It begins mid-flood, ducks swimming in the drawing-room windows, “quacking their approval” as they sail around the room. “What about my rose beds?” demands Grandmother Willoweed. Her son shouts down her ear-trumpet that the garden is submerged, dead animals everywhere, she will be lucky to get a bunch. Then the miller drowns himself . . . then the butcher slits his throat . . . and a series of gruesome deaths plagues the villagers. The newspaper asks, “Who will be smitten by this fatal madness next?” Through it all, Comyns’ unique voice weaves a narrative as wonderful as it is horrible, as beautiful as it is cruel. Originally published in England in 1954, this “overlooked small masterpiece” is a twisted, tragicomic gem.

    And, as practical as she is, Ruth doesn't know what to do. Or how to feel. Because knowing and loving Clio Campbell was never straightforward.To Neil, she was his great unrequited love. He'd known it since their days on picket lines as teenagers. Now she's a sentence in his email inbox: Remember me well.The media had loved her as a sexy young starlet, but laughed her off as a ranting spinster as she aged. But with news of her suicide, Clio Campbell is transformed into a posthumous heroine for politically chaotic times.Stretching over five decades, taking in the miners' strikes to Brexit and beyond; hopping between a tiny Scottish island, a Brixton anarchist squat, the bloody Genoa G8 protests, the poll tax riots and Top of the Pops, Scabby Queen is a portrait of a woman who refuses to compromise, told by her friends and lovers, enemies and fans.As word spreads of what Clio has done, half a century of memories, of pain and of joy are wrenched to the surface. Those who loved her, those who hated her, and those that felt both ways at once, are forced to ask one question: Who was Clio Campbell?

    . .1859. A man joins a whaling ship bound for the Arctic Circle. Having left the British Army with his reputation in tatters, Patrick Sumner has little option but to accept the position of ship's surgeon on this ill-fated voyage. But when, deep into the journey, a cabin boy is discovered brutally killed, Sumner finds himself forced to act. Soon he will face an evil even greater than he had encountered at the siege of Delhi, in the shape of Henry Drax: harpooner, murderer, monster . . . 'A tour de force' Hilary Mantel'Riveting and darkly brilliant' Colm Tóibín

    The students at the Slade School of Art gather in Henry Tonks's studio for his life-drawing class. But for Paul Tarrant the class is troubling, underscoring his own uncertainty about making a mark on the world. When war breaks out and the army won't take Paul, he enlists in the Belgian Red Cross just as he and fellow student Elinor Brooke admit their feelings for one another. Amidst the devastation in Ypres, Paul comes to see the world anew - but have his experiences changed him completely? 'Triumphant, shattering, inspiring' The Times 'Barker writes as brilliantly as ever . . . with great tenderness and insight she conveys a wartime world turned upside down'Independent on Sunday 'Vigorous, masterly, gripping' Penelope Lively, Independent 'Extraordinarily powerful' Sunday Telegraph

    Inside is a gigantic taxidermied aardvark. This outrageous, edge-of-your-seat novel hurtles between contemporary Washington, DC, where Wilson tries to get rid of the unsightly beast before it destroys his career, and Victorian England--where we meet Titus Downing, the taxidermist who stuffed the aardvark, and Richard Ostlet, the naturalist who hunted her. Our present world, we begin to see, has been shaped in profound and disturbing ways by the secret that binds these men.

    The opening novel in Anthony Powell's brilliant twelve-novel sequence, A Dance to the Music of Time.Discover the extraordinary life of Anthony Powell – captured by acclaimed biographer Hilary Spurling in Anthony Powell: Dancing to the Music of Time

    And most do. But few of his conquests know that Lucifer is also His Majesty's most daring secret agent, at home in both London's Imperial grandeur and in its underworld of despicable vice. So when Britain's most prominent scientists begin turning up dead, there is only one man his country can turn to for help. Following a dinnertime assassination, Lucifer is dispatched to uncover the whereabouts of missing agent Jocelyn Poop. Along the way he will give art lessons, be attacked by a poisonous centipede, bed a few choice specimens, and travel to Italy on business and pleasure. Aided by his henchwoman Delilah; the beautiful, mysterious, and Dutch Miss Bella Pok; his boss, a dwarf who takes meetings in a lavatory; grizzled vulcanologist Emmanuel Quibble; and the impertinent, delicious, right-hand-boy Charlie Jackpot, Lucifer Box deduces and seduces his way from his elegant townhouse at Number 9 Downing Street (somebody has to live there) to the ruined city of Pompeii, to infiltrate a highly dangerous secret society that may hold the fate of the world in its clawlike grip.

    After discovering a photograph of the forgotten Black modernist poet Hermia Druitt, who ran in the same circles as the Bright Young Things that she adores, Mathilda becomes transfixed and resolves to learn as much as she can about the mysterious figure. Her search brings her to a peculiar artists’ residency in Dun, a small European town Hermia was known to have lived in during the 30s. The artists’ residency throws her deeper into a lattice of secrets and secret societies that takes hold of her aesthetic imagination, but will she be able to break the thrall of her Transfixions?From champagne theft and Black Modernisms, to art sabotage, alchemy and lotus-eating proto-luxury communist cults, Mathilda’s journey through modes of aesthetic expression guides her to truth and the convoluted ways it is made and obscured.

    Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.

