Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress. But the event is not without poignancy. Sixteen years earlier, that very dress was measured and sewn for a different wearer: Melody's mother, for her own ceremony-- a celebration that ultimately never took place.Unfurling the history of Melody's parents and grandparents to show how they all arrived at this moment, Woodson considers not just their ambitions and successes but also the costs, the tolls they've paid for striving to overcome expectations and escape the pull of history. As it explores sexual desire and identity, ambition, gentrification, education, class and status, and the life-altering facts of parenthood, Red at the Bone most strikingly looks at the ways in which young people must so often make long-lasting decisions about their lives--even before they have begun to figure out who they are and what they want to be.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    Smith explores the cognitive dissonance that results from belonging to a community that unapologetically celebrates black humanity while living in a world that often renders blackness a caricature of fear. His poems move fluidly across personal and political histories, all the while reflecting on the social construction of our lived experiences. Smith brings the reader on a powerful journey forcing us to reflect on all that we learn growing up, and all that we seek to unlearn moving forward.

    Ray McMillian loves playing the violin more than anything, and nothing will stop him from pursuing his dream of becoming a professional musician. Not his mother, who thinks he should get a real job, not the fact that he can't afford a high-caliber violin, not the racism inherent in the classical music world. And when he makes the startling discovery that his great-grandfather's fiddle is actually a priceless Stradivarius, his star begins to rise. Then with the international Tchaikovsky Competition—the Olympics of classical music—fast approaching, his prized family heirloom is stolen. Ray is determined to get it back. But now his family and the descendants of the man who once enslaved Ray's great-grandfather are each claiming that the violin belongs to them. With the odds stacked against him and the pressure mounting, will Ray ever see his beloved violin again?

    Laura Coates bleeds for justice on the page.” —Ibram X. Kendi, National Book Award–winning author of Stamped from the Beginning and How to Be an AntiracistWhen Laura Coates joined the Department of Justice as a prosecutor, she wanted to advocate for the most vulnerable among us. But she quickly realized that even with the best intentions, “the pursuit of justice creates injustice.” Through Coates’s experiences, we see that no matter how fair you try to fight, being Black, a woman, and a mother are identities often at odds in the justice system. She and her colleagues face seemingly impossible situations as they teeter between what is right and what is just. On the front lines of our legal system, Coates saw how Black communities are policed differently; Black cases are prosecuted differently; Black defendants are judged differently. How the court system seems to be the one place where minorities are overrepresented, an unrelenting parade of Black and Brown defendants in numbers that belie their percentage in the population and overfill American prisons. She also witnessed how others in the system either abused power or were abused by it—for example, when an undocumented witness was arrested by ICE, when a white colleague taught Coates how to unfairly interrogate a young Black defendant, or when a judge victim-blamed a young sexual assault survivor based on her courtroom attire. Through these revelatory and captivating scenes from the courtroom, Laura Coates explores the tension between the idealism of the law and the reality of working within the parameters of our flawed legal system, exposing the chasm between what is right and what is lawful.

    In 1955, in Caroline County, Virginia, amidst segregation and prejudice, injustice and cruelty, two teenagers fell in love. Their life together broke the law, but their determination would change it. Richard and Mildred Loving were at the heart of a Supreme Court case that legalized marriage between races, and a story of the devoted couple who faced discrimination, fought it, and won.

    Wells’s great-granddaughter, Michelle Duster.Winner of a 2020 Pulitzer Prize Special Citation, Ida B. Wells was born enslaved in Holly Springs, Mississippi, in 1862. In this inspiring and accessible biography, Duster tells the incredible story of Wells’s life, including stories from her childhood in Mississippi, her famous refusal to give up her seat on a ladies’ train car in Memphis, and her later work as a pioneering journalist and anti-lynching crusader. Overlooked and underestimated, Wells would single-handedly change the course of American history and come to inspire millions. Ida B. the Queen shines a bright light on one of the most extraordinary women in history.

