Each piece of art evokes something new inside of her: silliness, curiosity, joy, and ultimately inspiration. When confronted with an empty white canvas, she is energized to create and express herself—which is the greatest feeling of all. With exuberant illustrations by Peter H. Reynolds, The Museum playfully captures the many emotions experienced through the power of art, and each child’s unique creative process. Praise for The Museum "Verde and Reynolds deliver a simple premise with a charming payoff… this “twirly-whirly” homage to a museum is, on balance, a sweet-natured and handsome celebration." —Kirkus Reviews "Debut author Verde makes an engaging case for understanding art as an experience rather than an object." —Publishers Weekly "The rhymed text captures the excitement of a being sparked by art.” —Booklist "Communicates a fresh, playful, childlike perspective on art and normalizes childlike responses to it. The idea that posing, laughing, and curious questions are all appropriate museum behavior may be a new one for both children and parents, and knowing this is sure to make for more enjoyable museum visits." —School Library Journal "For parents who have trouble communicating the excitement of art to their children, The Museum can serve as the starting point for a conversation. The book is also a wonderful reminder of visual art’s power to encourage and empower self-expression. Children and adults will finish this book excited about their next art experience, and perhaps tempted to dance through the halls of a museum in the near future." —Bookpage "This playful picture book pays tribute to the joyous effect art can have on the viewer." —Shelf-Awareness

    James Whistler’s monster rocks in her chair. Monsters invade masterpieces by Dorthea Tanning, Paul Cezanne, M.C. Escher, Jean Michel Basquiat, Giuseppe Archimboldo, Rene Magritte, Henri Rousseau, Franz Kline, Frida Kahlo, Bob Thompson, Henri Toulouse-Lautrec, Thomas Hart Benton, and Helen Frankenthaler. The monster emerging from Claude Monet’s waterlilies is unforgettable.  Our guide for this romp through re-imagined masterpieces is an engaging hamster. Thumbnail biographies of the artists identify their iconic works.

    In a rash decision, he leaves his life-consuming job at Mass General Hospital, Boston, to be the small-town doctor in Belfast, Maine.With the job comes a house, and with the house comes a handyman-painter. Trent Jamieson, a nomadic artist, and his dog Bentley, are offered free accommodation for the few weeks he fixes up the hospital-owned house. Nathan is transfixed by this free-spirited, undeniably gorgeous man. Confused but amazed to feel any kind of attraction - much less to a man - Nathan convinces himself to put aside any preconceived ideas, and allows himself to just feel.As their attraction for each other grows, one man learns to live, the other learns to love. But just who is teaching who? Disclaimer: This is a re-written fanfiction, available only as a free read. Do not pay to download.As stated on my blog, this story has not been professionally edited.

    A new generation of artists--as well as some who never abandoned figurative painting in the first place--is relishing the solitary, slow, subtle set of processes involved in not just painting, but painting people. They are choosing paint's unique ability to distill a lifetime of events rather than photography's glimpse of a frozen moment. Painting People, edited by the prominent London art historian and critic Charlotte Mullins, unites and contrasts the work of a key group of artists from around the world, and investigates their richly varied accomplishments in lucid text with detailed commentaries, accompanied by more than 150 reproductions. The list of contributing artists is stellar, ranging from photo-based painters like Luc Tuymans, Peter Doig and Marlene Dumas to Pop artists like Sigmar Polke and Alex Katz, photorealists like Chuck Close and Gerhard Richter, Neoexpressionists like Cecily Brown, and comics-inspired painters like Yoshitomo Nara, Inka Essenhigh and Takashi Murakami. There are erotic grotesques from John Currin and Lisa Yuskavage, meditations on the muse by Elizabeth Peyton and Lucian Freud, "Repro-realistic" work from Neo Rauch and of course self-portraits by Philip Akkerman and Marcel Dzama, among others.

