Structured as the text of seven statements parents might say to their children either in response to the events or attempting to explain them, they express regret, anger, intelligence, blind hatred, fear, and compassion.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    York Notes author John Scicluna discusses all aspect of An Inspector Calls --a thorough run-down very helpful to anyone studying the famous Priestley play.

    . . Dying City is a political play and also a psychodrama about what Arthur Miller called the politics of the soul. It’s about public conscience and private grief, and real and symbolic catastrophes.”?The New York Observer “Anyone who doubts that Mr. Shinn is among the most provocative and probing of American playwrights today need only experience the . . . sophisticated welding of form and content that is Dying City.”?The New York Times In Christopher Shinn’s new play Dying City, a young therapist, Kelly, whose husband Craig was killed while on military duty in Iraq, is confronted a year later by his identical twin Peter, who suspects that Craig’s death was not accidental. Set in a spare downtown-Manhattan apartment after dark, scenes shift from the confrontation between Peter and Kelly, to Kelly’s complicated farewell with her husband Craig. Shinn’s creepy, sophisticated drama?infused with references to 9/11 and the war in Iraq?explores how contemporary politics and recent history have transformed the lives of these three characters. Christopher Shinn was born in Hartford, Connecticut, and lives in New York. His plays include Where Do We Live, Other People, What Didn’t Happen, and On the Mountain, which have been widely produced in New York, across the United States, and in London. He is the recipient of an OBIE Award in Playwriting, as well as the Robert S. Chesney Award. He teaches playwriting at The New School for Drama.

    He was an anti-monarchist Royalist, an atheist who converted to Christianity and a lyric poet who revelled in pornography. The play centres on the moment his cynicism is confounded when he falls in love in earnest.Thoroughly modern in its attitude to Rochester's sexual indulgence, the play is also a thrillingly convincing portrait of the period and an accomplished comedy of manners.Commissioned and directed by Max Stafford-Clark for Out of Joint, The Libertine was first performed on tour and at the Royal Court Theatre alongside the Restoration comedy, The Man of Mode, which offers another, contemporary view of Rochester. Stephen Jeffreys is the author of A Going Concern, The Clink and Valued Friends, which won him the Evening Standard Most Promising Playwright Award. He also adapted A Jovial Crew for the RSC.

    A hit musical Off-Broadway, Once premiered on Broadway in spring 2012 to rave reviews.Enda Walsh is the author of five Edinburgh Festival Fringe First Award-winning plays, including Penelope, The Walworth Farce, and The New Electric Ballroom. He also co-wrote the film Hunger, which won the Camera d'Or award at the Cannes Film Festival.Glen Hansard and Markéta Irglová are the stars and songwriters of the 2006 film Once, for which they won an Academy Award for Best Song. The two comprise the musical folk-rock duo The Swell Season, which is currently touring the United States. A documentary film of the duo, The Swell Season, was an official selection of the 2011 Tribeca Film Festival. Hansard is also a member of the Irish band The Frames and Irglová is a classically trained Czech pianist and vocalist.

    As Michael Smith describes: "Brother Jero is a self-styled 'prophet,' an evangelical con man who ministers to the gullible and struts with self-importance over their dependence on him. The play follows him through a typical day: He acts as kind of tourist guide, displaying himself to the audience, explaining, demonstrating how he manages to live by his wits. He is pursued and cursed by his aged mentor, whose territory he has taken over. He is besieged by a woman creditor who turns out to be the tyrannical wife of his chief disciple. He converts a pompous, painfully timid Member of Parliament with prophecies of a ministerial post. And all day he tries to resist the endless temptation of beautiful women, the play is delightfully picturesque and entertaining." (8 men, 6 women.) THE STRONG BREED. As outlined by Michael Smith: "The play refers to a folk tradition by which one person becomes the 'carrier' of community evil and symbolically purifies the village in an annual ritual. The hero is Eman, a stranger who has come to this particular village to act as teacher and share his education. 'Those who have much to give,' he says, 'must do so in total loneliness.' On the night of the purification ceremony he learns that Ifada, a helpless idiot boy whom he has befriended, has been selected as 'carrier' and victim; and he is driven by compassion to take Ifada's part in the ritual. The crisis brings back memories. We learn that Eman's father was a 'carrier' and that Eman has fled the family tradition of symbolic sacrifice. We also learn of Omae, the young Eman's betrothed, whom he left for many years to pursue his personal destiny and who died soon after his return.Now Eman accepts his past and discovers, 'I am very much my father's son'-one of 'the strong breed' who must take these responsibilities upon themselves-and at the end of the play is caught in a trap at the sacred trees and killed." (12 men, 5 women.)"

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.

    When The Discourse turns on her, the line between internet personas and IRL relationships blurs, and the heightened scrutiny she comes under puts her real-life friendship under strain...seven methods of killing kylie jenner combines theatre with gifs, memes and emojis to explore stereotypes of Black womanhood, white capitalist exploitation, and the politics of social media activism.

    But as her economic dependence becomes brutally clear, Nora's acceptance of the status quo undergoes a profound change. To the horror of the bewildered Torvald, himself caught in the tight web of a conservative society which demands that he exert strict control, Nora comes to see that only possible true course of action is to leave the family home.Frank McGuinness's version of A Doll's House received its London premiere in October 1996 and opened on Broadway in 1997, where the production won four Tony Awards.

    Neruda made a single pilgrimage to Easter Island during a poignant time in his life—he was dying of cancer and taking his life’s inventory. Out of this journey grew a sequence of poems that alternate between “Men” and “The Island,” through which Neruda observes the latest remnants of the ancient world in direct opposition to modernity. With an introduction by William O’Daly.

    Hardy winter crocuses, blooming in their thousands, are followed by blue muscari which adorn the meadows like glorious sapphires on a silk carpet.” Set amidst the timeless landscape and remote villages of Anatolia, The Carpet Weaver of Uşak is the haunting and unforgettable story of a deep friendship between two women, one Greek Orthodox, the other a Muslim Turk: a friendship that transcends an atmosphere of mistrust, fear and ultimate collapse, long after the wars have ended. Life in Stavrodromi and Pınarbaşı always moved at a slow pace. The years slipped by with the seasons and news was gathered from the camel trains passing through. The Greek and Turkish inhabitants of these two villages managed to pull together in adversity, keeping an eye out for each other. In the centre of the village stood the Fountain of the Sun and Moon. Here the locals congregated to celebrate the events in each other’s life – their loves and losses, their hopes and dreams. When war broke out in a faraway place that few had heard of, a sense of foreboding crept into the village, as silently as the winter mists that heralded the onset of another long, cold winter. 1914: As the tentacles of The Great War threaten to envelop the Ottoman Empire, Uşak, the centre of the centuries-old carpet weaving industry in Turkey, prepares for war. Carpet orders are cancelled and the villagers whose lives depend on weaving, have no idea of the devastating impact the war will have on their lives. 1919: In the aftermath of the war, the tenuous peace is further destabilized when the Greek army lands in Smyrna and quickly fans out into the hinterland. Three years later, the population of Stavrodromi and Pınarbaşı are forced to take sides. Loyalties and friendships that existed for generations are now irrevocably torn apart. Their world has changed forever.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    This play, translated from the original Marathi, is one of his most gripping, socially relevant ones.