    A young, probably gay, boy named Gordo puts on a wrestler's mask and throws fists with a boy in the neighborhood, fighting his own tears as he tries to grow into the idea of manhood so imposed on him by his father. As he comes of age, Gordo learns about sex, watches his father's drunken fights, and discovers even his own documented Mexican-American parents are wary of illegal migrants. Fat Cookie, high schooler and resident artist, uses tiny library pencils to draw huge murals of graffiti flowers along the camp's blank walls, the words "CHICANO POWER" boldly lettered across, until she runs away from home one day with her mother's boyfriend, Manny, and steals her mother's Panasonic radio for a final dance competition among the camp kids before she disappears. And then there are Los Tigres, the perfect pair of twins so dark they look like indios, Pepito and Manuel, who show up at Gyrich Farms every season without fail. Los Tigres, champion drinkers, end up assaulting each other in a drunken brawl, until one of them is rushed to the emergency room still slumped in an upholstered chair tied to the back of a pick-up truck. These scenes from Steinbeck Country seen so intimately from within are full of humor, family drama, and a sweet frankness about serious matters - who belongs to America and how are they treated? How does one learn decency, when laborers, grown adults, must fear for their lives and livelihoods as they try to do everything to bring home a paycheck? Written with balance and poise, Cortez braids together elegant and inviting stories about life on a California camp, in essence redefining what all-American means.

    From music and fashion to activism and language, black culture constantly achieves worldwide influence. Yet, when it comes to who is allowed to thrive from black hipness, the pioneers are usually left behind as black aesthetics are converted into mainstream success—and white profit. Weaving together narrative, scholarship, and critique, Lauren Michele Jackson reveals why cultural appropriation—something that’s become embedded in our daily lives—deserves serious attention. It is a blueprint for taking wealth and power, and ultimately exacerbates the economic, political, and social inequity that persists in America. She unravels the racial contradictions lurking behind American culture as we know it—from shapeshifting celebrities and memes gone viral to brazen poets, loveable potheads, and faulty political leaders.An audacious debut, White Negroes brilliantly summons a re-interrogation of Norman Mailer’s infamous 1957 essay of a similar name. It also introduces a bold new voice in Jackson. Piercing, curious, and bursting with pop cultural touchstones, White Negroes is a dispatch in awe of black creativity everywhere and an urgent call for our thoughtful consumption.

    Half a century ago, Joan's grandfather built this majestic house in the historic Black neighborhood of Douglass--only to be lynched days after becoming the first Black detective in Memphis. This wasn't the first time violence altered the course of Joan's family's trajectory, and she knows it won't be the last. Longing to become an artist, Joan pours her rage and grief into sketching portraits of the women of North Memphis--including their enigmatic neighbor Miss Dawn, who seems to know something about curses.Unfolding over seventy years through a chorus of voices, Memphis weaves back and forth in time to show how the past and future are forever intertwined. It is only when Joan comes to see herself as a continuation of a long matrilineal tradition--and the women in her family as her guides to healing--that she understands that her life does not have to be defined by vengeance. That the sole weapon she needs is her paintbrush.Inspired by the author's own family history, Memphis--the Black fairy tale she always wanted to read--explores the complexity of what we pass down, not only in our families, but in our country: police brutality and justice, powerlessness and freedom, fate and forgiveness, doubt and faith, sacrifice and love.

    But as the line between idealism and violence becomes increasingly blurred, the friends are driven apart—one into the deepest peril, as the movement gathers inexorable force, and the other into the safety of exile in the American Midwest. There, pretending to be an exchange student, he falls in love with a social worker and settles into small-town life. Yet this idyll is inescapably darkened by the secrets of his past: the acts he committed and the work he left unfinished. Most of all, he is haunted by the beloved friend he left behind, the charismatic leader who first guided him to revolution and then sacrificed everything to ensure his freedom.

