular iambic rhythm that gave the Sophoclean originals their drive. The choral parts are translated as fluid rhymed songs. Mulroy also supplies an introduction, notes, and appendixes to provide helpful context for general readers and students.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    He transports us back to the street where he was born “early in the final industrial century” to help us envision an America he’s known from the 1930s to the present. His subjects include his brothers, a great-uncle who gave up on America and returned to czarist Russia, a father who survived unspeakable losses, the artists and musicians who inspired him, and fellow workers at the factory who shared the best and worst of his coming of age. Throughout the collection Levine rejoices in song–Dinah Washington wailing from a jukebox in midtown Manhattan; Della Daubien hymning on the crosstown streetcar; Max Roach and Clifford Brown at a forgotten Detroit jazz palace; the prayers offered to God by an immigrant uncle dreaming of the Judean hills; the hoarse notes of a factory worker who, completing another late shift, serenades the sleeping streets. Like all of Levine’s poems, these are a testament to the durability of love, the strength of the human spirit, the persistence of life in the presence of the coming dark.

    In the early part of the work, Gretchen and her friends consider whether evil provides a problem for those who believe in the perfection of God. As the discussion continues they consider the nature of human evil—whether, for example, fully rational actions can be intentionally evil. Recurring themes are the distinction between natural evil and evil done by free agents, and the problems the Holocaust and other cases of genocide pose for conceptions of the universe as a basically good place, or humans as basically good beings. Once again, Perry’s ability to get at the heart of matters combines with his exemplary skill at writing the dialogue form. An ideal volume for introducing students to the subtleties and intricacies of philosophical discussion.