But when Ryan goes silent, Gina is shocked to discover the young woman has died tragically in a Jet Ski accident while on holiday. Meanwhile, REL counsel Michael Carter finds himself in a tricky spot. Several female employees have come forward with allegations of sexual misconduct. Carter approaches the CEO, offering to persuade the victims to accept settlements in exchange for their silence. It’s a risky endeavor, but it could well make him rich. As more allegations emerge and the company’s IPO draws near, Carter’s attempts to keep the story from making headlines are matched only by Gina Kane’s determination to uncover the truth. Was Ryan’s death truly an accident? And when another accuser turns up dead, Gina realizes someone—or some people—will go to depraved lengths to keep the story from seeing the light.

    But when Jenna arrived late, she found that Celia had disappeared—and hasn’t been seen again. Jenna has blamed herself for her friend’s disappearance every single day since then.The only piece of evidence is a lone diamond earring found where Celia and Jenna were planning to meet, leading the national media to dub Celia “The Diamond Mom.” And even though Jenna has obsessively surfed message boards devoted to missing persons cases, she is no closer to finding any answers—or easing her guilt.But when her son’s new girlfriend—who suddenly arrived in town without a past—disappears, a stricken Jenna begins to unwind the tangled truth behind Celia’s tragedy. And as long-buried secrets finally come to light, she discovers how completely lives can be shattered by a few simple lies.

    Stone finds himself caught in a perilous web of unspeakable crimes and dangerous friends that has throughout it one common thread: Sasha.Librarian's note: the first five books in the Stone Barrington series are #1, New York Dead, 1991; #2, Dirt, 1996; #3, Dead in the Water, 1997; #4, Swimming to Catalina, 1998; and #5, Worst Fears Realized, 1999.

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.

    She’s locked in a bitter struggle with her ex-husband and teenage daughter, and her reckless new partner is anything but trustworthy.Still, she has a job to do: there’s a killer at large, and a pregnant woman has gone missing. Once Devlin and her partner get to work, they quickly unearth secrets involving Birmingham’s most esteemed citizens. Each new layer of the investigation brings Devlin closer to the killer and the missing woman, who starts looking more like a suspect than a victim.But just as answers come into view, the case twists, expands, and slithers into Devlin’s personal life. There’s a much more sinister game at work, one she doesn’t even know she’s playing—and she must unravel the truth once and for all to stop the killer before she loses everything.

    Two years earlier, Cody and three accomplices had been given suspended sentences for raping a Northern Cheyenne girl. Is someone seeking vengeance? Longmire faces one of the more volatile and challenging cases in his twenty-four years as sheriff and means to see that revenge, a dish that is best served cold, is never served at all.

    Even though her own childhood has been plagued by deaths and disappearances.Her mother’s death, her father’s disappearance, and her boyfriend’s disappearance. The only cases that she hasn’t solved.Her obsession with finding out the truth behind her past was what led her to join the FBI.Now, she must face what may be her biggest case. In Cabin 13 there lies an uneasy feeling. The feeling of her movements being watched.When a knock on her door revealed a body on her porch and her name written on a piece of paper in the dead man’s hand. Suddenly her worlds collide.With the past still haunting her, Emma must fight past her own demons to stop the body count from rising.The woods have secrets. And this idyllic town has dark and murderous ones.Either she reveals them or risk them claiming her too.In Feathered Nest, nothing is what it seems.The Girl in Cabin 13 is about to find out that the dead may have secrets of their own.The Girl in Cabin 13 is the first book in the Emma Griffin Mystery series, it can be read as a standalone.

    . . . At first, the murder scene appears sad, but not unusual: a young woman undone by drugs and prostitution, her six-year-old daughter dead alongside her. But then detectives find a strange piece of evidence in the squalid house: the platinum credit card of a very wealthy--and long dead--steel tycoon. What is a heroin-addicted hooker doing with the credit card of a well-known and powerful man who died months ago? This is the question that the most junior member of the investigative team, Detective Constable Fiona Griffiths, is assigned to answer.But D.C. Griffiths is no ordinary cop. She's earned a reputation at police headquarters in Cardiff, Wales, for being odd, for not picking up on social cues, for being a little overintense. And there's that gap in her past, the two-year hiatus that everyone assumes was a breakdown. But Fiona is a crack investigator, quick and intuitive. She is immediately drawn to the crime scene, and to the tragic face of the six-year-old girl, who she is certain has something to tell her . . . something that will break the case wide open.Ignoring orders and protocol, Fiona begins to explore far beyond the rich man's credit card and into the secrets of her seaside city. And when she uncovers another dead prostitute, Fiona knows that she's only begun to scratch the surface of a dark world of crime and murder. But the deeper she digs, the more danger she risks--not just from criminals and killers but from her own past . . . and the abyss that threatens to pull her back at any time.

