For years, Tim has collected stories of the old folks, weaving traditional lore with stories from everyday life. Walking the Choctaw Road is a mixture of myth stories, historical accounts passed from generation to generation, and stories of Choctaw people living their lives in the here and now.

    Set on a Blackfeet Indian reservation, the life of one Indian boy, Doby Saxon, is laid bare through the eyes of those who witness it: his near-death experience, his suicide attempts, his brief glimpse of victory, and the unnecessary death of one of his best friends.But through Doby there emerges a connection to the past, to an Indian Agent who served the United States Government over a century before. This revelation leads to another and another until it becomes clear that the decisions of this single Indian Agent have impacted the lives of generations of Blackfeet Indians. And the life of Doby Saxon, a boy standing in the middle of the road at night, his hands balled into fists, the reservation wheeling all around him like the whole of Blackfeet history hurtling towards him.Jones’s beautifully complex novel is a story of life, death, love, and the ties that bind us not only to what has been, but what will be: the power of one moment, the weight of one decision, the inevitability of one outcome, and the price of one life.

    Carol Daniels adds an important perspective to the Canadian literary landscape.Taken from the arms of her mother as soon as she was born, Sandy was only one of over twenty thousand Aboriginal children scooped up by the federal government between the 1960s and 1980s. Sandy was adopted by a Ukrainian family and grew up as the only First Nations child in a town of white people. Ostracized by everyone around her and tired of being different, at the early age of five she tried to scrub the brown off her skin. But she was never sent back into the foster system, and for that she considers herself lucky.From this tragic period in her personal life and in Canadian history, Sandy does not emerge unscathed, but she emerges strong--finding her way by embracing the First Nations culture that the Sixties Scoop had tried to deny. Those very roots allow Sandy to overcome the discriminations that she suffers every day from her co-workers, from strangers and sometimes even from herself.

    She’s drawn into a stranger’s murder in this SHORT STORY featuring characters from the Maggie Sullivan mystery novels. A job offer from a blonde at a dime store lunch counter lures the detective to a still-warm corpse in an alley. His gold watch and cufflinks are still on him, but not his shoes and socks. A night of grilling by homicide cops does nothing to improve Maggie’s mood, which deteriorates further when they laugh off a lead she gives them and imply she solves cases by batting her eyes instead of using her brains. Aided by a ragtag newsboy, Maggie baits a trap for the killer. He shows up with a knife. But Maggie wields a .38 as expertly as she does an emery board — and she doesn’t back down for thugs or authorities when she’s after answers. A woman sleuth like none you’ve met and historical atmosphere meet in the streets of a small Ohio city, capturing a 20th century America before cell phones or carry-out coffee cups in this short story reminiscent of the golden age of private eyes.

    A disused London Underground lift goes way beyond the bottom floor.A psychic boy discovers what terrors are buried in the fallow field.A handshake seals a midnight fate in an old farming dispute.A corpse must be buried by dawn.BLACK GATE TALES: Fourteen short stories of dread, hope, death and wonder.

    One night, a carload of strangers appears on the Hollands' property, carrying the air of incipient danger underneath a veneer of pleasantries. Weldon finds himself inexplicably drawn to the group of trespassing vagabonds—who, despite being camped out on a hidden riverbank in the middle of nowhere, drive the most expensive automobile that Weldon has ever seen. In the unbearable, rainless heat of a Dust Bowl summer, Weldon will find himself mixed up in an encounter with the infamous bank robbers Bonnie and Clyde—an encounter that changes the course of Weldon's life…and history itself. Rich with criminal and social history of the American West and a young boy’s struggle to become a man, “A Dust Bowl Tale of Bonnie and Clyde” is just the beginning of Weldon Holland’s story.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    (Titan: An Alternate History, Delta, Hobson's Gate, Jewish Comix Anthology) and edited by Hope Nicholson (Brok Windsor, Lost Heroes, Nelvana of the Northern Lights), MOONSHOT brings together dozens of creators from across North America to contribute comic book stories showcasing the rich heritage and identity of indigenous storytelling.From traditional stories to exciting new visions of the future, this collection presents some of the finest comic book and graphic novel work in North America. The traditional stories presented in the book are with the permission from the elders in their respective communities, making this a truly genuine, never-before-seen publication. MOONSHOT is an incredible collection that is sure to amaze, intrigue and entertain!Here are some of the talented writers and artists who have contributed to MOONSHOT:Claude St-Aubin (R.E.B.E.L.S., Green Lantern, Captain Canuck), Jeffery Veregge (G.I. Joe, Judge Dredd), Stephen Gladue (MOONSHOT cover artist), Haiwei Hou (Two Brothers), Nicholas Burns (Arctic Comics, Curse of Chucky, Super Shamou), Jon Proudstar (Tribal Force), George Freeman (Captain Canuck, Aquaman, Batman), Elizabeth LaPensee (Survivance, The Nature of Snakes, Fala), Buffy Sainte-Marie (Fire & Fleet & Candlelight, Coincidence & Likely Stories), Richard Van Camp (Path of the Warrior, Kiss Me Deadly), David Robertson (The Evolution of Alice, Stone), David Cutler (The Northern Guard), Menton J. Matthews III (Monocyte, Memory Collectors, Three Feathers), Jay Odjick (Kagagi: The Raven), Ian Ross (Heart of a Distant Tribe, Bereav'd of Light, An Illustrated History of the Anishinabe), Lovern Kindzierski (X-Men, Wolverine, Incredible Hulk, Thor, Spiderman), Arigon Starr (Super Indian, Indigenous Narratives Collective), Michael Sheyahshe (Dark Owl, Native Americans in Comic Books), Fred Pashe (SpiritWolf) and more!

