Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    Marion Abbott is summoned to Brawders House asylum to collect the body of her sister, Alice. She’d been found dead after falling four stories from a steep-pitched roof. Officially: an accident. Confidentially: suicide. But Marion believes a third option: murder.Returning to her family home to stay with her brother and his second wife, the recently widowed Marion is expected to quiet her feelings of guilt and grief—to let go of the dead and embrace the living. But that’s not easy in this house full of haunting memories.Just when the search for the truth seems hopeless, a stranger approaches Marion with chilling words: I saw her fall.Now Marion is more determined than ever to find out what happened that night at Brawders, and why. With no one she can trust, Marion may risk her own life to uncover the secrets buried with Alice in the family plot.

    What could be interesting about an unhappy housewife who drowns her sorrows in ice cream and wine and barely leaves her house?Only one knows why.When a new family moves in across the street--the exuberant Vicki, who just might become the gossipy best friend Phoebe's always wanted, and her handsome college-bound son, Jake, who offers companionship of a different variety--Phoebe finds her dull routine infused with the excitement she's been missing. But with her head turned she's no longer focused on the woman in the car. And she really should be...An addictive domestic thriller for fans of The Last Mrs. Parrish and The Couple Next Door, The Other Mrs. Miller serves up a delicious brew of dark secrets and stunning plot twists that will keep you captivated until the very last page.

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Finally, they’ll be accepted into a tribe. Marley will make friends and Ruth will be welcomed by the mothers. Instead, the parents are turned off by Ruth’s ostentatious wealth and before kindergarten even begins, Ruth and Marley are outcasts. The last guest to arrive at the meet-and-greet is Gemma, a widow and a single mother to her daughter, Bee. Ruth sets her sights on the mother-daughter duo, and soon the two families are inseparable. Ruth takes Gemma and Bee on Aspen vacations, offers VIP passes to Cirque du Soleil, and pays for dinners at Michelin-starred restaurants. For Gemma, who lives paycheck to paycheck, Ruth’s largesse is seductive, but as the years go by, she can’t shake the feeling that she’s accruing an increasingly unpayable debt. When Ruth’s affair with a married Hillside dad is exposed, and she’s publicly shunned, Gemma uses it to sever ties with Ruth. Six years later, when Gemma finds herself embroiled in a scandal of her own—Ruth comes to her defense. Their renewed friendship rehabilitates their reputations, but once again, Gemma starts to feel trapped as Ruth grows more and more obsessed with their relationship. A relentless page-turner, Did I Say You Could Go is the story of friendships steeped in lies and duplicity. It’s about two families who, when pushed to extremes, cross the line with devastating results.

    Her greatest joy is her family: her devoted professor husband, her spirited fifteen-year-old stepdaughter, her adorable infant son. And, of course, the steadfast and supportive Charlotte. But Amy’s sweet, uncomplicated life begins to unravel when the mysterious and alluring Angelica Roux arrives on her doorstep one book club night.Sultry and magnetic, Roux beguiles the group with her feral charm. She keeps the wine flowing and lures them into a game of spilling secrets. Everyone thinks it’s naughty, harmless fun. Only Amy knows better. Something wicked has come her way—a she-devil in a pricey red sports car who seems to know the terrible truth about who she is and what she once did.When they’re alone, Roux tells her that if she doesn’t give her what she asks for, what she deserves, she’s going to make Amy pay for her sins. One way or another.To protect herself and her family and save the life she’s built, Amy must beat the devil at her own clever game, matching wits with Roux in an escalating war of hidden pasts and unearthed secrets. Amy knows the consequences if she can’t beat Roux. What terrifies her is everything she could lose if she wins.A diabolically entertaining tale of betrayal, deception, temptation, and love filled with dark twists leavened by Joshilyn Jackson’s trademark humor, Never Have I Ever explores what happens when the transgressions of our past come back with a vengeance.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    The live-in owners are a kind and welcoming couple. Everything is fine until she finds a suicide note hidden in her room. But when the couple insist this man didn’t exist and that Lisa is their first tenant, Lisa begins to doubt herself.Compelled to uncover the secrets of the man who lived in the room before her, Lisa is alarmed when increasingly disturbing incidents start to happen. Someone doesn’t want Lisa to find out the truth.As the four walls of this house and its secrets begin to close in on Lisa, she descends into a hellish hall of mirrors where she’s not sure what’s real and what’s not as she claws her way towards the truth… This room has already claimed one victim? Is it about to take another?

    Fueled by mutual rage, these women orchestrate their own brand of justice through precise, anonymous, complexly plotted and perfectly executed revenge killings, with individual members completing a specific and integral task in each plan.As Camille struggles to comprehend whether this is a role-playing exercise or terrifying reality, she must decide if these women are truly avenging angels or monsters. Becoming more deeply enmeshed in the group, Camille learns truths about the collective—and about herself—that she may not be able to survive.

