Their society has been built around war and only war. The lucky ones are born gifted. One in every two thousand women has the power to call down dragons. One in every hundred men is able to magically transform himself into a bigger, stronger, faster killing machine.Everyone else is fodder, destined to fight and die in the endless war. Young, gift-less Tau knows all this, but he has a plan of escape. He's going to get himself injured, get out early, and settle down to marriage, children, and land. Only, he doesn't get the chance. Those closest to him are brutally murdered, and his grief swiftly turns to anger. Fixated on revenge, Tau dedicates himself to an unthinkable path. He'll become the greatest swordsman to ever live, a man willing to die a hundred thousand times for the chance to kill the three who betrayed him.

    It's the only place in the world that produces rare magical jade, which grants those with the right training and heritage superhuman abilities. The Green Bone clans of honorable jade-wearing warriors once protected the island from foreign invasion--but nowadays, in a bustling post-war metropolis full of fast cars and foreign money, Green Bone families like the Kauls are primarily involved in commerce, construction, and the everyday upkeep of the districts under their protection.When the simmering tension between the Kauls and their greatest rivals erupts into open violence in the streets, the outcome of this clan war will determine the fate of all Green Bones and the future of Kekon itself.

    B. White in his essay on Don Marquis and his famous creations, and the undimmed enthusiasm of several generations of fans -- who every year buy thousands of copies of Marquis' earlier collections -- testifies to their appeal. A whimsical and sophisticated sage, archy the cockroach entertained readers with iconoclastic observations on pretensions, politics, and our place in the cosmos during Marquis' career as a New York newspaper columnist in the 1920s and 30s.Allegedly tapping out stories at night by leaping from key to key on Marquis' typewriter, archy couldn't quite manage the shift key for capital letters. Although his tales appeared in lower case, his views achieved a level grand enough to solidify Marquis' reputation as an American humorist in the tradition of Mark Twain, Joel Chandler Harris, and Ring Lardner. archyology brings together selected "lost" tales that were literally rescued from oblivion by Jeff Adams, who found them among papers stored in a steamer trunk since Marquis' death.And so archy emerges from his long silence. Whether reporting on characters like emmet the ghost, sailing to Paris to visit the insects of Europe, being trapped for days in a New York subway train, or hanging out in a Long Island orchard enjoying fermented cherries, archy is always both provocative and inimitable. With illustrations by Ed Frascino, a New Yorker regular, this collection reintroduces a delightful cast of characters who reconfirm archy's view of the world: "the only way to live with it is to laugh at it.

    Overhearing a conversation at his club one day, he becomes interested in a discussion regarding a man named Gastrell. Gastrell is somewhat of a mystery to the club members in spite of his renting a house from one of them. Berrington’s interest in Gastrell intensifies as his fiancé, Dulcie Challoner, befriends a wealthy widow, Mrs. Connie Stapleton who evidently has some type of relationship with Gastrell. As the plot progresses, Berrington finds himself involved with sensational robberies, brutal murders, coded messages, and even mind control! As in many Le Queux books, there are twists and turns as new characters and locations are introduced. When you are sure you know the ending, something new occurs and you wonder how it will affect the conclusion of the book.Excerpt:"I confess I'd like to know somethin' more about him." "Where did you run across him first?" "I didn't run across him; he ran across me, and in rather a curious way. We live in Linden Gardens now, you know. Several of the houses there are almost exactly alike, and about a month ago, at a dinner party we were givin', a young man was shown in. His name was unknown to me, so I supposed that he must be some friend of my wife's. Then I saw that he was a stranger to her too, and then all at once he became very confused, inquired if he were in Sir Harry Dawson's house - Sir Harry lives in the house next to ours - and, findin' he was not, apologized profusely for his mistake, and left hurriedly."

    This work, overlooked or trivialized by critics over theyears, today is considered a revolutionary narrtive because in it the writer experiments with techniques that pre-announce the XX Century Vanguard writiers, and even contemporary post-modernism texts. This is a novel built upon symbols, impresionist and expresionist prose, full of visionary enunciations that depict the present and future of an off-balance world; and the fragile and inconstant experiences of our daily life. Marti, according to his own confession, wrote the novel originally under the title of Amistad Funesta (Regrettable Friendship) in seven days for a New York magazine. He was forced to follow the guidelines set by the magazine's director: there had to be lots of love; a death; many young women, no sinful passion; and nothing that parents and clergymen would reject. And it had to be Hispanic American. The Cuban confessed he disliked the narrative genre. But years afterwards he changed his mind and thought about a modified version of his novel, with a different title because he realized, after reading Harriet Beecher Stowe's Uncle Tom's Cabin and Helen Hunt Jackson's Ramona, that novels could be a powerful social and political vehicle. In Lucia Jerez many critics have preferred to see a fundamentally aesthetic creation, the fruit of the end of the XIX Century Modernist stylistic innovations. But today (re)reading, "under the surface" of the text, as Marti preferred, one can discover a contemporary narrative that explores the disconnections and annomalies of modern life. Inthe preliminary study to this text Prof. Ivan A. Schulman examines Jose Marti's stance with regard to novelistic narratives, explores Lucia Jerez's structure and style, and adds notes that contribute to a novel, in-depth comprehension of Marti's text."