    . . . In our current politics we recognize African-American history--the spot under our country's rug where the terrorism and injustices of white supremacy are habitually swept. Stony the Road lifts the rug. --Nell Irvin Painter, New York Times Book Review A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring racist stain on the American mind.The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked a new birth of freedom in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the nadir of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance.Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark color line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combatted it by articulating a vision of a New Negro to force the nation to recognize their humanity and unique contributions to America as it hurtled toward the modern age.The story Gates tells begins with great hope, with the Emancipation Proclamation, Union victory, and the liberation of nearly 4 million enslaved African-Americans. Until 1877, the federal government, goaded by the activism of Frederick Douglass and many others, tried at various turns to sustain their new rights. But the terror unleashed by white paramilitary groups in the former Confederacy, combined with deteriorating economic conditions and a loss of Northern will, restored home rule to the South. The retreat from Reconstruction was followed by one of the most violent periods in our history, with thousands of black people murdered or lynched and many more afflicted by the degrading impositions of Jim Crow segregation.An essential tour through one of America's fundamental historical tragedies, Stony the Road is also a story of heroic resistance, as figures such as W. E. B. Du Bois and Ida B. Wells fought to create a counter-narrative, and culture, inside the lion's mouth. As sobering as this tale is, it also has within it the inspiration that comes with encountering the hopes our ancestors advanced against the longest odds.

    Now, she reaches new, uncanny heights with And I Do Not Forgive You. In “Mildly Happy, With Moments of Joy,” a friend is ghosted by a simple text message; in “Everyone’s a Winner at Meadow Park,” a teen precariously coming of age in a trailer park befriends an actual ghost. At once humorous and unapologetically fierce, these stories shine an interrogating light on the adage that “history likes to lie about women”— as the subjects of “A Short and Speculative History of Lavoisier’s Wife” and “You Won’t Believe What Really Happened to the Sabine Women” (it’s true, you won’t) will attest. Blending fairy tales and myths with apocalyptic technologies, all tethered intricately by shades of rage, And I Do Not Forgive You offers a mosaic of an all-too-real world that fails to listen to its silenced goddesses.Mildly unhappy, with moments of joy --You won't believe what really happened to the Sabine women --A place for hiding precious things --Everyone's a winner in Meadow Park --A short and slightly speculative history of Lavoisier's wife --We destroy the Moon --In which Athena designs a video game with the express purpose of trolling her father --Is the future a nice place for girls --Our mutual (theater) friend --The dry cleaner from Des Moines --The eyes of Saint Lucy --We were a storybook back then --Rabbit by rabbit --Through the looking-glass --The noises from the neighbors upstairs --Our geographic history --Death deserves all caps --A wholly new and novel act, with monsters --When the husband grew wings --The language of the stars --Mildly joyful, with moments of extraordinary unhappiness --Tour of the cities we have lost

    Part family drama, part social essay, part picaresque adventure -- at its heart, it is the story of a father, a son, and the country they both call home.Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and our ideals have been sacrificed to the gods of finance, where a TV personality is president and immigrants live in fear, and where the nation's unhealed wounds of 9/11 wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerilla lookouts in the mountains of Afghanistan, and spares no one -- least of all himself -- in the process.

    African American Studies. African American women protagonists lose and find love, confront sanity and craziness, and strive to make sense of their lives in North Carolina. A Jehovah's Witness girl goes door-to-door with an expert field-service partner from up north. At a call center, operator Sheila fields a caller's uncomfortable questions under a ruthless supervisor's eye. Forty-something Aunt Ginny surprises the family by finding a husband, but soon she gives them more to talk about. Pulitzer-Prize winner Edward P. Jones writes "Watts offers an impressive debut that promises only wonderful work to come." Fiction writer Marly Swick agrees: "Each story seems, at the same time, to be a breath of fresh air and an instant classic." Author Alyce Miller notes that "Watts writes with a penetrating eye for the extraordinary moments in the lives of ordinary people. As I read, I found myself holding my breath."