Not unusual for a proper bath, but highly irregular for murder -- especially with a pair of gold pince-nez deliberately perched before the sightless eyes. What's more, the face appeared to have been shaved after death. The police assumed that the victim was a prominent financier, but Lord Peter Wimsey, who dabbled in mystery detection as a hobby, knew better. In this, his first murder case, Lord Peter untangles the ghastly mystery of the corpse in the bath.

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    A spate of violent deaths – the details too foul to print – has horrified the capital and the smog-bound streets are deserted. But Rachel Savernake – the enigmatic daughter of a notorious hanging judge – is no ordinary woman. To Scotland Yard’s embarrassment, she solved the Chorus Girl Murder, and now she’s on the trail of another killer.Jacob Flint, a young newspaperman temporarily manning The Clarion’s crime desk, is looking for the scoop that will make his name. He’s certain there is more to the Miss Savernake’s amateur sleuthing than meets the eye. He’s not the only one. His predecessor on the crime desk was of a similar mind – not that Mr Betts is ever expected to regain consciousness after that unfortunate accident...Flint’s pursuit of Rachel Savernake will draw him ever-deeper into a labyrinth of deception and corruption. Murder-by-murder, he’ll be swept ever-closer to its dark heart – to that ancient place of execution, where it all began and where it will finally end: Gallows Court.

    That is, until American art history student Zelda Richardson sticks her nose in.After studying for a year in the Netherlands, Zelda scores an internship at the prestigious Amsterdam Historical Museum, where she works on an exhibition of paintings and sculptures once stolen by the Nazis, lying unclaimed in Dutch museum depots almost seventy years later.When two women claim the same painting, the portrait of a young girl entitled Irises, Zelda is tasked with investigating the painting’s history and soon finds evidence that one of the two women must be lying about her past. Before she can figure out which one it is and why, Zelda learns about the Dutch art dealer’s concealed collection. And that Irises is the key to finding it.Her discoveries make her a target of someone willing to steal – and even kill – to find the missing paintings. As the list of suspects grows, Zelda realizes she has to track down the lost collection and unmask a killer if she wants to survive.The Lover’s Portrait: An Art Mystery draws on the author’s experiences gained while studying art history in the Netherlands and working for several Dutch museums. All of the amateur sleuth mysteries in the Zelda Richardson Mystery Series are stand-alone novels and can be read in any order:The Lover’s Portrait: An Art MysteryRituals of the Dead: An Artifact MysteryMarked for Revenge: An Art Heist ThrillerRelated subjects include: women sleuths, historical mysteries, amateur sleuth books, murder mysteries, whodunit mysteries (whodunnit), travel fiction, cultural heritage, suspense, art crime, art theft, World War II, art history.

    As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?

    Tom is an ambitious lawyer, and about to marry Helen Scott - a budding novelist.Felix Slater, a respectable churchman and amateur archaeologist, wants the scandalous manuscript of his late father's memoirs locked away until after his own death.But Slater’s death comes much sooner than expected, and Tom falls under suspicion for his murder. The compromising manuscript has disappeared.To exonerate himself, Tom, accompanied by Helen, must unmask an ingenious, elusive killer, one who will threaten their own lives. The pursuit takes them from the cells of the city gaol to the heights of the cathedral spire and out among the ancient earthworks of Salisbury Plain. The Salisbury Manuscript is the first in a series set in England’s cathedral cities. Full of action, suspense and gothic atmosphere, the novel brings back to life a world of Victorian mystery.

    His dreams of fighting for his country, however, are cut short after he loses an eye in rifle training. Invalided out of the army and offered a desk job with the police, John sets up as a private investigator in London instead, hoping for excitement and danger.In the autumn of 1940, John is engaged to investigate the mysterious death of a young woman. What is the connection between her brutal murder and the fading film actor Gordon Moore? Johnny also becomes involved in the plight of a runaway boy who may have witnessed something terrible.Told with wit and humor, while evoking an atmospheric picture of the home front during the dark days of the Second World War, Forests of the Night is an impressive U.S. debut for David Stuart Davies.

