So she does what any self-respecting hot mess of a girl who wants to SMASH junior year does...After Liv shows up to a Halloween party in khaki shorts--why, God, why?--she decides to set aside her wack AF ways. She makes a list--a F*ck-It list.1. Be bold--do the thing that scares me.2. Learn to take a compliment.3. Stand out instead of back.She kicks it off by trying out for the school musical, saying yes to a date and making new friends. Life is great when you stop punking yourself! However, with change comes a lot of missteps, and being bold means following her heart. So what happens when Liv's heart is interested in three different guys--and two of them are her best friends? What is she supposed to do when she gets dumped by a guy she's not even dating? How does one Smash It! after the humiliation of being friend-zoned?In Liv's own words, "F*ck it. What's the worst that can happen?"A lot, apparently.#SMASHIT

    Five years ago, she helped the magic-rich island of Grace Loray overthrow its oppressor, Argrid, a country ruled by religion. But adjusting to postwar life has not been easy. When an Argridian delegate vanishes during peace talks with Grace Loray’s new Council, Argrid demands brutal justice—but Lu suspects something more dangerous is at work.Devereux is a pirate. As one of the outlaws called stream raiders who run rampant on Grace Loray, he pirates the island’s magic plants and sells them on the black market. But after Argrid accuses raiders of the diplomat’s abduction, Vex becomes a target. An expert navigator, he agrees to help Lu find the Argridian—but the truth they uncover could be deadlier than any war.Benat is a heretic. The crown prince of Argrid, he harbors a secret obsession with Grace Loray’s forbidden magic. When Ben’s father, the king, gives him the shocking task of reversing Argrid’s fear of magic, Ben has to decide if one prince can change a devout country—or if he’s building his own pyre.As conspiracies arise, Lu, Vex, and Ben will have to decide who they really are . . . and what they are willing to become for peace.

    Instead, the man she saved offers her unimaginable riches and a new identity, setting Amaya on a perilous course through the coastal city-state of Moray, where old-world opulence and desperate gamblers collide.Amaya wants one thing: revenge against the man who ruined her family and stole the life she once had. But the more entangled she becomes in this game of deception—and as her path intertwines with the son of the man she’s plotting to bring down—the more she uncovers about the truth of her past. And the more she realizes she must trust no one…Packed with high-stakes adventure, romance, and dueling identities, this gender-swapped retelling of The Count of Monte Cristo is the first novel in an epic YA fantasy duology, perfect for fans of Sarah J. Maas, Sabaa Tahir, and Leigh Bardugo.

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    They say it was suicide.But June doesn’t believe it.June and Delia used to be closer than anything. Best friends in that way that comes before everyone else—before guys, before family. It was like being in love, but more. They had a billion secrets, binding them together like thin silk cords.But one night a year ago, everything changed. June, Delia, and June’s boyfriend Ryan were just having a little fun. Their good time got out of hand. And in the cold blue light of morning, June knew only this—things would never be the same again.And now, a year later, Delia is dead. June is certain she was murdered. And she owes it to her to find out the truth…which is far more complicated than she ever could have imagined.Sexy, dark, and atmospheric, Suicide Notes from Beautiful Girls will keep you guessing until the very last page.

    George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried - until, decades later, an ambitious biographer threatens to unearth them.Rich with Hollinghurst's signature gifts - haunting sensuality, delicious wit and exquisite lyricism - The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.

    Maggie is a funeral director from Indiana who lives a double life. Bug is a ten-year-old boy in the Pennsylvania foster care system who is sent to live with an aunt he doesn't know. Jimmy is a former paramedic and prescription drug addict on his way to meet a woman he met online who thinks he's a successful doctor. Helen is a Chicago insurance investigator who is leaving her marriage in search of the woman she wants to be. Four strangers, all traveling to Boston in search of better lives, are tied together in ways they don't even realize. Each are trying to fill the void of what's missing in their lives. Sometimes it takes a tragedy to overcome all that we lack.

    More than a collection of poems, this book serves as a survival guide for anyone who has ever been a daughter. Knotted with gritty tales of addiction, mental illness, and girlhood, Redhead and the Slaughter King is the prequel to every time someone asked the question, “how the hell did I end up here?”

    But she has reckoned without floppy-eared, tail-wagging Mouse, who comes nosing to her window. Followed shortly by his owner, Alice. As Beth’s year of solitude rolls out, Alice gently steals her way first into Beth’s house and later into her heart. And by the time New Year’s Eve comes round again – who knows?A tender and delicate love story in verse, The Space Between is a tale of how warmth, support and friendship can overcome mental anguish.

