A hunted, haunted Brahmin youth vows revenge for the gruesome murder of his beloved father. Cold, calculating, cruel and armed with a complete absence of accepted morals, he becomes the most powerful political strategist in Bharat and succeeds in uniting a ragged country against the invasion of the army of that demigod, Alexander the Great. Pitting the weak edges of both forces against each other, he pulls off a wicked and astonishing victory and succeeds in installing Chandragupta on the throne of the mighty Mauryan empire.History knows him as the brilliant strategist Chanakya. Satisfied—and a little bored—by his success as a kingmaker, through the simple summoning of his gifted mind, he recedes into the shadows to write his Arthashastra, the ‘science of wealth’. But history, which exults in repeating itself, revives Chanakya two and a half millennia later, in the avatar of Gangasagar Mishra, a Brahmin teacher in smalltown India who becomes puppeteer to a host of ambitious individuals—including a certain slumchild who grows up into a beautiful and powerful woman.Modern India happens to be just as riven as ancient Bharat by class hatred, corruption and divisive politics and this landscape is Gangasagar’s feasting ground. Can this wily pandit—who preys on greed, venality and sexual deviance—bring about another miracle of a united India? Will Chanakya’s chant work again? Ashwin Sanghi, the bestselling author of The Rozabal Line, brings you yet another historical spinechiller.

    So when he agrees to return to India to visit his ailing grand­father, he is sure he’ll be able to resist his family’s pleas that he marry a “good” Indian girl. With a girlfriend and a promising career back in San Francisco, the last thing Neel needs is an arranged marriage.Leila is a thirty-year-old teacher in Neel’s family’s village who has watched too many prospective husbands come and go to think her newest suitor will be any different. She is well past prime marrying age; her family has no money for a dowry; and then there’s the matter of an old friendship with a Muslim boy named Janni.Neel and Leila struggle to reconcile their own desires with the expectations of others in this riveting story of two people, two countries, and two ways of life that may be more compatible than they seem.

    It is an epic narrative that moves from California to Kashmir, France, and England, and back to California again. Along the way there are tales of princesses lured from their homes by demons, legends of kings forced to defend their kingdoms against evil. And there is always love, gained and lost, uncommonly beautiful and mortally dangerous.

    Lying and killing for the sake of peace and order, Indra felt he was unworthy of being king of heaven. A new king was installed on his throne! Now it was up to Indra’s wife Shachi to ensure that his honour survived. Would the gods ever regain their respect for her beloved?

    The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana has never been told. Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed castes of India for 3000 years. Until now, no Asura has dared to tell the tale. But perhaps the time has come for the dead and the defeated to speak. “For thousands of years, I have been vilified and my death is celebrated year after year in every corner of India. Why? Was it because I challenged the Gods for the sake of my daughter? Was it because I freed a race from the yoke of caste-based Deva rule? You have heard the victor’s tale, the Ramayana. Now hear the Ravanayana, for I am Ravana, the Asura, and my story is the tale of the vanquished.” “I am a non-entity – invisible, powerless and negligible. No epics will ever be written about me. I have suffered both Ravana and Rama – the hero and the villain or the villain and the hero. When the stories of great men are told, my voice maybe too feeble to be heard. Yet, spare me a moment and hear my story, for I am Bhadra, the Asura, and my life is the tale of the loser.” The ancient Asura empire lay shattered into many warring petty kingdoms reeling under the heel of the Devas. In desperation, the Asuras look up to a young saviour – Ravana. Believing that a better world awaits them under Ravana, common men like Bhadra decide to follow the young leader. With a will of iron and a fiery ambition to succeed, Ravana leads his people from victory to victory and carves out a vast empire from the Devas. But even when Ravana succeeds spectacularly, the poor Asuras find that nothing much has changed from them. It is then that Ravana, by one action, changes the history of the world.

    

    The interlinked stories are set in the late twentieth century, before a wave of anticolonialism crested across India and resulted in Bombay's rechristening. The stories feature everyday characters who face challenges unique to Bombay life, from the schoolboy who forms an unlikely friendship with a street vendor to the retired serviceman whose livelihood is threatened by the city's notorious bureaucracy. Readers familiar with Bombay will reawaken their memories, while those new to the city will experience a taste of its varied flavors.

