At first, the murder seems an open-and-shut case to Dechen, the tough, foul- mouthed, prickly lady cop in charge of the investigation. But as she begins to delve into the lives of Kamala and Puran, she discovers a world of lies, deceit and love gone wrong, where nothing is as it seems, and the guilt of murderers is difficult to establish.On a day of endless rain, a man emerges from thirty-two years of isolation to meet his king, whom he owes a share of the harvest from his fields. Journeying across leech-infested forests and forbidding valleys, he tells his children the story of his life one that has been full of drama and magic. But the biggest miracle of all awaits him in Gangtok...These two novellas, united by their strong sense of place, showcase Chetan Raj Shresthas enormous gifts as a storyteller. Magical, gritty, nerve-wracking and stylish in equal measure, this is an exceptional debut.

    The hostage-takers threaten to shoot pilgrims every day, unless the incumbent Government accedes to their demands. With the popular Hindu festival of Diwali just around the corner and elections less than six months away, the Government at the center is under immense pressure to act. What will the Government do? The army? The intelligence agencies? The common man? No terrorist group has claimed responsibility for the attack. Who are these men? Is there a larger plot? Faced with such unprecedented events, will the country descend into unimaginable anarchy or will it rise above the issues of collective apathy and greed that have plagued it since Independence?

    Filmmaker and writer Anungla Zoe Longkumer brings together, for the first time, a remarkable set of stories, poems, first-person narratives, and visuals that showcase the breadth of Naga women’s creative and literary expression. The essays are written in English, a language the Nagas—who had no tradition of written literature—made their own after the arrival of Christianity in the region during the nineteenth century. In The Many That I Am, each writer speaks of the many journeys women undertake to reclaim their pasts and understand their complex present.

    ‘Our purpose is to fulfil our destiny…All life is light and shadow.’ Like any other place on earth, the territory of the Adis in the mountains of Arunachal Pradesh is ‘Pensam’—the ‘in-between’ place. Anything can happen here, and everything can be lived, and ‘the narrow boat that we call life sails along somehow in calm or stormy weather’. A mysterious boy who fell from the sky is accepted as a son of the village and grows up to become a respected elder. A young woman wounded in love is healed by a marriage of which she expected little. A mother battles fate and the law for a son she has not seen since she lost him as an infant. A remote hamlet gets a road, but the new world that comes with it threatens upheaval. And as villages become small towns and towns approximate cities, the brave and patient few guard the old ways, negotiating change with memory and remembrance. An intricate web of stories, images and the history of a tribe, The Legends of Pensam is a lyrical and moving tribute to the human spirit. With a poet’s sense for incident and language, Mamang Dai paints a memorable portrait of a land that is at once particular and universal.

    These finely nuanced stories provide a rare glimpse into the complex and mysterious inner lives of human beings.Happy Birthday was longlisted for the prestigious Frank O'Connor Award 2014. It has also been voted the TOP title on Flipkart’s editors picks for this month: http://www.flipkart.com/books/~editor...A dedicated friend undertakes one last labour of love for a childless woman. Nadia - married into money - finds herself facing uncomfortable truths about her comfortably numb marriage. A Mumbai slum-girl dreams of speaking words valuable enough to be translated into English. An American tourist seeking nirvana sets off a sudden chain of events when his bag is stolen, and destiny plays her hand. A retired civil servant of modest means struggles to support his snooty foreign-returned daughter.Meghna Pant’s knife - sharp stories are compelling, emotionally intelligent and provide a rare glimpse into the strange workings of the human heart. They evade neat categorization andare the perfect read for all curious spirits."These are stories with a large heart and a keen eye, deeply aware of the complex, sometimes uncomfortable realities of India, its many layers. Meghna Pant knows how to create characters that will surprise and move you." – Chitra Banerjee Divakaruni "Deft, merciless and expertly-tuned parables for the new Indian century."– Jeet Thayil"Meghna Pant pierces one’s heart with the reality and depth of her stories, wrapping up her tales with unanticipated yet undeniable flourish. Exceptionally thought-provoking narratives that manage to be provocative and inspirational in the very same breath."– Ashwin Sanghi"These intimate stories juxtapose a range and register of aerial and emotional perspectives, with craft, delicacy and an intensely human sensibility."– Namita Gokhale

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Through the grueling course of circumstances, he is subjected to the bitter tests of life, where he fails to justify his one decision of parting ways with Mahek. But, when Mahek flashes out of his life, leaving him all alone, the guilt of not been forgiven by her, ruins his soul; and that frustration leads him into seclusion, devoid of even his best buddies Rohan and Rahul. Failed love, broken friendship, a hurt ego and lost soul Raj is doomed to darkness. With no ray of hope ahead, just when Raj is about to give up on life, he come across a note, written to him by his favorite professor, "Never give up Raj… Because… Every Raindrop is a Hope" which brings Raj face to face with his own self. Why Love that makes Life beautiful, turns into Satan? Why friendship one fine day loses all its meaning? Why on the crowded roads of Mumbai city, Raj finds himself walking all alone? Will Raj challenge Life and fight back with the sword of Hope or will he take the easy way out by succumbing to the arduous tests of time. ****************************************** About the Authors: Mansi Sharma Having a zeal to sail the vessel, till the river runs dry in the chase of her dreams; Mansi is a person who takes the challenges and surprises that life and destiny throws at her, with courage. Nesting big dreams from her childhood in the Beautiful City of Chandigarh, post her Graduation in Physics (Hons.) from PU, she moved to Pune for her Masters. An MBA Graduate from SCIT, Pune, Mansi is presently working in one of the top Indian Telcos. With a slice of painter, dash of an avid reader, a writer and an unexplored poet, she is an emotional and sensitive person. Sankalp Kohli Born and brought up in Kanpur, Sankalp is an MBA Graduate from NMIMS, Mumbai. An entrepreneurial soul with an imprint of a perfectionist, he is a workaholic, who believes in turning every single moment of life into something constructive and fruitful. Being an avid reader since the beginning, he eventually began giving his thoughts and ideas, the wings of words in the form of blogs. He is a person who holds his parents above all, especially his mother. All his dreams and aspirations are driven by his wish to make his parents feel proud. Other bestsellers from General Press: A Lot Like Love, Love Happens only Once, The Girl I Last Loved.