    Sixteen-year-old Audre is despondent, having just found out she’s going to be sent to live in America with her father because her strictly religious mother caught her with her secret girlfriend, the pastor’s daughter. Audre’s grandmother Queenie (a former dancer who drives a white convertible Cadillac and who has a few secrets of her own) tries to reassure her granddaughter that she won’t lose her roots, not even in some place called Minneapolis. “America have dey spirits too, believe me,” she tells Audre.Minneapolis. Sixteen-year-old Mabel is lying on her bed, staring at the ceiling and trying to figure out why she feels the way she feels–about her ex Terrell, about her girl Jada and that moment they had in the woods, and about the vague feeling of illness that’s plagued her all summer. Mabel’s reverie is cut short when her father announces that his best friend and his just-arrived-from-Trinidad daughter are coming for dinner. Mabel quickly falls hard for Audre and is determined to take care of her as she tries to navigate an American high school. But their romance takes a turn when test results reveal exactly why Mabel has been feeling low-key sick all summer and suddenly it’s Audre who is caring for Mabel as she faces a deeply uncertain future.Junauda Petrus’s debut brilliantly captures the distinctly lush and lyrical voices of Mabel and Audre as they conjure a love that is stronger than hatred, prison, and death and as vast as the blackness between the stars.

    With a gift for delicate, violent imagery, Ashe invites us to lose ourselves in her world. Wrong Side of a Fistfight feels like getting lost in the woods, with someone holding your hand promising to guide you home. This is the second book of poems by Ashe Vernon, spoken word poet and author of the blog Late Night Corner Store.

    After a year of passion and happiness, they’re buying a home and moving in together. Everything is rosy for them—until a jealous and insane ex from Wade’s past puts all of that to the test. "I need to figure out if there’s a way to move past this. For both of us.” After being kidnapped and tortured by his deranged former lover, Wade loses his ability to engage with his own sexuality or with Russ. With the help of a psychologist, EMDR therapy, and a sex plan, they work together to overcome the damage inflicted. In the process, they discover wells of love they’ve never known before. “You never deserved what happened to you. No matter what you’ve told yourself. You only deserved love.” As passion is reborn and their sex life reignited, Wade realizes a need to re-experience certain events in Russ’s loving arms. For Wade, the difference between pain and pleasure is love, and the difference between rape and rough sex is consent. Dark, and yet ultimately hopeful, this story of true love and rape recovery contains many emotional and graphic scenes of two men making love, as well as some intense scenes of torture. Proceed with care. The Difference Between is a 78,000 word steamy, graphic, intensely emotional novel with a strong happy ending. No cheating and no cliffhangers, just two men who fight for their love. STAND-ALONE

    One goal.Grace lives and breathes gymnastics—but no matter how hard she pushes herself, she can never be perfect enough.Leigh, Grace’s best friend, has it all: a gymnastics career, a normal high-school life…and a secret that could ruin everything.Camille wants to please her mom, wants to please her boyfriend, and most of all, wants to walk away.Wilhelmina was denied her Olympic dream four years ago, and she won’t let anything stop her again. No matter what.Monica is terrified. Nobody believes in her—and why should they?By the end of the two days of the U.S. Olympic Gymnastics Trials, some of these girls will be stars. Some will be going home with nothing. And all will have their lives changed forever.

    It’s been twenty-seven days since Cleo and Layla’s friendship imploded. Nearly a month since Cleo realized they’ll never be besties again. Now, Cleo wants to erase every memory, good or bad, that tethers her to her ex–best friend. But pretending Layla doesn’t exist isn’t as easy as Cleo hoped, especially after she’s assigned to be Layla’s tutor. Despite budding new friendships with other classmates—and a raging crush on a gorgeous boy named Dom—Cleo’s turbulent past with Layla comes back to haunt them both. Alternating between time lines of Then and Now, When You Were Everything blends past and present into an emotional story about the beauty of self-forgiveness, the promise of new beginnings, and the courage it takes to remain open to love.

    She’s a rising star at her Chicago tech start up. She’s well liked, she’s funny, she’s smart, she’s pretty. But despite all this, for some strange reason, Amy’s had an absolutely awful love life. It couldn’t possibly be Amy’s fault… right? Enter Josephine Taft, rich and successful tech investor, swooping in to save Amy’s company from financial ruin. In addition to being wealthy and accomplished, Josephine is also a total fox and Amy can’t help but swoon over her. No pressure here. As our quirky heroine maneuvers through this stylized romantic comedy, often butting heads with a whimsical cast of characters, she’ll have to look within to both save her company and get the girl. Will Amy be able to rein in her eccentricities and prove to Josephine that she’s worth the investment?