'The Wanderer' is a weird document. On a dying Earth, in the far-flung future, a man, an immortal, types the tale of his aeon-long life as prey, as a hunted man; he tells of his quitting the Himalayas, his sanctuary for thousands of years, to return to his birthplace, London, to write the memoirs; and writes, also, of the night he learned he was cursed with life without cease, an evening in a pub in that city, early in the twenty-first century, a gathering to tell of eldritch experiences undergone. Is 'The Wanderer' a fiction, perhaps Peterkin's last novel, or something far stranger? Perhaps more 'account' than 'story'?

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    Now from this brilliant young writer comes a groundbreaking collection of stories, many of them previously unavailable in the United States, and including four never-before-published tales–one set in Miéville’s signature fantasy world of New Crobuzon. Among the fourteen superb fictions are“Jack”–Following the events of his acclaimed novel Perdido Street Station, this tale of twisted attachment and horrific revenge traces the rise and fall of the Remade Robin Hood known as Jack Half-a-Prayer. “Familiar”–Spurned by its creator, a sorceress’s familiar embarks on a strange and unsettling odyssey of self-discovery in a coming-of-age story like no other.

    He portrays a character looking for love that reaches beyond death--with occasional morbid consequences.

    Showing us the war as we have never seen it before, here is a world not only of soldiers and assassins, hostages and car bombers, refugees and terrorists, but also of madmen and prophets, angels and djinni, sorcerers and spirits. Blending shocking realism with flights of fantasy, The Corpse Exhibition offers us a pageant of horrors, as haunting as the photos of Abu Ghraib and as difficult to look away from, but shot through with a gallows humor that yields an unflinching comedy of the macabre. Gripping and hallucinatory, this is a new kind of storytelling forged in the crucible of war.

    In addition to his long public service as a diplomat, Irving was amazingly prolific: His collected works fill forty volumes that encompass essays, history, travel writings, and multi-volume biographies of Columbus and Washington. But it is Irving’s mastery of suspense, characterization, tempo, and irony that transforms his fiction into virtuoso performances, earning him his reputation as the father of the American short story. Charles Neider has gathered all sixty-one of Irving's tales, originally scattered throughout his many collections of nonfiction essays and sketches, into one magnificent volume. Together, they reveal his wide range: besides the expected classics like "Rip Van Winkle," "The Spectre Bridegroom," "The Legend of Sleepy Hollow," and "The Devil and Tom Walker," his fiction embraces realistic tales, ghost stories, parodies, legends, fables, and satires. For those familiar only with secondhand retellings of Irving's most famous tales, this collection offers the opportunity to step inside Washington Irving's imagination and partake of its innumerable and timeless pleasures.

    There's something horrible in that storm over the ocean. What does "feed the pig" mean? What are those ropes in the sky? Why is Dad acting so funny? In these dark tales you will experience every type of horror imaginable. It is so gruesome, frightening, and demented that only the bravest of readers will make it through these pages.

    Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick's works has continued to mount, and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.Dick won the prestigious Hugo Award for the best novel of 1963 for The Man in the High Castle. In the last year of his life, the film Blade Runner was made from his novel Do Androids Dream of Electric Sheep ?This collection includes some of Dick's earliest short and medium-length fiction, including "We Can Remember it for You Wholesale" (the story that inspired the motion picture Total Recall), "Second Variety" (which inspired the motion picture Screamers), "Paychecks", "The Minority Report", and 21 more.Content: "Fair Game" (1959) "The Hanging Stranger" (1953) ""The Eyes Have It"" (1953) "The Golden Man" (1954) "The Turning Wheel" (1954) "The Last of the Masters" (1954) "The Father-Thing" (1954) "Strange Eden" (1954) "Tony and the Beetles" (1954) "Null-O" (1958) "To Serve the Master" (1956) "Exhibit Piece" (1954) "The Crawlers" (1954) "Sales Pitch" (1954) "Shell Game" (1954) "Upon the Dull Earth" (1954) "Foster, You're Dead!" (1955) "Pay for the Printer" (1956) "War Veteran" (1955) "The Chromium Fence" (1955) "We Can Remember It for You Wholesale" (1966) "The Minority Report" (1956) "Paycheck" (1953) "Second Variety" (1953)

    Call them what you like: Sex and Death, Love and Destruction, Temptation and Terror. While many may strive to reach the extremes, few authors manage to find the beauty that rests in the liminal space between these polar forces, the shuddering ecstasy encased within the shock. And then there’s Livia Llewellyn, an author praised for her dark, stirring, evocative prose and disturbing personal narratives.Lush, layered, multifaceted, and elegant, the thirteen tales comprising Furnace showcase why Livia Llewellyn has been lauded by scholars and fans of weird fiction alike, and why she has been nominated multiple times for the Shirley Jackson Award and included in year’s best anthologies. These are exquisite stories, of beauty and cruelty, of pleasure and pain, of hunger, and of sharp teeth sinking into tender flesh.

    Step into a world that defies all logic. One of Masturbatory headphones, diabolically toppled comb-jars, moustache-filled ejaculations, malfunctioning bookmarks, bricolage scrotums, wank fairies and a poorly conceived theory regarding wall stability. A world where ball popping is the only solution to the scrotum's poor aesthetic qualities and true love can lead a man to transpose menstruation across gender lines. Not to mention a blink so immensely powerful that mild abrasion can ensue. There s also a lime. Truly some of the strangest stories ever told. In his debut collection Matthew Revert has concocted a bizarre vortex of fiction by turns hilarious, disturbing, thought-provoking and just plain odd. A Million Versions of Right will force you to find logic in the illogic and shun anything resembling common sense. Like the faecal scrawl of a madman without the unpleasant smell