    Have you ever looked at old building in the morning light? It’s like they come alive. You can almost see the horse carriages driving past. But buildings I love, it’s the couples that get to me. I love my work as a photographer but I’ve been shooting too many weddings, too many couples in love. The closest thing to “love” I come is the occasional model in my hotel room.Photo Description: A man sits on a hill holding a camera. There is a path behind him. Trees fill the background, and at least a few of them have leaves that are starting to change colors. The man is dressed in jeans, a flannel shirt, and hiking boots. He is wearing a backpack and is looking off to his left.This story was written as a part of the M/M Romance Group's "Love is an Open Road" event. Group members were asked to write a story prompt inspired by a photo of their choice. Authors of the group selected a photo and prompt that spoke to them and wrote a short story. This story may contain sexually explicit content and is intended for adult readers. It may contain content that is disagreeable or distressing to some readers. The M/M Romance Group strongly recommends that each reader review the General Information section before each story for story tags as well as for content warnings.

    Banksy is the world's foremost graffiti artist, his work adorning streets, walls and bridges across nations and continents. His stencil designs are instantly recognizable and disturbingly precise in their social and political commentary, flavoured with subtle humour and self-awareness. More popular than ever, Banksy has spawned countless imitators, students and fans alike, his fame - although unlooked-for - inevitably transmitting his ideas and work to the international arena.With a range of topics for the graffiti lover, coming from a variety of inspirational sources, this book provides an overview of how Banksy's work is changing the face of modern art - as well as the urban landscape. Distilling his influence and his genius into an easily accessible full-colour 128 pages, this is the perfect purchase for any fan of Banksy or the graffiti art scene.

    But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up other people's messes. The House of All Sorts is a collection of forty-one stories of those hard-working days and the parade of tenants -- young couples, widows, sad bachelors and rent evaders. Carr is at her most rueful, but filled with energy and an inextinguishable hope.Carr also ran a small kennel and bred bobtails to help out her meagre income. In an additional twenty-five stories, she lovingly describes the mutual bonds of affection and companionship between her and her dogs.Her writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim.

    Spike is the most amazing dog ever. He inspires Sparky to draw. Someday, Sparky will be an artist. Based on the childhood of Charles Schulz, creator of the world-renowned Peanuts comic, and the dog who inspired the most beloved dog of all—Snoopy—this book will resonate with children everywhere. Sparky & Spike includes a biographical note, as well as archival photographs of Sparky and Spike and a letter Charles Schulz wrote to the book’s illustrator, Dan Andreasen, when Andreasen was a boy.

    Leonardo da Vinci was a gifted painter, talented musician, and dedicated scientist and inventor, designing flying machines, submarines, and even helicopters.  Yet he had a hard time finishing things, a problem anyone can relate to.  Only thirteen paintings are known to be his; as for the illustrated encyclopedia he intended to create, all that he left were thousands of disorganized notebook pages.  Here is an accessible portrait of a fascinating man who lived at a fascinating time—Italy during the Renaissance.

    Until the elder Aldsley issues an ultimatum: either Benn agrees to wed Leopold Ravensworth to save the family from destitution or his younger sister will be forced into marriage. But when Benn signs the marriage contract, he loses much more than he expects. Trapped on the Ravensworth estate, he becomes isolated and lonely with little to distract him from the painful memories of his past. Until Leo. Leo has long since given up on inheriting, throwing his energy into becoming a successful entrepreneur. When a new law changes things, his father comes up with a plan to see him married before his twenty-fifth birthday. Once the contracts are signed, Leo thinks nothing more about his husband on paper until illness forces him to return to the family home to convalesce. He's surprised to find Benn there, even more so to see he is a shadow of the gorgeous man he met at their wedding. He makes it his mission to connect with the skittish, fragile Benn. And the more he unravels the events of Benn's past and present, the closer they become. Until husband on paper starts to look like something more... The Dotted Line is a 36,000 word romance novella with some angst, a happy ending and no cliffhangers. It contains some scenes unsuitable for readers under the age of eighteen.