Ranging from youth to old age, the voices that inhabit Problems with People offer tender, unexpected, and always tightly focused accounts of our quest to understand each other, individually, and as part of a political and historical moment. These stories are shot through with tragedy—the long-ago loss of a young boyfriend, a son’s death at sea; poignant reflections upon cultural and personal circumstances—whether it is being Jewish, overweight and single, or a tourist in a history-haunted land; and paradigmatic questions about our sense of reality and belonging. Spanning diverse geographies—all across America, and in countries as distant as Nepal and South Africa—these stories showcase David Guterson’s signature gifts for characterization, psychological nuance, emotional and moral suspense, and evocations of small-town life and the natural world. They celebrate the ordinary yet brightening surprises that lurk within the dramas of our daily lives, as well as the return of a contemporary American master to the form that launched his astonishing literary career.

    Now she lives in Vermont under the name Maggie Reid, in a small house with her cats and dog. She’s thankful for the new friends she’s made―though she can’t risk telling them too much. And she takes satisfaction in working as a makeup artist at the luxurious local spa, helping clients hide the visible outward signs of their weariness, illnesses, and injuries. Covering up scars is a skill she has mastered.Her only goal is to stay under the radar and make it through her remaining probation. But she isn’t the only one in this peaceful town with secrets. When a friend’s teenage son is thrust into the national spotlight, accused of hacking a powerful man’s Twitter account, Maggie is torn between pulling away and protecting herself―or stepping into the glare to be at their side. As the stunning truth behind their case is slowly revealed, Maggie’s own carefully constructed story begins to unravel as well. She knows all too well that what we need from each other in this difficult world is comfort. But to provide it, sometimes we need to travel far outside our comfort zones.

    Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price

    But one day, Millie’s mum leaves her alone beneath the Ginormous Women’s underwear rack in a department store, and doesn’t come back.Agatha Pantha is an eighty-two-year-old woman who hasn’t left her home since her husband died. Instead, she fills the silence by yelling at passers-by, watching loud static on TV, and maintaining a strict daily schedule. Until the day Agatha spies a little girl across the street.Karl the Touch Typist is eighty-seven years old and once typed love letters with his fingers on to his wife’s skin. He sits in a nursing home, knowing that somehow he must find a way for life to begin again. In a moment of clarity and joy, he escapes.Together, Millie, Agatha and Karl set out to find Millie’s mum. Along the way, they will discover that the young can be wise, that old age is not the same as death, and that breaking the rules once in a while might just be the key to a happy life.

    The Blaire siblings are just taking theirs home for the long weekend.When Murray Blaire invites his three grown children to his New Hampshire farm for a few days, he makes it clear he expects them to keep things pleasant. The rest of his agenda–using Ruth and George to convince their younger sister, Lizzie, to break up with her much older boyfriend–that he chooses to keep private. But Ruth and George arrive bickering, with old scores to settle. And, in a classic Blaire move, Lizzie derails everything when she turns up late, cradling a damaged family cookbook, and talking about possible criminal charges against her.This is not the first time the Blaire family has been thrown into chaos. In fact, that cookbook, an old edition of Fannie Farmer, is the last remaining artifact from a time when they were a family of six, not four, with a father running for Congress and a mother building a private life of her own. The now-obscured notes written in its pages provide tantalizing clues to their mother’s ambitions and the mysterious choices she once made, choices her children have always sought without success to understand. Until this weekend.As the Blaire siblings piece together their mother’s story, they come to realize not just what they’ve lost, but how they can find their way back to each other. In this way, celebrated author Elisabeth Hyde reminds readers that family survival isn’t about simply setting aside old rivalries, but preserving the love that’s written between the lines.

