Leaving the city and its troubling memories behind, they have moved to the country for a solitary life where they can devote their days to each other and their art, where Augusta can paint and Owen can write.But the facts of a past betrayal prove harder to escape than urban life. Ancient jealousies and resentments haunt their marriage and their rural paradise.When Alison Hemmings moves into the empty house next door, Augusta is drawn out of isolation, despite her own qualms and Owen’s suspicions. As the new relationship deepens, the lives of the two households grow more and more tightly intertwined. It will take only one new arrival to intensify emotions to breaking point.Fierce, honest and astonishingly gripping, Life Drawing is a novel as beautiful and unsparing as the human heart..

    Since his death, she’s been sleepwalking through life, barely holding on for the sake of her teenage son. Her house is a wreck, the grass is overrun with weeds, and she’s at risk of losing her job. As Paige stares at her neglected lawn, she knows she’s hit rock bottom. So she does something entirely unexpected: she begins to dig.As the hole gets bigger, Paige decides to turn her entire yard into a vegetable garden. The neighbors in her tidy gated community are more than a little alarmed. Paige knows nothing about gardening, and she’s boldly flouting neighborhood-association bylaws. But with the help of new friends, a charming local cop, and the transformative power of the soil, Paige starts to see potential in the chaos of her life. Something big is beginning to take root—both in her garden and in herself.

    Ruth Cole is a complex, often self-contradictory character—a “difficult” woman. By no means is she conventionally “nice,” but she will never be forgotten.Ruth’s story is told in three parts, each focusing on a critical time in her life. When we first meet her—on Long Island, in the summer of 1958—Ruth is only four.The second window into Ruth’s life opens on the fall of 1990, when she is an unmarried woman whose personal life is not nearly as successful as her literary career. She distrusts her judgment in men, for good reason.A Widow for One Year closes in the autumn of 1995, when Ruth Cole is a forty-one-year-old widow and mother. She’s about to fall in love for the first time.Richly comic, as well as deeply disturbing, A Widow for One Year is a multilayered love story of astonishing emotional force. Both ribald and erotic, it is also a brilliant novel about the passage of time and the relentlessness of grief.Source: john-irving.com

    Inside the faded pages of the Cliff House guest book live the spellbinding stories of its female inhabitants: from Ruby, a bright-eyed newlywed on the eve of World War II to her granddaughter Bess, who returns to the beautiful summer estate.For the first time in four years, physician Bess Codman visits the compound her great-grandparents built almost a century before, but due to erosion, the once-grand home will soon fall into the sea. Bess must now put aside her complicated memories in order to pack up the house and deal with her mother, a notorious town rabble-rouser, who refuses to leave. It's not just memories of her family home Bess must face though, but also an old love that might hold new possibilities.In the midst of packing Bess rediscovers the forgotten family guest book. Bess's grandmother and primary keeper of the book, Ruby, always said Cliff House was a house of women, and by the very last day of the very last summer at Cliff House, Bess will understand the truth of her grandmother's words in ways she never imagined.

    Back home in Toronto, she has been living with the devastating diagnosis of her husband’s dementia and the heartbreak of watching the man she has loved for decades slip away before her eyes. What does her future hold without Ben? Before her is a blank canvas.Encouraged by her family to take some time for herself, she has traveled to Arles to set up her easel in the same fields of poppies and sunflowers that inspired Van Gogh. Gradually, she rediscovers the inner artist she abandoned long ago. Drawing strength from the warm companionship and gentle wisdom of her fellow artists at the retreat—as well as the vitality of guest lecturer Jacques de Villeneuve, an artist and a cowboy—Arianna searches her heart for permission to embrace the life in front of her and, like the sunflowers, once again face the light.

    She knows she won't be home for long; she's got every intention (and a three-point plan) to win back everything she thinks she's lost.Meanwhile, Miles Hoffman--aka "The Prince of Sea Point"--has also returned home to prove to his mother that he's capable of taking over the family business, and he's promised to help his childhood best friend, Ziggy Miller, with his own financial struggles at the same time. Kate, Miles, and Ziggy converge in Sea Point as the town faces an identity crisis when a local developer tries to cash in on its potential. The summer swells, and white lies and long-buried secrets prove as corrosive as the salt air, threatening to forever erode not only the bonds between the three friends but also the landscape of the beachside community they call home.Full of heart and humor--and laced with biting wit--Rock the Boat proves that even when you know all the back roads, there aren't any shortcuts to growing up.

