. . and her dark past follows closely behind.

    He abandoned his rural Arkansas hometown vowing never to return, until his seven-year-old son died in an accident, plunging Aaron into a nightmare of addiction and grief. Desperate to reclaim a piece of himself, he returns to the hills of his childhood, to Holbrook House, where he hopes to find peace among the memories of his youth. But solace doesn’t come easy. Someone—or something—has other plans. Like Aaron, Holbrook House is but a shell of what it once was, a target for vandals and ghost hunters who have nicknamed it “the devil’s den.” Aaron doesn’t believe in the paranormal—at least, not until a strange boy begins following him wherever he goes. Plagued by violent dreams and disturbing visions, Aaron begins to wonder if he’s losing his mind. But a festering darkness lurks at the heart of Holbrook House… a darkness that grins from within the shadows, delighting in Aaron’s sorrow, biding its time.

    To Solomon it was the ultimate betrayal.It’s been ten years since Rebecca’s testimony saw Solomon locked away. Enough time for the nightmares to recede, the nerves to relax; enough time to rebuild her life and put the past behind her.Then one day a phone rings in her bedroom—but it’s not her phone. Solomon has been in her home, and has a very simple message for her: for each of the ten years he has spent in jail, Rebecca must witness a crime. And, to make matters worse, she has to choose the victims.Fail to respond and you get hurt. Talk to police and you die. Ready to play? You have sixty seconds to decide…As the crimes grow more severe, the victims closer to home, Rebecca is forced to confront a past she had hoped was gone forever.

    Kidnapped. Alone. Terrified.Now forget her ...Picture instead a pregnant, 16-year-old, manipulative prodigy. She is shoved into a dirty van and, from the first moment of her kidnapping, feels a calm desire for two things: to save her unborn son and to exact merciless revenge.She is methodical, calculating, scientific in her plotting. A clinical sociopath? Leaving nothing to chance, secure in her timing and practice, she waits for the perfect moment to strike. Method 15/33 is what happens when the victim is just as cold as the captors.The agents trying to find a kidnapped girl have their own frustrations and desires wrapped into this chilling drama. In the twists of intersecting stories, one is left to ponder. Who is the victim? Who is the aggressor?

    Pender has been investigating the apparently random disappearances of a dozen women across the country. The only detail the cases have in common is the strawberry blond color of the victims' hair, and the presence of a mystery man with whom they were last seen.Then, in Monterey, California, a routine traffic stop erupts into a scene of horrific violence. The local police are stunned by a disemboweled strawberry blond victim and an ingenious killer with multiple alternating personalities. Pender is convinced he has found his man, but before he can prove it, the suspect stages a cunning jailbreak and abducts his court-appointed psychiatrist, Irene Cogan.In a house on a secluded ridge in Oregon, Irene must navigate through the minefield of her captor's various egos -- male and female, brilliant and naive, murderous and passive -- all of whom are dominated by Max, a seductive killer who views her as both his prisoner and his salvation. Irene knows that to survive she must play along with Max's game of sexual perversion. Only then will she be able to strip back the layers to discover a chilling story of a shattered young boy -- and all the girls he adored.A sexually charged thriller of extraordinary originality and page-turning suspense, The Girls He Adored moves furiously from the inner recesses of the psyche to its final, startling climax. Jonathan Nasaw brilliantly portrays two equally intense characters -- a deviant killer and the expert who can unlock his darkest secrets -- and introduces one of the most likable sleuths in recent fiction.

    She’s foreseen hundreds of car crashes, heart attacks, strokes, and suicides.But when Miriam hitches a ride with Louis Darling and shakes his hand, she sees that in thirty days Louis will be murdered while he calls her name. Louis will die because he met her, and she will be the next victim.No matter what she does she can’t save Louis. But if she wants to stay alive, she’ll have to try.

    Locked in a deadly battle of wits with a psychopath, she struggles to keep her sanity as she's held.A 59,000+ word novel, with over 17,000 words of bonus content.For mature audiences only.

    . .FOREVER.A serial killer on the loose, a woman being stalked, and a homicide detective who must find the connection between the two before she becomes his next victim.He collects women. He imprisons them, plays with them, tortures them. Until they bore him. Then he removes a souvenir. They call him the Sandman.Meagan McInnis is being plagued with late night calls, yet when she answers, no one is there. Then one night she makes a grisly discovery in her own backyard.The caller is silent no more.Homicide Detective, J.J. Thomas, realizes Meagan is the key to finding the Sandman. Now not only must he protect her, but he must find the connection between Meagan and the killer before she becomes his next victim.DON'T FORGET TO PICK UP MORE SPINE TINGLING THRILLERS FROM MORGAN HANNAH MACDONALD. SPIRITS IN THE TREES- THE SPIRITS TRILOGY #1AND SPIRITS AMONG US- THE SPIRITS TRILOGY #2AVAILABLE NOW!

    To her, a mirror feels like a film of honey. She can reach through it, grab things…even step inside.On the other side she lives every teenager’s fantasy: a universe all her own, zero consequences. She can kiss the hot guy, break into La Jolla mansions, steal things…even kill. When finished, she just steps back into reality and smashes the mirror—and in an instant erases every stupid thing she did. Gone. It never happened.But breaking symmetry is also dangerous. First there’s the drug-like rush she gets when passing through the glass, like a shot of adrenaline. She suspects it’s degrading her body, making a new copy of her each time. A reflection of a reflection, each one a little hazier. Then, of course, there’s the risk of getting cut off from reality.When she narrowly escapes a military quarantine zone with the San Diego Police Department hot on her heels only to discover her escape mirror littering the floor in shards, her worst fear is realized. Now, trapped in a broken reflection, she must flee through a mind-bending maze of mirrors, going deeper into the nightmare as she struggles to grasp a betrayal, uncover the chilling truth about her ability, and somehow find a way out of a dead-end universe that “never happened.”Somehow, she must find a way home.