    . . Hilarious and poignant."--Entertainment Weekly Bream Gives Me Hiccups: And Other Stories is the whip-smart fiction debut of Academy Award-nominated actor Jesse Eisenberg. Known for his iconic film roles but also for his regular pieces in the New Yorker and his two critically acclaimed plays, Eisenberg is an emerging literary voice.Taking its title from a group of stories that begin the book, Bream Gives Me Hiccups moves from contemporary L.A. to the dorm rooms of an American college to ancient Pompeii, throwing the reader into a universe of social misfits, reimagined scenes from history, and ridiculous overreactions. In one piece, a tense email exchange between a young man and his girlfriend is taken over by his sister, who is obsessed with the Bosnian genocide (The situation reminds me of a little historical blip called the Karadordevo agreement); in another, a college freshman forced to live with a roommate is stunned when one of her ramen packets goes missing (she didn't have "one" of my ramens. She had a chicken ramen); in another piece, Alexander Graham Bell has teething problems with his invention (I've been calling Mabel all day, she doesn't pick up! Yes, of course I dialed the right number - 2!).United by Eisenberg's gift for humor and character, and grouped into chapters that open with illustrations by award-winning cartoonist Jean Jullien, the witty pieces collected in Bream Gives Me Hiccups explore the various insanities of the modern world, and mark the arrival of a fantastically funny, self-ironic, and original voice.

    Till now, twenty-three-year-old Simon Boudlin has evaded military duty but following a barroom brawl in Victoria, Texas, Simon finds himself conscripted into the Confederate Army. Luckily his talent with a fiddle gets him a comparatively easy position in a regimental band.Weeks later, on the eve of the Confederate surrender, Simon and his bandmates are called to play for officers and their families from both sides of the conflict. There the fiddler can’t help but notice Doris Mary Dillon, an indentured girl from Ireland, who is governess to a Union colonel’s daughter.After the surrender, Simon and Doris go their separate ways. But Simon cannot forget the fair Irish maiden, and vows that someday he will find her again.

    But when she meets Victor Hansen, a handsome, charismatic divorced restaurateur who is father to Max and Ava, Grace decides that, for the right man, she could learn to be an excellent part-time stepmom. After all, the kids live with their mother, Kelli. How hard could it be?At thirteen, Ava Hansen is mature beyond her years. Since her parents’ divorce, she has been the one taking care of her emotionally unstable mother and her little brother—she pays the bills, does the laundry, and never complains because she loves her mama more than anyone. And while her father’s new girlfriend is nice enough, Ava still holds out hope that her parents will get back together and that they’ll be a family again.But only days after Victor and Grace get engaged, Kelli dies suddenly under mysterious circumstances—and soon, Grace and Ava discover there was much more to Kelli’s life than either ever knew.Narrated by Grace and Ava in the present with flashbacks into Kelli’s troubled past, Heart Like Mine is a poignant and hopeful portrait about womanhood, love, and the challenges of family life.

    In this novel of a couple, and of passion, betrayal, and art, Georgia comes alive as never before. By the writer whose work Edna O’Brien called "shimmering, audacious."Georgia O’Keeffe is a young woman, painting and teaching art in Texas, when she travels to New York to meet Alfred Stieglitz, the married gallery owner of 291, modern art promoter, and photographer. Their instantaneous attraction and powerful hunger for each other draw her into his world of art, sex, and passion, and she becomes his mistress and his muse. As their relationship develops, so does Georgia’s place in the art world, but she becomes trapped in her role as the subject of Stieglitz’s infamous nude photographs of her; the critics cannot envision her as her own being. As her own artistic fervor begins to push the boundaries of her life, we see Georgia transform into the powerfully independent woman she is known as today.