    The empire he inherited was weak from two messy dynastic succession, and ambitious enemy kings loomed large on all sides – a haughty king of Orissa in the east, five upstart Deccan Sultans to the North, revolting Tamil rajas in the South and enterprising Portuguese soldiers from the West. But Krishnadevaraya quickly rose to the challenge, and in the course of his remarkable twenty-year reign, he changed history forever. He won every single battle he fought and unified the whole of South India under his banner. Krishnadevaraya is remembered today as one of India’s greatest kings, not only because of his successes on the battlefield or the dazzling splendour of his empire, but because he was India’s first truly global leader. He had to confront very modern problems, such as building international alliances and negotiating overseas trade deals, while grappling with the challenges of globalism and multiculturalism. The Deccan of his time was a cosmopolitan place where Hindus and Muslims, North Indians and South Indians, Persians and Portuguese, all intermingled as they made their lives and fortunes. This cultural dynamism also inspired Krishnadevaraya to look back at India’s past and reflect on her histories and traditions. As a philosopher-king who was also a celebrated poet in his own right, he presided over an Indian Renaissance, when ancient texts and traditions were reinvigorated and infused with a fresh and modern vitality. Five hundred years after krishnadevaraya’s death, he is still remembered and loved as a compassionate and wise king, one who is immortalised in films and folk tales, poems and Ballads. This fascinating and riveting book is meticulously researched and beautifully written. Based on Portuguese and Persian chronicles, as well as many overlooked Telugu literary sources, Raya is the definitive biography of one of the world’s greatest leaders.

    And about men surprised by women who are unconventional, unafraid and independent. It is the story of Meena, rebellious and unexamined, and Yuri, as complex as Meena is naive. Of Hajime, outsider to two cultures, and Prakash, unable to see beyond his limited horizons. It is also the story of Haruko who has dedicated herself to her art, and of Leela who is determined to break gender roles and learn the traditional gold-craft of her community. Set between Japan and Jaipur, Kintsugi follows the lives of these characters as they intersect and diverge, collide and break and join again in unexpected ways. The result is a brilliantly original novel as profound as it is playful, as emotionally moving as it is gripping.

    The writers included here are familiar names in India – writers such as Amrita Pritam, Saadat Hasan Manto, Khwaja Ahmed Abbas, and also two new women writers, Ajeet Caur and Usha Mahajan – among others.

    Critics around the world have embraced the book as a major work by this exciting young writer.

    Looking for safe harbour, livelihood, and a new place to call home. Communities congregated around churches and markets, sharing lord and land with the native East Indians. The young among them were nudged on to the path of marriage, procreation and godliness, though noble intentions were often ambushed by errant love and plain and simple lust. As in the story of Annette and Benji (and Joe) or Michael and Merlyn (and Ellena).Lovers and haters, friends and family, married men and determined singles, churchgoers and abstainers, Bombay Balchão is a tangled tale of ordinary lives – of a woman who loses her husband to a dockyard explosion and turns to bootlegging, a teen romance that drowns like a paper boat, a social misfit rescued by his addiction to crosswords, a wife who tries to exorcise the spirit of her dead mother-in-law from her husband, a rebellious young woman who spurns true love for the abandonment of dance. Ordinary, except when seen through their own eyes. Then, it’s legend.Set in Cavel, a tiny Catholic neighbourhood on Bombay’s D’Lima Street, this delightful debut novel is painted with many shades of history and memory, laughter and melancholy, sunshine and silver rain.

    Suddenly, with a shrill whistle and great burst of steam, a green and black engine came snorting out of the blackness... “A dragon!” I shouted. “There’s a dragon coming out of its cave!”’The charm of travelling by a train as it speeds its way out of a tunnel or a jungle and passes through nondescript villages and towns is unmatched. There also exists a joyful curiosity in unfolding the mysterious lives and destinations of its passengers.Ruskin Bond has been writing tales about the hinterland for decades, but this is the first time his stories revolving around trains and railway stations of small-town India have been brought together in a single collection. Classics such as ‘The Eyes Have It’ and ‘The Night Train at Deoli’ rub shoulders with tales of big cats taking refuge in railway tunnels and strangers who strike up a friendship while waiting at a platform.So, hop on and allow one of India’s greatest storytellers to steer you through The Great Train Journey!

    The umbrella becomes her constant companion and protector. But there are others, in the village, who would also like the umbrella for their own and will go to great lengths to get it.Sita lives with her grandparents on a tiny island in the middle of a river. One day, when her grandparents are away the river begins to rise. The friendly stretch of water becomes an angry, rushing flood and Sita watches as her beloved home is washed away. Will she be able to save herself?The Blue Umbrella and The Angry River, two wonderful stories from one of India's most loved storywriters, Ruskin Bond.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.