Except one person. Someone who knows Aimee very well—and what she’s done. . .When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is—but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.

    Her greatest joy is her family: her devoted professor husband, her spirited fifteen-year-old stepdaughter, her adorable infant son. And, of course, the steadfast and supportive Charlotte. But Amy’s sweet, uncomplicated life begins to unravel when the mysterious and alluring Angelica Roux arrives on her doorstep one book club night.Sultry and magnetic, Roux beguiles the group with her feral charm. She keeps the wine flowing and lures them into a game of spilling secrets. Everyone thinks it’s naughty, harmless fun. Only Amy knows better. Something wicked has come her way—a she-devil in a pricey red sports car who seems to know the terrible truth about who she is and what she once did.When they’re alone, Roux tells her that if she doesn’t give her what she asks for, what she deserves, she’s going to make Amy pay for her sins. One way or another.To protect herself and her family and save the life she’s built, Amy must beat the devil at her own clever game, matching wits with Roux in an escalating war of hidden pasts and unearthed secrets. Amy knows the consequences if she can’t beat Roux. What terrifies her is everything she could lose if she wins.A diabolically entertaining tale of betrayal, deception, temptation, and love filled with dark twists leavened by Joshilyn Jackson’s trademark humor, Never Have I Ever explores what happens when the transgressions of our past come back with a vengeance.

    Palmer, the author of The New Husband.Grace never dreamt she’d visit her teenaged daughter Penny in the locked ward of a decaying state psychiatric hospital, charged with the murder of a stranger. There was not much question of her daughter’s guilt. Police had her fingerprints on the murder weapon and the victim’s blood on her body and clothes. But they didn’t have a motive.Grace blames herself, because that’s what mothers do—they look at their choices and wonder, what if? But hindsight offers little more than the chance for regret.None of this was conceivable the day Penny came into her life. Then, it seemed like a miracle. Penny was found abandoned, with a mysterious past, and it felt like fate brought Penny to her, and her husband Arthur. But as she grew, Penny's actions grew more disturbing, and different "personalities" emerged.Arthur and Grace took Penny to different psychiatrists, many of whom believed she was putting on a show to help manage her trauma. But Grace didn’t buy it. The personas were too real, too consistent. It had to be a severe multiple personality disorder. One determined psychiatrist, Dr. Mitch McHugh, helped discover someone new inside Penny—a young girl named Abigail. Is this the nameless girl who was abandoned in the park years ago? Mitch thinks Abigail is the key to Penny’s past and to the murder. But as Grace and Mitch dig deeper, they uncover dark and shocking secrets that put all their lives in grave danger.

    The murder rocks their tiny coastal island, but no one is more shaken than Sadie, who is terrified by the thought of a killer in her very own backyard.But it’s not just Morgan’s death that has Sadie on edge. It’s their eerie old home, with its decrepit decor and creepy attic, which they inherited from Will’s sister after she died unexpectedly. It’s Will’s disturbed teenage niece Imogen, with her dark and threatening presence. And it’s the troubling past that continues to wear at the seams of their family.As the eyes of suspicion turn toward the new family in town, Sadie is drawn deeper into the mystery of Morgan’s death. But Sadie must be careful, for the more she discovers about Mrs. Baines, the more she begins to realize just how much she has to lose if the truth ever comes to light.

    Part captor, part benefactor, Bill calls her Evie and tells her he's hiding her to protect her. That she did something terrible one night back home in Melbourne--something so unspeakable that he had no choice but to take her away. The trouble is, Kate can't remember the night in question. The fragments of Kate's shattered memories of her old life seem happy: good friends, a big house in the suburbs, a devoted boyfriend. Bill says he'll help her fill in the blanks--but his story isn't adding up. And as she tries to reconcile the girl she thought she'd been with the devastating consequences Bill claims she's responsible for, Kate will unearth secrets about herself and those closest to her that could change everything. A riveting debut novel that fearlessly plumbs the darkest recesses of the mind, Call Me Evie explores the fragility of memory and the potential in all of us to hide the truth, even from ourselves.

