Instead of regarding Egyptian mythology and legend as unique, "classic" and inviolate, as did many Egyptologists, Spence saw Egyptian religious thought as part of world mythology, rooted in primitive conceptions common to mankind as a whole and related to those of many other cultures. In supporting this thesis, Spence offers an immensely erudite in-depth survey of the broad spectrum of Egyptian gods and goddesses, cults, and beliefs, as well as a concise review of Egyptian history, manners, customs, and archaeology.Animism, totemism, fetishism, creation myths, and other aspects of early religious beliefs are explored in an introductory chapter. The author then goes on to discuss the Egyptian priesthood, mysteries and temples, the cult of Osiris; Ra the Sun-God, Anubis, Horus, Thoth, and numerous other deities; the Book of the Dead, the birth of Hatshepsut, sacred trees, alchemy, the festival of Bast, Egyptian art, magic, and amulets, legends; and a host of other topics.Enhanced with over 50 photographs and illustrations, this book belongs in the library of any student of ancient Egypt or of early man's attempts, through mythology and legend, to give order, meaning, and purpose to his world.

    In North Carolina, he lived for several years with the Cherokee, studying their language, culture, and mythology. His research resulted in this comprehensive volume, comprising 126 Cherokee myths, including sacred stories, animal myths, local legends, wonder stories, historical traditions, and miscellaneous myths and legends.Among the myths included are these:How the World Was Made; Origin of Strawberries; Why the Deer's Teeth Are Blunt; How the Turkey Got His Beard; The Rattlesnake's Vengeance; The Ice Man; The First Fire; Why the Possum's Tail Is Bare; The Bride from the South; The Water Cannibals; The Haunted Whirlpool; The War Medicine, and many more.In addition to his clear retelling of the myths themselves, the author provides extensive background information on Cherokee history, notes on the myths, parallels between Cherokee and other myths, and further important information. Anyone interested in mythology or Native American legend and lore will welcome this treasury of authentic tales presented in the context of Cherokee history, life, and culture.

    Somewhere along the line, she realised, she had lost herself - and so began her long journey back to authenticity, rootedness in place and belonging. In this extraordinary book of myth, memoir and modern-day mentors (from fashion designers to lawyers), Blackie faces the wasteland of Western culture, the repression of women, and the devastation of our planet. She boldly names the challenge: to reimagine women's place in the world, and to rise up, firmly rooted in our own native landscapes and the powerful Celtic stories and wisdom which sprang from them.A haunting heroine's journey for every woman who finds inspiration and solace in the natural world.

    Trees felled in the wrong season breed termites. If eels are drowned in wine, those who drink it get a loathing for liquor.These and similar flights of fancy were articles of faith in the twelfth century — the era of the fascinating Latin prose bestiary translated in this volume. The translator is T. H. White, author of The Once and Future King and outstanding medievalist. Of The Book of Beasts, White writes: "No Latin prose bestiary has ever before been printed, even in Latin. This is the first and only English translation in print."The bestiary was a bestseller in the Middle Ages, a kind of natural history cum-zoological survey that presumed to describe the animals of the world and to point out the human traits they exemplified. Combining the surprisingly accurate with the endearingly phantasmagorical, the bestiarists came up with a bewildering array of real and exotic creatures. The behavior or attributes of the animals often functioned as a metaphor for teaching religious, moral, and political precepts.In addition to a multitude of real mammals, birds, reptiles, and fish, described here with varying degrees of zoological accuracy, the bestiarist introduces a swarm of fanciful denizens thought to haunt the Dark Ages: manticore, a creature with a man's face, a lion's body, and a ravenous appetite for human flesh; dragon or draco, the biggest serpent and the embodiment of the Devil; amphivia, a fish that could walk on land and swim in the sea; jaculus, a flying serpent; the familiar phoenix; the griffin; and other exotic fauna.Much of the charm of this edition lies in the copious footnotes compiled by T. H. White. With immense erudition, wit, grace, and a singular lack of condescension, the author illuminates literary, scientific, historical, linguistic, and other aspects of the bestiarist's catalog. He further enhances the volume with informative discussions of the history of the bestiary from its origins in remote oral traditions; through Herodotus, Pliny and Aristotle; during the medieval period and the Renaissance; and up to Sir Thomas Browne's Vulgar Errors (1646). Both amusing and amazing, The Book of Beasts is not only a rich survey of the proto-zoology on which much of our later science is based, but also a revealing, illustrated examination of how pre-scientific man perceived the earth's creatures.

    The stories are vivid, dramatic and often humorous. Carolyne Larrington has made a representative selection, which she re-tells in a simple, direct way which is completely faithful to the style and spirit of her sources. Most collectors of local legends have been content merely to note how they may serve to explain some feature of the landscape or to warn of some supernatural danger, but Carolyne Larrington probes more deeply. By perceptive and delicate analysis, she explores their inner meanings. She shows how, through lightly coded metaphors, they deal with the relations of man and woman, master and servant, the living and the dead, the outer semblance and the inner self, mankind and the natural environment. Her fascinating book gives us a fuller insight into the value of our traditional tales.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.

    This magnificent book is a collection of stories, anecdotes, and legends from all six of the regions where celtic ways have persisted in the modern world.

    Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, " The Original Folk and Fairy Tales of the Brothers Grimm" makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezso.From "The Frog King" to "The Golden Key," wondrous worlds unfold--heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique--they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes.A delight to read, "The Original Folk and Fairy Tales of the Brothers Grimm" presents these peerless stories to a whole new generation of readers."

    

    Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess—which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth—was the original religion of all humanity.

    At every stage of civilization, people have relied on symbolic expression, and advances in science and technology have only increased our dependence on symbols. The language of symbols is considered a science, and this informative volume offers an indispensable tool in the study of symbology. It can be used as a reference or simply browsed for pleasure. Many of its entries — those on architecture, mandala, numbers, serpent, water, and zodiac, for example — can be read as independent essays. The vitality of symbology has never been greater: An essential part of the ancient arts of the Orient and of the Western medieval traditions, symbolism underwent a 20th-century revival with the study of the unconscious, both directly in the field of dreams, visions, and psychoanalysis, and indirectly in art and poetry. A wide audience awaits the assistance of this dictionary in elucidating the symbolic worlds encountered in both the arts and the history of ideas.

    Here are traditional tales about the trees and plants that shape our landscapes and our lives through the seasons. They explore the complex relationship between people and plants, in lowlands and uplands, fields, bogs, moors, woodlands and towns.Suitable for all ages, this is an essential collection of stories for anyone interested in botany, the environment and our living heritage.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    Wonder at Medusa's potent venom, Circe's fierce sorcery and Athena rising up over Olympus, as Nikita Gill majestically explores the untold stories of the life bringers, warriors, creators, survivors and destroyers that shook the world - the great Greek Goddesses.Vividly re-imagined and beautifully illustrated, step into an ancient world transformed by modern feminist magic.'I watch Girl become Goddessand the metamorphosis is moremagnificent than anythingI have ever known.'

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