He has recently been diagnosed with a terminal illness, and there is a fifty percent chance that it can be passed on to the next generation. For Miles, this means taking a long hard look at his past . . .Two decades ago, a young, struggling Miles was a sperm donor. Somewhere out there, he has kids—nine of them. And they might be about to inherit both the good and the bad from him—maybe his fortune, or maybe something much worse.As Miles begins to search for the children he’s never known, aspiring film documentarian Chloe Swanson embarks on a quest to find her biological father, armed with the knowledge that twenty-two years ago, her mother used a New York sperm bank to become pregnant.When Miles and Chloe eventually connect, their excitement at finding each other is overshadowed by a series of mysterious and terrifying events. One by one, Miles’s other potential heirs are vanishing—every trace of them wiped, like they never existed at all.Who is the vicious killer—another heir methodically erasing rivals? Or is something even more sinister going on?It’s a deadly race against time . . .

    Steve’s nightmare goes from bad to worse when he learns that the mysterious death was no accident but the act of a sociopath.  A sociopath he knows and who has information that could destroy Steve’s career and marriage.  A sociopath for whom killing is more than a means to an end: it’s a game.  Because he is under a cloud of suspicion and has no evidence, he knows that any accusations he makes won’t be believed. So he must struggle to turn the tables, even as the killer skillfully blocks his every move. Detailing the politics of hospitals, the hierarchy among doctors and the life and death decisions that are made by flawed human beings, Doing Harm marks the debut of a major fiction career.

    Haunted by the loss, Jo grew up bitter and distant, and eventually left her parents and Lake Hall, their faded aristocratic home, behind.Thirty years later, Jo returns to the house and is forced to confront her troubled relationship with her mother. But when human remains are accidentally uncovered in a lake on the estate, Jo begins to question everything she thought she knew.Then an unexpected visitor knocks on the door and Jo’s world is destroyed again. Desperate to piece together the gaping holes in her memory, Jo must uncover who her nanny really was, why she left, and if she can trust her own mother…In this compulsively readable tale of secrets, lies, and deception, Gilly Macmillan explores the darkest impulses and desires of the human heart. Diabolically clever, The Nanny reminds us that sometimes the truth hurts so much you’d rather hear the lie.

    Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie's help. Is the girl dead? Did someone take her? If she is out there, why doesn't she want to be found? It's time for Sunnie to face her own demons because they just might lead her to the truth about what really happened all those years ago.

    The Old Man is his latest whip-smart standalone novel.To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, and a bugout kit with two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young hotshot in army intelligence, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase reacted according to his own ideas of right and wrong, triggering consequences he could never have anticipated. And someone still wants him dead because of them. Just as he had begun to think himself finally safe, Chase must reawaken his survival instincts to contend with the history he has spent his adult life trying to escape. Armed mercenaries, spectacularly crashed cars, a precarious love interest, and an unforgettable chase scene through the snow—this is lethal plotting from one of the best in crime fiction.

    I’ve put through a refund to your credit card for the full amount, minus $200 to replace the sheets. I couldn’t get the stain out despite professional laundering and bleaching. . .MirandaAll Dawn wanted was to stay in a beautiful beach house with her husband, to live like money’s no object, for just one long weekend. Then Miranda, the home’s owner, has to send an e-mail like this, full of lies and the suggestion that Dawn’s so dirty, she needs to throw out her sheets. Someone needs to teach Miranda a lesson.Beware of your "host"I wouldn’t leave a review on Getaway.com at all, if I didn’t feel it was my civic duty to warn others . . .DawnMiranda cannot believe her eyes. Yes, she may be a doctor’s wife, but she needs the rental money from the beach house desperately. Someone needs to teach this Dawn a lesson.Two very different women with one thing in common: Each one knows she’s right, and each is determined to win this battle of words and wills and (eventually) worse. Neither will yield, not before they’ve dredged up hidden secrets, old hurts, and painful truths that threaten to shatter the foundations of their lives.Because it’s never really just about the sheets, is it?This is not over.This is so not over.