    The mighty warrior Beowulf travels from his home to the great mead-hall of Hrothgar, king of the Danes, to face the marauding swamp-fiend Grendel, who is terrorizing Hrothgars kingdom and slaying his people. Beowulf and Grendel meet unarmed in the night-darkened hall, to battle to the death.

    But Eddie sees through the disguise, takes an unexpected ride, and demonstrates it to his boss at a failing cable TV network. Through a series of adventures, the time machine becomes damaged, friends become stranded, and history gets changed in many ways—some dangerous, all humorous. Two romances—one quite unconventional—blossom along the way. Back to You is a hilarious science fiction romp in the tradition of The Hitchhiker’s Guide to the Galaxy.

    Though only eighteen, Annie travels alone to the Midwestern university where Carl is studying law to marry him. Little did they know how difficult their first year of marriage would be, in a faraway place with little money and few friends. But Carl and Annie come to realize that the struggles and uncertainty of poverty and hardship can be overcome by the strength of a loving, loyal relationship. An unsentimental yet uplifting story, "Joy in the Morning" is a timeless and radiant novel of marriage and young love.

    debut in this enthralling collection of fiction. Women's lives are the central preoccupation of Natalya Baranskaya: A scientist frantically juggles her professional life with her duties as wife and mother; a woman writer who regrets never marrying is finally glad of it; a delinquent girl is brought before the people's court for her "anti-social" behavior. With candor and satirical wit, Baranskaya captures perfectly everyday realities of family and society.

    Barthes's essay argues against traditional literary criticism's practice of incorporating the intentions and biographical context of an author in an interpretation of a text, and instead argues that writing and creator are unrelated.

    Remarkably, his driver left him off at his home an hour later where he consumed a scotch and several sandwiches. Something is obviously amiss. Add an allegedly forged will, the hint of an old family scandal, and a former secretary of the murdered man whose motives are none too clear, and the mystery only deepens. J. S. Fletcher has put together an intriguing puzzle with plenty of twists and turns in . . . The Herapath Property!

    A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex ménage-à-quatre. Normal People: Connell and Marianne grow up in the same small town in the west of Ireland, but the similarities end there. In school, Connell is popular and well-liked, while Marianne is a loner. But when the two strike up a conversation - awkward but electrifying - something life-changing begins.Normal People is a story of mutual fascination, friendship and love. It takes us from that first conversation to the years beyond, in the company of two people who try to stay apart but find they can't.

    reminiscent of the narrative technique of As I Lay Dying and Charming Billy... you'll definitely be engaged by this novel." -David Lentz, Author of Bloomsday: The Bostoniad"This book is immensely readable and is packed with fast paced actions and cliff hanging chapter endings." -Ashok Shenolikar, Author of Choices They MadeErnst arrives at the Paradise train station with fifty-thousand dollars to ransom his sweetheart, and while looking among the crowd for the young man with a magnolia, a beggar seizes his bag of cash and escapes through the revolving door. Chasing after the rascal, he slams into his contact--his girlfriend's lover in town. Now, he must beat his love-rival to the money and rescue her before the deadline.MAGNOLIAS IN PARADISE is a 108,000-word crime novel and the first in a potential series. As in Larry Brown’s Father and Son, good confronts evil in a southern town. And as in Joe R. Lansdale’s Cold in July, an ordinary man gets sucked into a conspiracy, with psychopaths terrorizing a small town and FBI agents going after a corrupt sheriff. In the end, the man must take the law into his hands. But in this case, ending in tragedy. Here, the author combined Will Christopher Baer’s surreal settings and mentally unstable villains, with Brian Evenson’s literary minimalism and heroes cursing their knowledge.

    Her mail consists of wedding invitations and final notices from debt collectors. A former child golf prodigy, she now waits tables in Harvard Square and rents a tiny, moldy room at the side of a garage where she works on the novel she's been writing for six years. At thirty-one, Casey is still clutching onto something nearly all her old friends have let go of: the determination to live a creative life. When she falls for two very different men at the same time, her world fractures even more. Casey's fight to fulfil her creative ambitions and balance the conflicting demands of art and life is challenged in ways that push her to the brink.Writers & Lovers follows Casey--a smart and achingly vulnerable protagonist--in the last days of a long youth, a time when every element of her life comes to a crisis. Written with King's trademark humor, heart, and intelligence, Writers & Lovers is a transfixing novel that explores the terrifying and exhilarating leap between the end of one phase of life and the beginning of another.