    One man catches her eye and she cannot forget him. The following day she receives an urgent message to contact the local priest: he needs her help.   Miranda is a photography student in Berlin in 1989 as the Wall falls. Trapped in an abusive relationship, her one hope for escape is an old postcard of the village her grandmother, Detta, was born in. As Miranda flees through the rubble of the Berlin wall and into the East, she begins to suspect she’s being followed by the Stasi.  Two very different timelines; two women who share a history and a dark secret. Can they save each other now the time has come to reveal it?Acclaim for Clare Harvey's novels: 'Had me enthralled' Kate Furnivall ‘Will delight all those who love a good wartime story’ Dilly Court 'A gripping story' Julie Cohen 'An exceptional talent' Kate Rhodes 'A triumph' Jill Mansell 'Heartwarming, enjoyable and full of surprises' Elizabeth Chadwick ‘A real page-turner’ Ellie Dean

    Filled with the "sacred hunger" to expand its empire and its profits, England entered full into the slave trade and spread the trade throughout its colonies. In this Booker Prize-winning work, Barry Unsworth follows the failing fortunes of William Kemp, a merchant pinning his last chance to a slave ship; his son who needs a fortune because he is in love with an upper-class woman; and his nephew who sails on the ship as its doctor because he has lost all he has loved. The voyage meets its demise when disease spreads among the slaves and the captain's drastic response provokes a mutiny. Joining together, the sailors and the slaves set up a secret, utopian society in the wilderness of Florida, only to await the vengeance of the single-minded, young Kemp.

    Shipman delivers a powerful, action-packed novel that illustrates the long-buried secrets and unending costs of war--based on the true story of General Patton's clandestine unauthorized raid on a World War II POW camp. March, 1945. Allied forces are battle-worn but wearily optimistic. Russia's Red Army is advancing hard on Germany from the east, bolstering Allied troops moving in from the west and north. Soon, surely, Axis forces must accept defeat. Yet for Captain Jim Curtis, each day is a reminder of how unpredictable and uncertain warfare can be.Captured during the Battle of the Bulge after the Germans launched a devastating surprise attack, Curtis is imprisoned at a POW camp in Hammelburg, Bavaria. Conditions are grim. Inmates and guards alike are freezing and starving, with rations dwindling day by day. But whispers say General Patton's troops are on the way, and the camp may soon be liberated.Indeed, fifty miles away, a task force of three hundred men is preparing to cross into Germany. With camps up and down the line, what makes Hammelburg so special they don't know, but orders are orders. Yet their hopes of evading the enemy quickly evaporate. Wracked by poor judgment, insufficient arms, and bad luck, the raid unravels with shattering losses. The liberation inmates hoped for becomes a struggle for survival marked by a stark choice: stay, or risk escaping into danger--while leaving some behind.For Curtis, the decision is an even more personal test of loyalty, friendship, and the values for which one will die or kill. It will be another twenty years before the unsanctioned mission's secret motivation becomes public knowledge, creating a controversy that will forever color Patton's legacy and linger on in the lives of those who made it home at last--and the loved ones of those who did not.

    Beginning in 1974 and ending with the fading of Thatcher's government in 1996, 'The Northern Clemency' is Philip Hensher's epic portrait of an entire era, a novel concerned with the lives of ordinary people and history on the move.

    Catherine and Rob Allen, siblings two years apart, grow up in a world of shameful secrets. Their mother creates a public outcry, abandoning her family for a bohemian life on the Continent. Their father, whose mental state always has been slightly precarious, is committed to an asylum in the country. The children are sealed off with their grandfather in a crumbling country estate accompanied by their sturdy and well-loved servant, Kate, and the predatory tutor, Miss Gallagher. In true gothic fashion, terror, violence and eroticism collect beneath every dark surface. Against this strange and secretive backdrop, Cathy and Rob develop a closeness so fierce that it eventually threatens to smother them both. Kate makes the first crack in their hermetically sealed world, which World War I eventually bursts wide open. With Kate's departure for Canada and Rob's for the front, destitute times at home force Cathy into self-reliance. It's only after she's redeemed by hardship that she's given a second chance to be redeemed by love.

    Now in her nineties, the famously reclusive painter remains devoted to her work. She has never married, never had a family, never had a child. So when a letter arrives disclosing that she has a granddaughter living in New York, her world is turned upside down and the past is brought painfully to life.Disowned by her bourgeois family, the young Ivory had gone to interwar Paris to study art, and quickly found her true home among the avant-garde painters and poets who crowd the city's cafes. In fellow painter Tacita, she finds the sister she never had. In the Zoological Gardens, she finds a subject for her art capable of fascinating her endlessly. And in Lev, the brooding, haunted Russian 'migr' painter fleeing the Revolution and destined for greatness, she finds the love that will mark her life forever.But she loses all this, and more, when the Second World War sweeps away the life she has only just discovered. In her grief, she turns to the project she had begun in Paris, and which will consume the rest of her life: a dictionary of animal languages. Part science, part art, the dictionary strives to transcribe the wordless yearning of animals, the lonely and love-laden cries that expect no response.By nature solitary, Ivory withdraws fully into herself as she pursues her life's work. Until the discovery of one of Lev's paintings from 1940, inscribed to Ivory and now worth a fortune, brings to light a secret from her time in Paris that even Ivory could never guess. Now in her nineties, she is forced to acknowledge afresh all she has lost, and also to find meaning and beauty in a world defined by longing.Masterfully written, and emotionally charged, The Dictionary of Animal Languages is about love and grief and art and the realization that, like tragedy, the best things in life arrive out of the blue.