Immersed in the history, atmosphere and rumours of hauntings, they channelled their darker imaginings into a series of extraordinary new ghost stories.Sarah Perry's intense tale of possession at the Jacobean country house Audley End is a work of psychological terror, while Andrew Michael Hurley's story brings an unforgettably shocking slant to the history of Carlisle Castle. Within the walls of these historic buildings each author has found inspiration to deliver a new interpretation of the classic ghost story.Also includes two afterwords: Andrew Martin's Within These Walls: How the Abbeys and Houses of England Inspired the Ghost Story, and Katherine Davey's A Gazetteer of English Heritage Hauntings, properties which are said to be haunted, including the eight locations which inspired the stories in this book.

    P. Lovecraft, published his first story, the monstrosities that crawled out of his brain have become legend: the massive, tentacled Cthulhu, who lurks beneath the sea waiting for his moment to rise; the demon Sultan Azathoth, who lies babbling at the center of the universe, mad beyond imagining; the Deep Ones, who come to shore to breed with mortal men; and the unspeakably-evil Hastur, whose very name brings death. These creatures have been the nightmarish fuel for generations of horror writers, and the inspiration for some of their greatest works.This impressive anthology celebrates Lovecraft's most famous beasts in all their grotesque glory, with each story a gripping new take on a classic mythos creature and affectionately accompanied by an illuminating illustration. Within these accursed pages something unnatural slouches from the sea into an all-night diner to meet the foolish young woman waiting for him, while the Hounds of Tindalos struggle to survive trapped in human bodies, haunting pool halls for men they can lure into the dark. Strange, haunting, and undeniably monstrous, this is Lovecraft as you have never seen him before.Contents"Only the End of the World Again" by Neil Gaiman"The Bleeding Shadow" by Joe R. Lansdale"Love is Forbidden, We Croak & Howl" by Caitlín R. Kiernan"Bulldozer" by Laird Barron"A Quarter to Three" by Kim Newman"Inelastic Collisions" by Elizabeth Bear"That of Which We Speak When We Speak of the Unspeakable" by Nick Mamatas"Red Goat Black Goat" by Nadia Bulkin"Jar of Salts" and "Haruspicy" by Gemma Files"Black is the Pit From Pole to Pole" by Howard Waldrop and Steven Utley"I've Come to Speak with You Again" by Karl Edward Wagner"The Sect of the Idiot" by Thomas Ligotti"The Dappled Things" by William Browning Spencer"The Same Deep Waters as You" by Brian Hodge"Remnants" by Fred Chappell"Waiting at the Cross Roads" by Steve Rasnic Tem"Children of the Fang" by John Langan

    This was published as a Clarkesworld audiobook podcast in 2020.

    Darius Darke and other "legends" of the Old West are called upon to fight a band of brain-eating bandits in a three-dimensionally-challenged box canyon. This story is a prequel to David Bain's forthcoming weird Western novel RIDERS WHERE THERE ARE NO ROADS. David Bain is the author of DEATH SIGHT, the first novel in the Will Castleton psychic detective series, GRAY LAKE: A NOVEL OF CRIME AND SUPERNATURAL HORROR and several short story collections. He teaches writing at a community college in Indiana.

    She wanted this old Victorian for herself. The rumors the house was haunted didn’t bother Jennifer, who is a skeptic by nature. But her skepticism turns to intrigue when she finds a letter dated 1909 in the attic tucked into the folds of a wedding dress. The letter mentions a murder, but no name of the victim and is signed with only initials. Jennifer's challenge is to track down the identity of the victim, as well as the killer. However, her research brings forth two spirits, one of which is evil.

    Reading it is like attending a late night secret banquet where you know each course will serve up something unexpected, forbidden and unforgettably chilling. Take your private seat now for 50 luscious courses of terror, from 50 of the strongest voices in modern horror.

    In this spine-tingling anthology, little known stories from literary titans like Charles Dickens and Edith Wharton are collected alongside overlooked works from masters of horror fiction like Edgar Allan Poe and M. R. James.Acclaimed anthologists Leslie S. Klinger (The New Annotated Sherlock Holmes) and Lisa Morton (Ghosts: A Haunted History) set these stories in historical context and trace the literary significance of ghosts in fiction over almost two hundred years—from a traditional English ballad first printed in 1724 through the Christmas-themed ghost stories of the Victorian era and up to the science fiction–tinged tales of the early twentieth century. In bringing these masterful tales back from the dead, Ghost Stories will enlighten and frighten both longtime fans and new readers of the genre.  Including stories by:Ambrose Bierce, Wilkie Collins, Charles Dickens, Olivia Howard Dunbar, Nathaniel Hawthorne, Henry James, M. R. James, Arthur Machen, Georgia Wood Pangborn, Mrs. J. H. Riddell, Elizabeth Stuart Phelps, Edgar Allan Poe, Sir Walter Scott, Frank Stockton, Mark Twain, and Edith Wharton.

    Daniel Stone’s “Alternative Muses”; and a cult horror story in the jungles of South America in William Ritchey’s “Las Maquinas”.Vol.2, 3, and 4 now available. Proudly brought to you by Crystal Lake Publishing - Tales from the Darkest Depths Interview with the Authors: So what makes Tales from The Lake so special? Jennifer Loring: Tales from the Lake is one of the few anthology series where you can find a balance of established horror authors alongside new and emerging talent.J. Daniel Stone: Tales from the Lake is special, I think, first and foremost in that it's an open-themed horror collection. Themes tend to—more than I want to admit, and some might disagree—constrict writers. I don't like that about themes. But with Tales from the Lake we are reading stories by writers who are not given any rules. Just write what one loves and submit. That's wonderful. Tell us more about your story, and in which volume it appeared? Jennifer Loring: My story “The Fine Art of Wrecking” was the first place winner of the Tales from the Lake competition. It's based on the traditional legend of wreckers on the East Coast using false lights to run ships ashore to be plundered, but takes a Lovecraftian turn.J. Daniel Stone: My story “Alternative Muses” was the 2nd place winner in the original short story writing contest. The story focuses on a young couple who live on the fringes of society, but who soon are taken back to reality when they get pregnant. Things take a dark turn, and the need to transcend normality and complacency drive this story to a wicked ending.