    12 HOURS is a perfect blend of Love, Pain and Laughter" - Sanjay Chauhan (Script Writer of Paan Singh Tomar)Every hour of our life scripts a new story. And, every story is colored with a different feeling - Love, Pain, Joy, Sorrow, Trust, Deceit, Excitement, Repentance, Respect, Humiliation, Loneliness and AngerWe all have been a part of these intense emotions, which our heart experiences. We grow among them, feeling them, living them every minute, every hour, and our life is incomplete without them. 12 HOURS is a collection of twelve engrossing and beautifully written stories, which express different emotions and pour out the essence of different relationships. Some stories will make you laugh, while some will shed your tears. Some stories will spread a lesson, while some will electrify your spine. Some stories will make you fall in love, while some will motivate you to succeed. Each story will try to touch one or the other emotion that is nested inside us.In a nutshell, every hour of 12 HOURS will take you on a completely different journey by putting you amid the intriguing lives of the various characters, the characters that look very much real like all of us, the characters that belong to one or the other hour of our life.

    The novel starts with the news of theft of an ancient idol of Goddess Saraswati from a Hoysala temple. The journalist visits the place, which incidentally happens to be his ancestral town. The canvas of the novel encompasses almost the whole of India and most of the spheres like education, communal politics, business, political corruption and destruction of traditional moral values. The novel ends with the clamping of the so-called Emergency by Indira Gandhi in 1975.

    A young Sikh girl, Simran Kaur, has run away from her father, who would rather poison his daughter than see her defiled. And Ibrahim Masud, an elderly Muslim doctor driven from the town of his birth, limps toward the new Muslim state of Pakistan, rediscovering on the way his role as a healer. As the displaced face a variety of horrors, this unlikely quartet comes together, defying every rule of self-preservation to forge a future of hope.A dramatic, luminous story of families and nations broken and formed, "Partitions" introduces an extraordinary novelist who writes with the force and lyricism of poetry.

    A truck leaves the village of Campbellpur after news of the impending Partition pours in. It is carrying people who don't know where they will go. They have just heard words like 'border' and 'refugee', and are struggling to understand how drawing a line might carve out Pakistan from Hindustan. As they reach the border, the caravan disperses and people go their own ways. Gulzar's first novel tracks the lives of the people in that truck right from 1946 up to the Kargil war. A novel on what the Partition entailed for ordinary people, Two is also a meditation on the fact that the division of India and the carnage that followed, once set into motion, kept happening inexorably and ceaselessly, and people like those who left their homes on that truck never found another home; they kept looking for a place called home, a place to belong to.

    When he first arrives in Aayakudi to investigate a curious tip about a ghost, the place seems like an ordinary, traditional farming village. Soon, though, Rajendran finds himself entangled in a head-spinning mystery involving ancient treasure, spirit possession, and a series of grisly killings. There's also the beautiful, troubled daughter of the village panchayat president... and the notorious evil sorcerer who wants her dead. Indra Soundar Rajan, one of the stalwarts of the Tamil pulp fiction scene, has been writing his unique brand of supernatural mystery thrillers for over 30 years. He's also known for his television screenplays, such as the long-running superhit serial Marmadesam (Land of Mystery). He lives in Madurai.

    I was itching to defeat the single most powerful person, but there wasn't any. I was left with only one choice — to create one."Little does Ashwin Jamwal know that the last twenty-five years of his life have been controlled by a master manipulator, who wanted to make him the most powerful man on earth, though for a reason! Ashwin steps up to take oath as the youngest Prime Minister of India and is unknowingly thrown into a vortex of power and authority as the entire world is threatened by a faceless enemy — Hades.The world starts to look up to Ashwin as the savior, but he was just a pawn, reared only to be sacrificed in the end.A story of greed, lies, deceptions, manipulations and corruption, Ashvamedha is a thriller revolving around the infamous game of power in a maddening bid to seek absolute control.

    He approaches the city from unexpected angles, taking us into the criminal underworld of rival Muslim and Hindu gangs; following the life of a bar dancer raised amid poverty and abuse; opening the door into the inner sanctums of Bollywood; and delving into the stories of the countless villagers who come in search of a better life and end up living on the sidewalks.

    "Translucent elegies 'for the city that is leaving forever' (Srinagar) from one of its sons, who also happens to be one of America's finest younger poets."—John Ashbery