In each case, the words were "infused" into her by her spirit guide Francine, and of course, by God. Granted, these words are a passive mode of prayer, yet the goal is to recharge your spiritual battery so that you'll be able to go out into the world and do God's work. "Over many years of public work, people have often asked me how to pray. My answer is simple, 'Just talk to God, and make your life a living prayer." "These prayers will lift your soul and let you magnify the Lord. They have done so for me and thousands of others. Many miracles have occurred by the power of prayer, and now I want to share these commanding words with you."

    Pearl in the Sand tells Rahab's untold story. Rahab lives in a wall; her house is built into the defensive walls of the City of Jericho. Other walls surround her as well-walls of fear, rejection, and unworthiness. A woman with a wrecked past; a man of success, of faith...of pride. A marriage only God would conceive! Through the heartaches of a stormy relationship, Rahab and Salmone learn the true source of one another's worth and find healing in God.

    

    By examining the work produced by writers at the end of their lives, it elucidates the difference between growing old and disintegrating.

    Traditionally, femininity has been a role women play, a role defined by culture and simplistic sermons. The author encourages women to look at the feminine roles or boxes that pinch their souls: mother, fashion devotee, working wife, intellectual. Does God treat femininity as a role, a curse, or a gift? And when Jesus redeemed women, what was it exactly that he redeemed?Even after Eden, Fincher points out, God planned to redeem both men and women. But for centuries, women have been taught to devalue the very aspects of their souls that are unique and irreplaceable. Femininity itself runs deeper than aprons, frills, or romance. It begins with feminine souls who are living cameos of the triune God.In Ruby Slippers, Fincher takes a fresh, direct look at the challenges she faced on her search for the feminine soul. She goes step by step through what it means to be a woman and how to cultivate her soul, choosing not to shy away from psychology, theology or personal transparency. In her journey she discovers an understanding of femininity that is timeless and groundbreaking. The roles melt away into something like Dorothy’s ruby slippers, something women have always had—the souls to walk today with freedom and femininity.

    / Think youve never deceived yourself? Then this book is really for you. / Socrates famously asserted that the unexamined life is not worth living. But Gregg Ten Elshof shows us that we make all sorts of little deals with ourselves every day in order to stave off examination and remain happily self-deceived. Most provocatively, he suggests this is not all bad While naming its temptations, Ten Elshof also offers a strange celebration of self-deception as a gracious gift. In the tradition of Dallas Willard, I Told Me So is a wonderful example of philosophy serving spiritual discipline. A marvelous, accessible and, above all, wise book. James K. A. Smith / Calvin College / author of The Devil Reads Derrida / In this wise, well-crafted work Ten Elshof helps us to identify, evaluate, and respond to our own self-deceptive strategies, as he probes with occasional self-deprecation and unavoidable humor the bottomless mysteries of the human heart. His reflections on interpersonal self-deception and groupthink are especially helpful. To tell me the truth, Im glad I read this book. You will be too I promise. David Naugle / Dallas Baptist University / author of Reordered Love, Reordered Lives / Ten Elshofs discussions are erudite, biblical, searching, and laced with soul-restoring wisdom. All of this together means that this book is solidly pastoral. What it brings to us is appropriate to individuals, but it especially belongs in the context of small groups and local congregations. Dallas Willard (from the foreword)

    Doesn’t God work in the nighttime as well? In Learning to Walk in the Dark, Taylor asks us to put aside our fears and anxieties and to explore all that God has to teach us “in the dark.” She argues that we need to move away from our “solar spirituality” and ease our way into appreciating “lunar spirituality” (since, like the moon, our experience of the light waxes and wanes). Through darkness we find courage, we understand the world in new ways, and we feel God’s presence around us, guiding us through things seen and unseen. Often, it is while we are in the dark that we grow the most.With her characteristic charm and literary wisdom, Taylor is our guide through a spirituality of the nighttime, teaching us how to find our footing in times of uncertainty and giving us strength and hope to face all of life’s challenging moments.

    In the form of a dialogue between Pandava prince Arjuna and his guide Lord Krishna[note 1] it presents a synthesis of the Brahmanical concept of Dharma with bhakti, the yogic ideals of liberation through jnana, and Samkhya philosophy.The Bhagavad Gita also integrates theism and transcendentalism or spiritual monism, and identifies a God of personal characteristics with the Brahman of the Vedic tradition.Numerous commentaries have been written on the Bhagavad Gita with widely differing views on the essentials. Advaita Vedanta sees the non-dualism of Atman and Brahman as its essence, whereas Bhedabheda and Vishishtadvaita see Atman and Brahman as both different and non-different, and Dvaita sees them as different. Commentators see the setting of the Gita in a battlefield as an allegory for the ethical and moral struggles of the human life.

    Armed with only basic supplies and her writing journals, she spent an extended sojourn in a place by turns physically terrifying, psychologically invigorating, and gloriously beautiful. Her moving account will appeal to both physical and spiritual adventurers.