    Then he lands the case from Hell, one involving a corpse with a mutilated face, a private psychiatric hospital and Dr Anthony Melville-Briggs, the suave, social-climbing owner, who thinks his money can buy everything, even the police.As if that isn't enough, his Ma, Kitty Rafferty, has another little problem for him: to get his distant cousin out of the cells in time for his wedding. Against his better judgement, Rafferty promises to get his cousin sprung, though he is careful not to give a time-scale for the Great Escape.Struggling, with no solution in sight, it is only when he is reminded of his forgotten promise and goes to see his jail-bird cousin, that Rafferty begins to put the case to bed.

    An accident? Not likely. In fact, suspicion has already fallen on his luscious widow, a cunning beauty fifty years his junior, set to inherit a sizeable fortune, and rumored to be carrying on with a strapping young tutor comfortably ensconced in the family estate. But criminologist Charles Hayward is casting his own doubts on the innocence of the entire Leonides brood. He knows them intimately. And he's certain that in a crooked house such as Three Gables, no one's on the level...

    Morgan Sierra, an Oxford University psychologist with a deadly past, doesn’t know the answer to that question — and doesn’t care. All she knows is that her sister and niece have been abducted, held hostage for the stone pendants that Morgan and her sister wear: two of twelve relics once owned by the original Apostles.Forged in fire and wind, drowned in the blood of martyrs, the twelve Pentecost stones have been kept secret for two thousand years. But now the Keepers of the stones are being murdered, and the relics stolen by Thanatos, a shadowy group dedicated to remaking the world into a living Hell. The authorities are clueless; the world lies helpless. And Thanatos grows more powerful with each stone they take. Enter Jake Timber — agent of ARKANE, the British agency tasked with investigating the supernatural. Jake knows some of the secrets Morgan needs to save her family, but can’t stop Thanatos without her help. Only together can they stop Thanatos before the stones are captured, before Morgan’s family is murdered, and before the world is changed forever.From flooded ruins in Italy, to religious sites in Israel, to the far reaches of Iran and Tunisia, Morgan and Jake must race across the world to find the stones before Thanatos gathers the relics and uses their power to turn Earth into a living Hell.But every step they take brings Morgan and Jake closer to the end. To the knife edge between salvation and madness. To the moment when Morgan will have to decide whether she will save her family… or save the world.Time is running out. Thanatos draws near. And the day of Pentecost is at hand.Stone of Fire is the first book in the ARKANE series by New York Times and USA Today bestselling author J.F. Penn.

    All that trouble falls to background noise, however, when Wolf learns his brother has just committed suicide in northern Italy. Devastation and resentment of his sibling's selfish act is short-lived, because Wolf knows one thing is for certain: his brother would never kill himself. Or would he? A nagging suspicion there's more to the story is enough to pull Wolf from his volatile life, to Lecco, Italy--a picturesque city along the shores of Lake Como, where danger lies amid the ancient cobblestone alleys.With the aid of a beautiful Carabinieri agent, can Wolf piece together what really happened to his brother without suffering the same fate?

