Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    The police have stopped investigating-after all, Sophie has sent postcards home, insisting that she's fine. To fill the space in her increasingly empty days, Kate volunteers at Message in a Bottle, where runaways can leave messages for loved ones, no questions asked.Then one evening, a call comes in from a voice Kate instinctively recognizes, even through bursts of static and beyond the sudden dial tone that breaks their connection.Those closest to Kate worry she's cracking under her grief, imagining that it was Sophie. But Kate knows-that it was her daughter on the phone. And that a stranger has been inside her house. Watching her.Sophie is out there. And Kate has to find her, even if someone will try anything to stop her . . ."Kept me guessing to the final twist; creepy and addictive. My perfect type of book!" -Elizabeth Haynes, author of Into the Darkest Corner

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    The bad man is after us."  Clara Solberg's world shatters when her husband and their four-year-old daughter are in a car crash, killing Nick while Maisie is remarkably unharmed. The crash is ruled an accident…until the coming days, when Maisie starts having night terrors that make Clara question what really happened on that fateful afternoon. Tormented by grief and her obsession that Nick's death was far more than just an accident, Clara is plunged into a desperate hunt for the truth. Who would have wanted Nick dead? And, more important, why? Clara will stop at nothing to find out—and the truth is only the beginning of this twisted tale of secrets and deceit. Told in the alternating perspectives of Clara's investigation and Nick's last months leading up to the crash, master of suspense Mary Kubica weaves her most chilling thriller to date—one that explores the dark recesses of a mind plagued by grief and shows that some secrets might be better left buried.

    Be careful who you trust…The Mailer family is oblivious to the terrible danger that enters their lives when seven-year-old Anthony is referred to the child guidance service by the family GP, following the breakdown of his parents’ marriage.Fifty-eight-year-old Dr David Galbraith, a sadistic, predatory paedophile, employed as a consultant child psychiatrist, has already murdered one child in the soundproofed cellar below the South Wales Georgian town-house he shares with his wife and two young daughters.When Anthony becomes Galbraith’s latest obsession he will stop at nothing to make his grotesque fantasies reality.But can Anthony be saved before it’s too late? Brilliantly gripping, White is the Coldest Colour will have you hooked from the very first page and holding your breath to the heart-pounding and shocking conclusion.Please be aware that this book includes content that some readers may find disturbing from the start.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    Special Agent Amy Larson has never seen worse, and there are indications that this killing could be just the beginning. The crime draws the attention of the FBI in the form of Special Agent Hunter Forrest, a man with insider knowledge of how violent cults operate, and a man who might never be able to escape his own past.The rural community is devastated by the death in their midst, but people know more than they are saying. As Amy and Hunter join forces, every lead takes them further into the twisted beliefs of a dangerous group that will stop at nothing to see their will done.Doomsday preppers and small-town secrets collide in this sultry, twisty page-turning thriller.

    Only fifteen years old, Amy disappeared walking home from school one day and was found in a coma three days later. Her attacker was never identified and her angelic face was plastered across every paper and nightly news segment.Fifteen years later, Amy lies in the hospital, surrounded by 90’s Britpop posters, forgotten by the world until reporter Alex Dale stumbles across her while researching a routine story on vegetative patients.Remembering Amy’s story like it was yesterday, she feels compelled to solve the long-cold case.The only problem is, Alex is just as lost as Amy—her alcoholism has cost her everything including her marriage and her professional reputation.In the hopes that finding Amy’s attacker will be her own salvation as well, Alex embarks on a dangerous investigation, suspecting someone close to Amy.Told in the present by an increasingly fragile Alex and in dream-like flashbacks by Amy as she floats in a fog of memories, dreams, and music from 1995, Try Not to Breathe unfolds layer by layer to a breathtaking conclusion.

    She believes her client, even though those closest to her do not.Together, they enter the most explosive criminal trial of the year, where the only thing that matters is justice for Jodie. But this time justice comes at a devastating cost.

    When Martha finds herself struggling to balance early motherhood and her growing business, Becky steps in to babysit her niece, Layla, without a second thought, bringing the two women closer than ever. But when Layla is found dead one morning, at only eight weeks old, Becky is charged with the unthinkable: the murder of her sister's child.Nine months later, Becky is on trial and maintains her innocence--and so does Martha. Unable to shake the feeling that her sister couldn't possibly be guilty, Martha sets out to uncover exactly what happened that night, and how things could have gone so wrong. As the trial progresses, fault lines between the sisters begin to show--revealing cracks deep in their relationship and threatening the family each has worked so hard to build. With incredible empathy and resounding emotional heft, The Good Sister is a powerhouse of a novel that will lead readers to question everything they know about motherhood, family, and the price of forgiveness.

    Yet Rowan Winter, once her closest friend, suspects there is more to the story. Ever since she was young, Marianne had paralyzing vertigo. She would never have gone so close to the roof's edge.Marianne -- and the whole Glass family -- once meant everything to Rowan. For a teenage girl, motherless with a much-absent father, this lively, intellectual household represented a world of glamour and opportunity.But since their estrangement, Rowan knows only what the papers reported about Marianne's life: her swift ascent in the London art world, her much-scrutinized romance with her gallerist. If she wants to discover the truth about her death, Rowan needs to know more. Was Marianne in distress? In danger? And so she begins to seek clues -- in Marianne's latest work, her closest relationships, and her new friendship with an iconoclastic fellow artist.But the deeper Rowan goes, the more sinister everything seems. And a secret in the past only she knows makes her worry about her own fate . . .

    Life has never been easy for the three Campbell sisters. Jess, Courtney, and Dani live on a remote ranch in Western Canada where they work hard and try to stay out of the way of their father’s fists. One night, a fight gets out of hand and the sisters are forced to go on the run, only to get caught in an even worse nightmare when their truck breaks down in a small town. Events spiral out of control and a chance encounter with the wrong people leaves them in a horrific and desperate situation. They are left with no choice but to change their names and create new lives. Eighteen years later, they are still trying to forget what happened that summer when one of the sisters goes missing and they are pulled back into their past. This time there’s nowhere left to run. As much of a thriller as it is a deep exploration of the bonds among sisters, THOSE GIRLS is an unforgettable portrait of desperation, loyalty, and evil.

    She's smart, she’s a hard worker, she does the right thing, she’s successfully married to a faithful and devoted husband, a lion of Boston's defense bar, and her internship with the Boston DA's office is her ticket to a successful future.Problem is--she’s wrong.And in this cat and mouse game--the battle for justice becomes a battle for survival.The Murder List is a new standalone suspense novel in the tradition of Lisa Scottoline and B.A. Paris from award-winning author and reporter Hank Phillippi Ryan.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    She'll have to face the whispers and the rumors that have haunted her family since she left. Because when Audrey was thirteen, she and her best friend Maggie killed Maggie's abusive father. Her first night back in town ends in a fight with a drunken Maggie, with her old crush Jake to witness it all. Audrey can't believe it can get worse. Then Maggie turns up dead.Now, Audrey has to find out who the murderer is - before everyone decides that she is to blame. And before the murderer can set their sights on her.