    He's acquired a wife, a daughter, and a brownstone in Brooklyn, and he's tried to leave his old life of secrets and lies behind. However, when the arrest of a long-sought assassin sets off an investigation into one of Milo's oldest colleagues and exposes new layers of intrigue in his old cases, he has no choice but to go back undercover and find out who's holding the strings once and for all.In The Tourist, Olen Steinhauer---twice nominated for an Edgar Award---tackles an intricate story of betrayal and manipulation, loyalty and risk in an utterly compelling novel that is both thoroughly modern and yet also reminiscent of the espionage genre's luminaries: Len Deighton, Graham Greene, and John LeCarré.

    The one who fought back, defeated the killer, and avenged her friends. The one who emerges bloodied but victorious. But after the sirens fade and the audience moves on, what happens to her?Lynnette Tarkington is a real-life final girl who survived a massacre twenty-two years ago, and it has defined every day of her life since. And she's not alone. For more than a decade she's been meeting with five other actual final girls and their therapist in a support group for those who survived the unthinkable, putting their lives back together, piece by piece. That is until one of the women misses a meeting and Lynnette's worst fears are realized--someone knows about the group and is determined to take their lives apart again, piece by piece.But the thing about these final girls is that they have each other now, and no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

    He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.Meet Suzette.She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

    Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    government's most top-secret and high profile cases. America's most important funeral home. To work there, mortician Jim "Zig" Zigarowski has one rule: never let a case get personal. But when a new body arrives--of young female sergeant Nola Brown, who was a childhood friend of Zig's daughter--Zig can't help himself. Looking closely at Nola's body, he realizes immediately: this isn't Nola. Indeed, his daughter's friend is still alive. And on the run. Zig's discovery reveals a sleight of hand being played at the highest levels of power--and traces back through history to a man named Harry Houdini. "Nola, you were right. Keep running."

    Now she wants justice. But is she blind to the truth?Christopher J. Yates’s cult hit Black Chalk introduced that rare writerly talent: a literary writer who could write a plot with the intricacy of a brilliant mental puzzle, and with characters so absorbing that readers are immediately gripped. Yates’s new book does not disappoint. Grist Mill Road is a dark, twisted, and expertly plotted Rashomon-style tale. The year is 1982; the setting, an Edenic hamlet some ninety miles north of New York City. There, among the craggy rock cliffs and glacial ponds of timeworn mountains, three friends—Patrick, Matthew, and Hannah—are bound together by a terrible and seemingly senseless crime. Twenty-six years later, in New York City, living lives their younger selves never could have predicted, the three meet again—with even more devastating results.

    Driving back from a holiday in France one night, Finn pulls in to a service station, leaving Layla alone in the car. When he returns, minutes later, Layla has vanished, never to be seen again. That’s the story Finn tells the police. It’s the truth – but not the whole truth.Twelve years later, Finn has built a new life with Ellen, Layla’s sister, when he receives a phone call. Someone has seen Layla. But is it her – or someone pretending to be her? If it is her, what does she want? And what does she know about the night she disappeared?

    Now, some thirty years later, Shank, retired and widowed, is giving up his large rambling Victorian house to his grandson Matt, whom he helped raise.Settling back into his childhood home and doing some renovations in the backyard to make the house feel like his own, Matt, a young up-and-coming chef and restaurateur, stumbles upon a locked crate he’s never seen before. Curious, he picks the padlock and makes a discovery so gruesome it will forever haunt him… Faced with this deep dark family secret, Matt must decide whether to keep what he knows buried in the past, go to the police, or take matters into his own hands.Meanwhile Matt’s girlfriend, Sam, has always suspected that her mother was murdered by the Beacon Hill Butcher—two years after the supposed Butcher was gunned down. As she pursues leads that will prove her right, Sam heads right into the path of Matt’s terrible secret.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.