    J. Gahagan] · ss Courier Spr ’38 77 · The Ape and the Mystery [“The Mysterious Mona Lisa Smile”] · ss The Saturday Evening Post Jun 26 ’48 89 · The King Who Collected Clocks [“Royal Impostor”] · nv The Saturday Evening Post May 3 ’47 117 · Bone for Debunkers [“The Karmesin Affair”; Karmesin] · ss The Saturday Evening Post Dec 15 ’62 133 · A Lucky Day for the Boar · ss Playboy Oct ’62 143 · Voices in the Dust of Annan · ss The Saturday Evening Post Sep 13 ’47 161 · Whatever Happened to Corporal Cuckoo? · nv The Brighton Monster, London: Heinemann, 1953; Star Science Fiction Stories #3, ed. Frederik Pohl, Ballantine, 1954

    An alien invasion comes to one man’s doorstep in the form of a story-creature, followed by death and rebirth in a transformed Earth.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    The Lonesome Place by August Derleth c. 1947 by All-Fiction Field, Inc. and c. 1962 by August Derleth. Reprinted by permission of Arkham House.2. In The Vault by H. P. Lovecraft c. 1932 by Popular Fiction Publishing Company, c. 1939, 1945 by August Derleth and Donald Wondrei; c. 1963 by August Derleth. Reprinted by permission of Arkham House.3. The Man Who Collected Poe by Robert Bloch, c. 1951 by Popular Publications, Inc. Reprinted by permission of the author's agent, Harry Altshuler.4. Where Angels Fear by Manly Wade Wellman, from "Unknown". Copyright 1939 by Street & Smith Publications, Inc.; c. renewed 1967 by The Conde Nast Publications, Inc. Reprinted by permission of The Conde Nast Publications, Inc.5. Lot No. 249 by Sir Arthur Conan Doyle from "The Conan Doyle Stories". Reprinted by permission of the Trustees of the Estate of Sir Arthur Conan Doyle and John Murray, Ltd.6. The Haunted Doll's House by M. R. James from "The Collected Ghost Stories of M. R. James" by Montagne Rhodes James. Reprinted by permission of Edward Arnold (Publishers) Ltd.7. The Open Door by Mrs. Oliphant8. Thus I Refute Beelzy by John Collier from "Fancies and Goodnights". Copyright 1940 by John Collier. Reprinted by permission of the Harold Matson Company.9. Levitation from "Nine Horrors and a Dream" by Joseph Payne Brennen. Copyright 1958 by Joseph Payne Brennen. Reprinted by permission of Arkham House.10. The Ghostly Rental by Henry James11. The Face by E. F. Benson from "Spook Stories". Reprinted by permission of Reverend K. S. P. McDowall.12. The Whistling Room by William Hope Hodgson. Copyright 1947 by August Derleth. Reprinted by permission of Arkham House.13. The Grey Ones by J. B. Priestley. Reprinted by permission of A. D. Peters & Co.14. The Stolen Body by H. G. Wells. Reprinted by permission of Collins-Knowlton-Wing, Inc.15. The Red Lodge from "They Return at Evening" by H. Russell Wakefield. Copyright 1928 by D. Appleton and Company. Reprinted by permission of Appleton-Century, affiliate of Meredith Press.16. The Visiting Star from "Powers of Darkness" by Robert Aickman. Copyright 1966 by Robert Aickman. Reprinted by permission of William Collins & Sons, Ltd.17. Midnight Express by Alfred Noyes. Reprinted by permission of Hugh Noyes.

    Just because Jenny was born without a head doesn't mean she isn't still annoying to her older brother, and just because the Man of the Future's carefully planned extramarital affair ends in alien abduction and network fame doesn't mean he can't still pine for his absent wife. Romping through the fantastic with big-hearted ease, these stories cut to the core of what it means to navigate family, faith, and longing, whether in the form of a lovesick kraken slowly dragging a ship of sailors into the sea, a small town euthanizing its grandfathers in a time-honored ritual, or a third-grade field trip learning that time travel is even more wondrous--and more perilous--than they might imagine.Andreasen's stories are simultaneously daring and deeply familiar, unfolding in wildly inventive worlds that convey our common yearning for connection and understanding. With a captivating new voice from an incredible author, The Sea Beast Takes a Lover uses the supernatural and extraordinary to expose us at our most human.Our fathers at sea --Bodies in space --The sea beast takes a lover --The king's teacup at rest --He is the rainstorm and the sandstorm, hallelujah, hallelujah --Rockabye, Rocketboy --The saints in the parlor --Andy, lord of ruin --Jenny --Rite of baptism --Blunderbuss

    Lost worlds where T-Rex and Velociraptors still roam and man is now on the menu. Laboratories at the forefront of cloning technology experiment with dinosaurs they do not understand or are able to contain. The deepest parts of the ocean where Megalodon, the largest and most ferocious predator to have ever existed is stalking new prey. Plus many more thrillers filled with extinct prehistoric monsters written by some of the best creature feature authors this side of the Jurassic period.

    This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes.Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original.CONTENTS"I Have No Mouth & I Must Scream""Big Sam Was My Friend""Eyes of Dust""World of the Myth""Lonelyache""Delusion for Dragonslayer""Pretty Maggie Moneyeyes"