    If only she’d stayed in Wisconsin, she might never have met Anthony Shaw, and she would have held onto the future she’d so carefully planned for herself. Instead, Ann ends up harboring a devastating secret that strains her relationship with her parents, sends her sister Poppy to every corner of the world chasing waves (and her next fling), and leaves her adopted brother Michael estranged from the family. Now, fifteen years later, her parents have died, and Ann and Poppy are left to decide the fate of the beach house that’s been in the Gordon family for generations. For Ann, the once-beloved house is forever tainted with bad memories. And while Poppy loves the old saltbox on Drummer Cove, owning a house means settling, and she’s not sure she’s ready to stay in one place.Just when the sisters decide to sell, Michael re-enters their lives with a legitimate claim to a third of the estate. He wants the house. But more than that, he wants to set the record straight about what happened that long-ago summer that changed all of their lives forever. As the siblings reunite after years apart, their old secrets and lies, longings and losses, are pulled to the surface. Is the house the one thing that can still bring them together––or will it tear them apart, once and for all?Told through the shifting perspectives of Ann, Poppy, and Michael, this assured and affecting debut captures the ache of nostalgia for summers past and the powerful draw of the places we return to again and again. It is about second homes, second families, and second chances. Tender and compassionate, incisive and heartbreaking, Christina Clancy's The Second Home is the story of a family you'll quickly fall in love with, and won't soon forget.

    A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

    Arthur, a widow, meets Maddy, a troubled teenage girl who is avoiding school by hiding out at the cemetery, where Arthur goes every day for lunch to have imaginary conversations with his late wife, and think about the lives of others. The two strike up a friendship that draws them out of isolation. Maddy gives Arthur the name Truluv, for his loving and positive responses to every outrageous thing she says or does. With Arthur’s nosy neighbor Lucille, they create a loving and unconventional family, proving that life’s most precious moments are sweeter when shared.

    Annie seeks refuge from an upended love affair with her producer, Owen Pettybone, by sequestering herself at home with her old dog Detour, surrounded by a lush Florida tangelo grove. There, she spends her days furiously sanding down the house’s every veneer in a vain attempt at erasing the painful memory of the love she lost. Soon, however, this quiet, small town existence—far from recording studios, ardent fans, and affairs of the heart—comes crashing down around her. A violent murder connected to her brother Calder threatens to tear her family apart and forces Annie to shore up her loyalties and uproot profound disappointments from her distant past. The evidence stacks against Calder, compounded by his lifelong affliction with Tourette syndrome that causes some in the community to cast aspersions on the soundness of his mind.As the circumstances converge to challenge lifetime ties and forge unexpected new bonds, this soulful, stirring novel shifts its narrative from an imperiled and ever-changing present, where each hour brings an unforeseen and unwelcome piece of news, to the poignant childhood days of first allegiances and life-altering loss. Like a fine and forlorn love ballad, the gifted, conflicted Annie lulls the reader into a journey through love and loss that mines the mysterious, and, at times, paradoxical rhythms of the human heart. As vibrant as Annie’s treasured tangelo grove, Carry Yourself Back to Me cultivates an always tender, sometimes tart, portrait of one family’s regret and redemption. Inflected with melancholy and redeemed by melody, this deeply affecting novel is certain to strike a resonant chord with music fans and lovers of fine fiction everywhere.

    But Dan doesn’t just want to save his failing bookstore and his family’s finances he wants to do something special.Dan is an obsessive list maker; his story unfolds entirely in his lists, which are brimming with Dan’s hilarious sense of humor, unique world-view, and deeply personal thoughts. When read in full, his lists paint a picture of a man struggling to be a man, a man who has reached a point where he’s willing to do anything for the love of his life.

    Kevin, recently unemployed, is already at his wits’ end tending to a full house while his wife travels to exotic locales for work, leaving him solo with his sulky, misbehaved teenaged daughter, Aideen, whose troubles escalate when she befriends the campus rebel at her new boarding school. Into the Gogarty fray steps Sylvia, Millie’s upbeat American home aide, who appears at first to be their saving grace—until she catapults the Gogarty clan into their greatest crisis yet. With charm, humor, and pathos to spare, Good Eggs is a delightful study in self-determination; the notion that it’s never too late to start living; and the unique redemption that family, despite its maddening flaws, can offer.