    But she couldn’t. She’d stay there stuck fast in paint forever. A chimney sweep in Victorian London’s poverty-stricken East End, Tom Wasp is highly flattered to be asked to model for Valentine Drake, a painter in fashionable Chelsea, especially since his co-model is the beautiful and warm-hearted Bessie Barton, a red-headed stunner who becomes his friend. Grief-stricken when her body is found by mudlarks on the muddy banks of the river Thames, Tom vows to find her murderer. Tracking her pitiful past through London’s seamiest quarters, he discovers the monstrous shadow that hangs over her life, Moonman, from whose clutches Bessie had fled, only to fall into his murderous hands at last. But who is Moonman? Is he one of the Angels, the high-minded group of artists to which Valentine belongs? Or is the truth more terrifying still? Step by step Tom hunts down his quarry through the darkness, guided by his faith that there is goodness in this world as well as evil, and assisted by his chummy, the eleven-year-old Ned. Narrated by Tom himself, this unusual historical thriller whirls the reader from the squalor of London’s Victorian slums to the heady pleasures of its high-life, revealing both the evil and the goodness in both. Tom and Ned make a formidable team as they clean the filthy chimneys of life in this first book of the Tom Wasp series. Praise for Amy Myers ‘Victorian England hides a dark underbelly of misery and degradation along with a vicious murderer.’— Kirkus Reviews ‘Tom Wasp is one of the most engaging characters I’ve encountered in yeats’ – Ellen Keith, Historical Novels Review AMY MYERS has been a full-time writer since 1988, and has written a wide range of novels from historical sagas and contemporary romance to crime. She is married to an American and lives in Kent. Many of her novels have been published under the name of Harriet Hudson.

    Inspector Wilkins is called in to investigate, but it's going to take some intricate sleuthing to uncover who killed whom and why.

    Five victims; four of them killed with military efficiency and, judging from the wounds, a military bayonet. The fifth victim, the lady of the house, is found nearly naked, sprawled on a bed, her throat slashed with a razor. Even more startling than the actual carnage are two subsequent findings: the lack of any sort of sexual assault and the discovery of a child - a young girl hiding beneath a bed.Scotland Yard sends out Inspector John Madden to investigate the murders. Madden, with some heavy psychological baggage of his own courtesy of the war, recognizes the mark of madness in the killer's work and has a unique understanding of the killer's methods, habits, and rituals. While the local constabulary figures the murders for a robbery gone horribly wrong, Madden is quick to recognize the presence of a more sinister motive. He seeks the help of Dr. Helen Blackwell, a local physician who lost both her brothers and her husband to the war. Dr. Blackwell's professional connections include a Viennese psychiatrist who is well versed in the relatively new field of forensic psychology, and together they try to develop a psychological profile for the killer.The deeper Madden digs into the case, the harder it is for him to maintain the fragile wall he has built around his own painful memories. A spark between him and Helen Blackwell quickly becomes an all-consuming fire, and in the tender exploratory phase of their relationship, Helen gently urges him to face his personal demons head-on. Meanwhile, Madden discovers the killer has struck once before, a murder that was left unsolved. When Madden gets the idea to look for similar crimes that may have occurred during the war, he finds one, and a clearer and even more frightening picture of the killer begins to evolve. As the police investigation proceeds, plodding at times and getting fortuitous breaks at others, the killer plans his next attack. Together, killer and cops move along parallel timelines, a loose scrabble of concurrent events held together by a taut string of tension. When the string finally breaks, it culminates in a vivid and terrifying climax that demonstrates how fine a line often exists between sanity and utter madness. River of Darkness is the first book in a promised series. Inspector John Madden is precisely the type of multifaceted and complex character readers will enjoy meeting time and again. And the supporting cast of characters is the perfect complement, the sum total being a rich and full-bodied story. What's more, if Airth shows the same flair for finely etched prose and brilliantly manipulated tension as he does here, this series promises to be the start of a powerful new niche in psychological suspense, a uniquely fresh voice that will stand out among the crowd.

    Her father is having one of his 'prescient turns' again, her mother is planning a trip to Spain with her informal ladies' society, and to cap it all the village baker, Ben Tonkins, has died, which means that Gretchen will be bereft of her favourite dense, jammy sponge cakes. And there is something entirely fishy about Ben's death that sits ill with the intrepid mortician.And what's worse is that Gretchen's solemn and sensible boss, the honey-voiced Carmel, seems to have come down with a case of the crazies, botching the embalming process on Ben, and getting wildly smashed on vodka before bashing both Gretchen and another villager, Rosie Tawber, with a cricket bat.But Gretchen knows Carmel, and she knows that cricket was never her game, so she sets out with the help and hindrance of the villagers to discover who, exactly, is the murderer in their midst - and what could be their motive in this sleepy corner of England.