    One day Abby witnesses a man dump a litter of puppies into the nearby river. Diving in to rescue all seven, she knows she won’t be able to bring them home. Afraid for their fate at the pound, she takes them to an abandoned cabin, where all she can offer is a promise that she’ll be back the next day.To grieving widower Elliot Colvin, life has lost meaning. Looking for solace, he retreats to the hunting cabin he last visited years ago, before his wife’s illness. What he discovers is not at all what he expected: seven puppies and one determined girl with an indomitable heart.As Abby and Elliot’s friendship deepens, Abby imagines how much better her life—and the puppies’ lives—would be if her mother were married to Elliot instead of her father. But when Abby’s father moves the family hundreds of miles away, Abby and her mother must decide how long they’re willing to defer happiness.Seven Perfect Things is a story about joy, where to find it, how to know it when you see it, and the courage it takes to hang on to it once you have it.

    For the next 60 years, June will dare to live boldly. She will upend conventions, risk her heart and her life, rear a child, lose a child, love more than one man, and stand up for more than one woman.June’s story will intertwine with those of three unlikely strangers: a one-time mail order bride from the Philippines, a high school music teacher, and a young mother from Mexico working as a hotel maid. Knit together around June’s explosive secret, they forge a future that none of them foresee.This jubilant, compassionate novel explores the unexpected ways that life connects us, changes us, and even perfects us. A powerful story of lust and of hope, of redemption and of compassion, In the Midnight Room is a smart, sagacious novel about womanhood, family bonds, and how we live in America now.

    Now, fifty years on, she’s Margaret Maguire: a widow and a grandmother, unable to ignore the consequences of having married a cruel and arrogant man. Her daughters are strangers to each other, past hope of reconciling. Margaret’s granddaughter could be the one to break the cycle, but she can’t do it alone. Beautifully rendered and poignantly told, Evensong masterfully explores a woman’s desire for redemption and understanding at the end of her days.

    Over dinner of lamb tagine, his wife, Sophie, would share news about chorus rehearsals for the upcoming holiday concert, and their teenage daughter, Lucy, would chatter about French club and field hockey. Only Lucy never came home. Her body was found, days later, in the woods.The Eastern Seaboard town of Port Fortune used to be Will’s comfort. Now, there’s no safe harbor for him. Not even when Father Gervase asks Will to paint portraits of saints for the new cathedral. Using the townspeople as models, Will sees in each face only a mask of the darkness of evil. And he just might be painting his daughter’s killer.As Will navigates his rage and heartbreak, Sophie tries to move on; Father Gervase becomes an unexpected ally; and Rain, Lucy’s best friend, shrouds herself in a near-silent fugue. Their paths collide in a series of inextricably linked, dark, dangerous moments that could lead to their undoing…or to their redemption.

    Within minutes, an old woman is dead and the house is in flames. Across the country, Patty Dickerson's phone rings. It's her husband. He wants her to know that he and his friend have gotten themselves into a little trouble. So Patty's old life ends and a strange new one begins. For the next twenty-eight years, she must live with the absence caused by her husband's incarceration, attempt to raise her son, and brave the scorn of her community. As unflinching as it is heartrending, The Good Wife confirms O'Nan's place as one of our country's most wide-ranging and empathetic masters.(back cover)

    Magdalena's search begins to unspool the dark history of their family, reaching back three generations to a country torn by war.This haunting and sure-footed first novel explores the legacy of betrayal and loss in a place where beauty is fused with hardship, and where individuals are forced to make wrenching choices as they are swept up in the tides of history.

    Roller dexter of eligible friends rattling thin. Thirties breathing down her neck like an inappropriate uncle. She jogs. Looks good in turquoise. Finds herself punctuating gas “better out than in!” patting her stomach like a department store Santa. This is who I am, she thinks.The women in Lara Williams’ debut story collection, A Selfie as Big as the Ritz, navigate the tumultuous interval between early twenties and middle age. In the title story, a relationship implodes against the romantic backdrop of Paris. In “One of Those Life Things,” a young woman struggles to say the right thing at her best friend’s abortion. In “Penguins,” a girlfriend tries to accept her boyfriend’s bizarre sexual fantasy. In “Treats,” a single woman comes to terms with her loneliness. As Williams’ characters attempt to lean in, fall in love, hold together a family, fend off loneliness, and build a meaningful life, we see them alternating between expectation and resignation, giddiness and melancholy, the rollercoaster we all find ourselves on.

    A loving marriage. A pair of healthy children. Then a phone call begins every parent's most chilling nightmare. Scott's six-year-old twins, Sam and Emma, have been taken. The judge must rule exactly as instructed in a drug case he is about to hear. If he refuses, the consequences for the children will be dire.For Scott and his wife Alison, the kidnapper's call is only the beginning of a twisting, gut-churning ordeal of blackmail, deceit, and terror. Through it all, they will stop at nothing to get their children back, no matter the cost to themselves . . . or to each other.

    A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.