    Their murderer remains at large. Nora Chancel, wife of publishing scion Davey Chancel, fears she may be next. After all, her past has branded her a victim. . . . Then Davey tells Nora a surreal story about the Hellfire Club, where, years before, he met an obsessed fan of Chancel House’s most successful book, Night Journey—a book that has a strange history of its own. . . . Suddenly terror engulfs Nora: She must defend herself against fantastic accusations even as a madman lies in wait. And when he springs, Nora will embark on a night journey that will put her fears to rest forever, dead or alive. . . .From the Paperback edition.

     Sold more than 200.000 copies ˃˃˃ ITSY BITSY SPIDER (Emma Frost #1): Emma Frost inherits a house on Fanoe Island when her grandmother dies. She decides to move there with her family, much to her teenage daughter's regret. One morning a wealthy old woman in her street is found murdered and soon Emma finds herself wrapped in a mystery uncovering the island's dark secrets that not only runs deep within the history of the island but also within her own family. ˃˃˃ MISS POLLY HAD A DOLLY (Emma Frost #2): Miss Polly had a dolly. A beautiful daughter that she called her Baby Doll. Every day she dressed her in dresses and brushed her hair before they went outside to show off to the neighbors. On the playground, one day her Baby Doll talked to a boy, and for one unforgivable second, Miss Polly let herself be distracted by a woman telling her how adorable she thought her daughter was. When Miss Polly finally turned to look for her Baby Doll, she was gone. Many years later Emma Frost hears about the disappearance of the little girl and learns that she is not the only one to have gone missing from Fanoe Island back in the nineties. As she digs deeper into the story, she soon finds herself entangled in a web of strange and very disturbing events. ˃˃˃ RUN RUN AS FAST AS YOU CAN (Emma Frost #3): Simone Beaumont is having a rough day. She is exhausted. Her baby is crying non-stop, she is in a fight with her husband and hasn't spoken to him since last night. A big part of her want to just leave everything. To run away from it all. To vanish. She is considering it while putting her screaming baby in her car seat when suddenly she meets a man in the parking lot who without asking her makes her wish come true. Emma Frost has just come home from a trip to Eastern Europe when the body of Simone Beaumont is being found. It turns out she was part of Sophia's mothers’ group and soon the small group is shaken by yet another disappearance. Scroll up and grab a copy today.

    Fearful for her safety, she lies about her destination in order to get him out of the car. But when she later discovers that he is a teacher at the same school, she finds herself feeding that initial lie with more lies.Then Katrina meets Jack Reeves. Handsome, charismatic and strong, he is exactly what she needs to extricate her from the expanding network of lies. She falls fast and hard for him. But when Jack lands himself in the middle of a grisly murder, she must decide whether to turn him in--or tell yet another lie.

    To Camp Rapture’s general consternation, Sunset’s mother-in-law arranges for her to take over from Pete as town constable. As if that weren’t hard enough to swallow in depression era east Texas, Sunset actually takes the job seriously, and her investigation into a brutal double murder pulls her into a maelstrom of greed, corruption, and unspeakable malice. It is a case that will require a well of inner strength she never knew she had. Spirited and electrifying, Sunset and Sawdust is a mystery and a tale like nothing you’ve read before.

    A deputy sheriff, Lou's known to the small-time criminals, the real-estate entrepreneurs, and all of his coworkers--the low-lifes, the big-timers, and everyone in-between--as the nicest guy around. He may not be the brightest or the most interesting man in town, but nevertheless, he's the kind of officer you're happy to have keeping your streets safe. The sort of man you might even wish your daughter would end up with someday.But behind the platitudes and glad-handing lurks a monster the likes of which few have seen. An urge that has already claimed multiple lives, and cost Lou his brother Mike, a self-sacrificing construction worker who fell to his death on the job in what was anything but an accident. A murder that Lou is determined to avenge--and if innocent people have to die in the process, well, that's perfectly all right with him.In The Killer Inside Me, Thompson goes where few novelists have dared to go, giving us a pitch-black glimpse into the mind of the American Serial Killer years before Charles Manson, John Wayne Gacy, and Brett Easton Ellis's American Psycho, in the novel that will forever be known as the master performance of one of the greatest crime novelists of all time.

    You will be scared. But you won’t know why…I’m thinking of ending things. Once this thought arrives, it stays. It sticks. It lingers. It’s always there. Always. Jake once said, “Sometimes a thought is closer to truth, to reality, than an action. You can say anything, you can do anything, but you can’t fake a thought.” And here’s what I’m thinking: I don’t want to be here. In this smart and intense literary suspense novel, Iain Reid explores the depths of the human psyche, questioning consciousness, free will, the value of relationships, fear, and the limitations of solitude. Reminiscent of Jose Saramago’s early work, Michel Faber’s cult classic Under the Skin, and Lionel Shriver’s We Need to Talk about Kevin, “your dread and unease will mount with every passing page” (Entertainment Weekly) of this edgy, haunting debut. Tense, gripping, and atmospheric, I’m Thinking of Ending Things pulls you in from the very first page…and never lets you go.