    So when mutilated bodies found deep in the Montana woods leave the cops searching blindly for clues, Theo sees something they missed. Something unnatural. Something only he can stop.As a computational biologist, Theo is more familiar with digital code and microbes than the dark arts of forensic sleuthing. But a field trip to Montana suddenly lands him in the middle of an investigation into the bloody killing of one of his former students. As more details, and bodies, come to light, the local cops determine that the killer is either a grizzly gone rogue… or Theo himself. Racing to stay one step ahead of the police, Theo must use his scientific acumen to uncover the killer. Will he be able to become as cunning as the predator he hunts—before he becomes its prey?

    When Satō hires Kaitarō, a wakaresaseya agent, to have an affair with his wife, Rina, he assumes it will be an easy case. But Satō has never truly understood Rina or her desires and Kaitarō's job is to do exactly that--until he does it too well. While Rina remains ignorant of the circumstances that brought them together, she and Kaitarō fall in a desperate, singular love, setting in motion a series of violent acts that will forever haunt her daughter's life.Told from alternating points of view and across the breathtaking landscapes of Japan, Stephanie Scott exquisitely renders the affair and its intricate repercussions. As Rina's daughter, Sumiko, fills in the gaps of her mother's story and her own memory, Scott probes the thorny psychological and moral grounds of the actions we take in the name of love, asking where we draw the line between passion and possession.

    Only a chance encounter with a dog walker saved her life. Melody's neighbor and close friend David Alden was found guilty of the crime and imprisoned, and the attack and David's betrayal of her friendship left Melody a different person. She no longer trusts her own judgment, she no longer trusts her friends. In fact, she no longer really has any friends. She's built a life behind walls and gates and security codes; she's cloistered herself away from the world almost entirely.And then, soon after David is released from prison, Eve Elliot is murdered in an attack almost identical to Melody's. With the start of a new police investigation, Melody is suddenly pulled from her ordered, secluded life and back into the messy world around her. But as she learns more about Eve's murder, Melody starts to wonder if perhaps David hadn't betrayed her after all...if perhaps the killer is someone else entirely, someone who's still out there, preparing to strike again.Narrated alternately by Melody and by Eve's lingering ghost, The Life I Left Behind is a taut thriller and an intimate look at two young women bound together in ways neither of them could ever have predicted. Colette McBeth has proven once again that she is a master of suspense.

    Alban's new priest, fits like a square peg in the conservative Episcopal parish at Millers Kill, New York. She is not just a "lady," she's a tough ex-Army chopper pilot and nobody's fool. Then a newborn infant left at the church door brings her together with the town's Police Chief, Russ Van Alstyne, who's also ex-Army and a cynical good shepherd for the stray sheep of his hometown. Their search for the baby's mother quickly leads them into the secrets that shadow Millers Kill like the ever-present Adirondacks. What they discover is a world of trouble, an attraction to each other--and murder...

    Driven to spend days alone in the wilderness, Amy Raye, mother of two, is compelled by the quiet and the rush of nature. But this time, her venture into a remote area presents a different set of dangers than Amy Raye has planned for and she finds herself on the verge of the precarious edge that she's flirted with her entire life. When Amy Raye doesn't return to camp, ranger Pru Hathaway and her dog respond to the missing person's call. After an unexpected snowfall and few leads, the operation turns into a search and recovery. Pru, though, is not resigned to that. The more she learns about the woman for whom she is searching, and about Amy Raye's past, the more she suspects that Amy Raye might yet be alive. Pru's own search becomes an obsession for a woman whose life is just as mysterious as the clues she has left behind. As the novel follows Amy Raye and Pru in alternating threads, Breaking Wild assumes the white-knuckled pace of a thriller laying bare Amy Raye's ultimate reckoning with the secrets of her life, and Pru's dogged pursuit of the woman who, against all odds, she believes she can find.

    Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate—or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel’s staggering ending. Sly, suspenseful, and engrossing, Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction—exposing the myriad ways we deceive each other, and ourselves.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.