    Their pain drew them together with an irresistible magnetism; they sensed that they were each other’s ideal (and perhaps only) match.   But twenty years later, Paul and Rebecca are drowning as the damage and secrets that ignited their love begin to consume their marriage. Paul is cheating on Rebecca, and his affair gets messy fast. His mistress is stalking them with growing audacity when Rebecca discovers Paul’s elaborate plan to build a new life without her. And though Rebecca is spiraling into an opiate addiction, it doesn’t stop her from coming up with a devious plot of her own, and this one could end absolutely everything.   What follows is an unpredictable and stylish game of cat and mouse—a shocking tale of unfaithfulness and unreliability that will keep you racing until the final twist and make you wonder how well you really know your spouse.

    Or the one that matters most.A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina's assistance and who knows exactly how to make her comply. It's twenty hours to landing. A lot can happen in twenty hours.

    There's no explanation: just a grainy image, a website address and a phone number. She takes it home to her family, who are convinced it's just someone who looks like Zoe. But the next day the advert shows a photo of a different woman, and another the day after that.Is it a mistake? A coincidence? Or is someone keeping track of every move they make...If you like Shari Lapena, Paula Hawkins, Rachel Abbott, B A Paris, Fiona Barton, Ruth Ware and CL Taylor, you'll love this gripping psychological thriller.

    Only now that she’s living in their beautiful house, she sees the cracks in the crumbling facade are too deep to ignore.Still, she isn’t one to judge. After her grim diagnosis, the retired therapist simply wants a place to live out the rest of her days in peace. But that peace is shattered the day Juno overhears a chilling conversation between Winnie and Nigel…She shouldn’t get involved.She really shouldn’t.But this could be her chance to make a few things right.Because if you thought Juno didn’t have a secret of her own, then you were wrong about her, too.

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    A struggling actor, a Brit in America without a green card, Claire needs work and money to survive. Then she gets both. But nothing like she expected. Claire agrees to become a decoy for a firm of divorce lawyers. Hired to entrap straying husbands, she must catch them on tape with their seductive propositions. The rules? Never hit on the mark directly. Make it clear you’re available, but he has to proposition you, not the other way around. The firm is after evidence, not coercion. The innocent have nothing to hide. Then the game changes. When the wife of one of Claire’s targets is violently murdered, the cops are sure the husband is to blame. Desperate to catch him before he kills again, they enlist Claire to lure him into a confession. Claire can do this. She’s brilliant at assuming a voice and an identity. For a woman who’s mastered the art of manipulation, how difficult could it be to tempt a killer into a trap? But who is the decoy . . . and who is the prey?

    The woman introduces herself as Martha and soon confesses that she’s been stuck in an affair with her boss. Selena, in turn, confesses that she suspects her husband is sleeping with the nanny. When the train arrives at Selena’s station, the two women part ways, presumably never to meet again.Then the nanny disappears.As Selena is pulled into the mystery of what happened, and as the fractures in her marriage grow deeper, she begins to wonder, who was Martha really? But she is hardly prepared for what she’ll discover…

     Her Saturday night started normally. Recently separated from her husband, Ali has been persuaded by her friends to go on a date with a new man. She is ready, she is nervous, she is excited. She is about to take a step into her new future. By Sunday morning, Ali’s life is unrecognisable. She wakes, and she knows that something is wrong. She is home, she is alone, she is hurt and she has no memory of what happened to her. Worse still, when she looks in the mirror, Ali doesn’t recognise the face staring back at her. She can’t recognise her friends and family. And she can’t recognise the person who is trying to destroy her…

    What happens when an undercover reporter gets in too deep? And when a practiced liar has to face off with her own truth—how does she choose her true reality?Who will be the first to lie?

    It’s perfectly normal, and they all grow out of it in the end. But when her seven-year-old son, Cody, tells her about New Granny, the new friend he’s met in the park, Georgina is instantly suspicious. Something—call it maternal instinct—tells her he isn’t making it up.But maybe Georgina is losing her mind. It wouldn’t be the first time, after all. And with her own mother’s recent death leaving her bereft and trying to cope with life as a busy working mom, it’s no wonder she’s feeling paranoid that Cody has invented a “New Granny” to replace his beloved grandmother.Her husband, Bren, becomes the voice of reason, assuring Georgina that it’s just a game, the product of their son’s overactive imagination. But what if Cody’s imaginary friend is not so imaginary after all?