    The only difference this time: she’s the final victim.Catching monsters helps FBI agent Kate Hayden keep her nightmares at bay. Now an urgent call brings her back to San Antonio, the scene of her violent past. A brutal new murder shows hallmarks of a serial killer nicknamed the Samaritan. Tricky part is, Kate already caught him.Either Kate made a deadly error, or she’s got a copycat on her hands. Paired with homicide detective Theo Mazur, she quickly realizes this murder is more twisted than it first appeared. Then a second body is found, the mode of death identical to a different case that Kate thought she’d put behind her.Now Kate and Detective Mazur aren’t just working a homicide; the investigative pair is facing a formidable enemy who knows Kate intimately. While Mazur is personally trying to protect Kate, the closer they are drawn to the killer, the clearer it becomes that in this terrifying game, there is only one rule: don’t believe everything you see…

    Someone Knows is an emotional exploration of friendship and family, as well as a psychological exploration of guilt and memory.Twenty years ago, in an upscale suburb of Philadelphia, four teenagers spent a summer as closest friends: drinking, sharing secrets, testing boundaries. When a new boy looked to join them, they decided to pull a prank on him, convincing him to play Russian roulette as an initiation into their group. They secretly planned to leave the gun unloaded—but what happened next would change each of them forever.Now three of the four reunite for the first time since that horrible summer. The guilt—and the lingering question about who loaded the gun—drove them apart. But after one of the group apparently commits suicide with a gun, their old secrets come roaring back. One of them is going to figure out if the new suicide is what it seems, and if it connects to the events of that long-ago summer. Someone knows exactly what happened—but who? And how far will they go to keep their secrets buried?

    Their daughter, Anna, has struggled to come to terms with their loss ever since.Now with a young baby of her own, Anna misses her mother more than ever and starts to question her parents’ deaths. But by digging up their past, she’ll put her future in danger. Sometimes it’s safer to let things lie…The stunning, twisty new psychological thriller from number one bestseller Clare Mackintosh, author of I Let You Go and I See You.

    But when it comes to murder, Officer Susan Marlan never trusts a simple explanation, so she's just getting started.Meanwhile, college professor Eric Evans hallucinates a young boy in overalls: a symptom of his schizophrenia - or so he thinks. But when more bodies turn up, Eric has more visions, and they mirror details of the murder case. As the investigation continues, the police stick with their original conclusion, but Susan's instincts tell her something is off. The higher-ups keep stonewalling her, and the FBI's closing in.Desperate for answers, Susan goes rogue and turns to Eric for help. Together they take an unorthodox approach to the case as the evidence keeps getting stranger. With Eric's hallucinations intensifying and the body count rising, can the pair separate truth from illusion long enough to catch a monster?

    Attempted murder? Inexplicable accident? Either way, a PTA mom struggled for her life in an elementary school cafeteria, poisoned by wolfsbane. Now all eyes are on the accused, the victim, and a woman hired to look deeper.Ambitious defense attorney and single mother Allison Barton is anxious to escape the shadow of the low-down dog of a marquee partner carrying their renowned Virginia law firm. A win for her high-profile new client will give Allison the career she deserves. And PTA president Kira Grant certainly appears innocent—except for the toxic bloom in her backyard and perhaps a bit of a malicious streak. But no one said the innocent had to be likable—or entirely honest. Besides, with an image as carefully cultivated as her garden, Kira would be insane to risk everything on something as outrageous as the attempted murder of one of her closest friends.What about those in Kira’s orbit, a sunny suburb of moms behaving badly? What do they really know about Kira? What does Kira know about them? For Allison, the answers are getting darker every day.

    She’s one big case away from securing her place among London’s legal elite. But when she meets her new client, Martin Joy, the natural caution that has protected Francine and fueled her rise melts away. Powerless to fight the irresistible magnetism between them, client and counsel tumble into a blistering affair that breaks every rule.Though Martin insists his marriage is over, Francine doesn’t believe him. Certain details he’s told her don’t quite add up. Consumed with a passion she cannot control and increasingly obsessed with Martin’s relationship with his wife, Donna, Francine follows the woman one night . . . and discovers her having dinner with her supposedly soon-to-be-ex-husband.The next morning, Francine awakens in her neighbor’s apartment with blood on her clothes and no recollection of what transpired after she spied Donna and Martin together. Then Francine receives more devastating news: Martin’s wife has vanished. That dinner was the last place anyone has seen Donna Joy alive.Suddenly, Francine finds herself caught in a dangerous labyrinth of deception, lies, and secrets, in which one false move could lead to her undoing. What happened that night and why can’t Francine remember? Where is Donna and who is responsible for her disappearance? The further Francine goes to find answers, the tighter the net seems to draw—around her lover, herself, and the life she’s meticulously built.