    Early in the century a magnificent Sioux woman recorded from oral tradition the exploits of Iktomi the trickster, Eya the glutton, the Dragon Fly, the Blood Clot boy, and other magical and mysterious figures known to the Sioux.

    An eleven-year-old girl narrates the unfolding of the Fish Wars in the 1960s, as her family is gradually drawn to the front lines of the conflict. In 1890, as tensions escalate at Wounded Knee, two young men at college, one French and the other Lakota, each contemplate a death in the family. In the final, haunting piece, a Nez Perce/Cayuse family is torn apart as they debate the fate of ancestral remains in a moving revision of the Greek tragedy Antigone.Formally inventive, witty, and generous, the works in this singular debut collection draw on Indigenous aesthetics and forms to offer a powerful, sustaining vision of Native life in the Americas.

    Let the carriage to a royal ball wait. There is a story to be told: of a starless night, a mother and her sick son, and a mortal who falls in love with the snow god, and will do anything to have her...

    The dramatic, brutally honest, and ultimately triumphant sequel to the bestselling American Book Award winner Lakota Woman, this book continues Mary Brave Bird's courageous story of life as a Native American in a white-dominated society.

    On a blistering desert landscape in World War II, two armies face each other. One belongs to the legendary French Foreign Legion, but the other belongs to the French Foreign Legion also, one side working for the Allies, the other for the Germans. In this vivid historical recreation of one of the strangest battles in modern warfare, a terrible twist of Fate compels comrades-in-arms, who trained together, ate together, and slept in the same barracks, to become mortal enemies.David Morrell is the prize-winning author of First Blood, the novel in which Rambo was created. His numerous New York Times bestsellers include the classic espionage novel, The Brotherhood of the Rose, the basis for the only television miniseries to be broadcast after a Super Bowl. An Edgar, Anthony, and Macavity nominee, Morrell is a recipient of the International Thriller Writers’ prestigious Thriller Master award.“Nobody does this kind of thing better than David Morrell.”—Lee Child, New York Times bestselling author of The Affair“A titan among thriller writers.”—Joseph Finder, New York Times bestselling author of Buried Secrets

    This wonderfully colorful and appealing anthology gathers more than 130 Native American legends, many told to the authors by elder storytellers and tribal historians.

    Many of the "histories" repeat subjects and themes found in the "stories," making Roofwalker a book that in which spirits and the living commingle and Sioux culture and modern life collide with disarming power, humor, and joy. The first seven pieces in the book are "stories," fictional accounts primarily of girls and women. In the title story, a young girl believes in the power of the "roofwalker" spirit to make her dreams come true. In "Beaded Souls," a woman is cursed by the sin of her great-grandfather, an Indian policeman who arrested Sitting Bull. "First Fruits" follows a native girl’s first-year at Harvard. The nonfiction pieces include Power’s imaginary account of the meeting of her Phi Beta Kappa father and Sioux mother, a piece about the letters of an Irish ancestor and another in which Power and her mother visit the Field Museum in Chicago, where a native ancestor’s dress is on display.