At the foot of Mount Fuji, behind screen walls and amidst curls of incense smoke Iwajiro chants the Tenjin Sutra, an act of devotion learned from his beloved mother. On the side of the same mountain, twenty years on, he will sit in perfect stillness as the summit erupts, spitting fire and molten rock onto the land around him. This is not the first time he has seen hell. This man will become Hakuin, one of the greatest teachers in the history of Zen. His quest for truth will call on him to defy his father, to face death, to find love and to lose it. He will ask, what is the sound of one hand clapping? And he will master his greatest fear. Night Boat is the story of his tremendous life.

    Each was a defence and elaboration of his short satirical poem The Angry Hive, 1705. The version of the Fable of 1723 and 1732 are the fullest defences of his early paradox that social benefit is the unintended consequence of personal vice. It is an argument that is generally held to lie behind Adam Smith's doctrine of the 'hidden hand' of economic development.

    

    Enhancing their work are four seasonally-themed groups of verse, many written by Basho’s students and associates. The translation is thoroughly readable and contemporary, and the images evocative. An enlightening introduction offers biographical information on the featured poets, background on the nature of haiku and its development within the Japanese poetic tradition, and a short account of the Buddhist practice to which most of the writers were connected.

    The finished product is a document of a year’s worth of moments filled with joy, sorrow and unexpected beauty. The book y creates the sense that present moments do not just disappear and provides a visceral understanding of how these moments fit into the context of the rest of our lives.The short verses in Haiku Year stab and elate. They hint at both the transcendence and mediocrity of everyday life. The power of Michael Stipe’s southern, twilight drenched lyrics from early REM albums is present in the volume. Douglas A. Martin’s sparse yet descriptive prose gleams throughout. The thoughtful storytelling of Grant Lee Phillips is pared down to the simplest words to describe an instance.The Haiku Year is about the appreciation of small moments of beauty, ultimately adding up to the appreciation and respect not only for our individual lives but for all the lives that intersect with ours. The Haiku Year effortlessly urges readers to enjoy details and to let spare moments pierce through the numbness of everyday routine.

    Beloved translator Peter Beilenson’s goal was twofold: to craft a book of haiku accessible to anyone, and to render his best guess at what the poets would have written in English. His translations preserve the sublime spirit of each verse, conjuring vivid visual and emotional impressions in spare words.Haiku icon Basho is represented amply here, as are imagery-virtuoso Buson and wry, warm, painfully human Issa. The verses of Shiki, Joso, Kyorai, Kikaku, Chora, Gyodai, Kakei, Izen, and others also appear, all illuminated by lovely woodblock prints. Ranging from exquisite (In the sea surf edge/Mingling with the bright small shells…/Bush-clover petals –Basho) to bittersweet (Dead my fine hopes/And dry my dreaming, but still…/Iris, blue each spring –Shushiki) to silly (Dim the grey cow comes/Mooing, mooing, and mooing/Out of the morning mist –Issa), this collection will stir your senses and your heart.

    Using the stages of pathology as an extended metaphor, this book-length poem skilfully takes the reader on a persuasively healing journey in three parts. In what reads like an effortlessly honest and lyrical conversation, Hicks-Wilson works through the complexities of pain, love, loss, self-love, acceptance, growth and repair with both sensitivity and confidence. Featuring never-before-seen poems and follower favourites, Small Cures is the transformative and soothing bite-sized prescription every person craving to fall in love after love with themselves has been waiting for.

    

    Claire had his eyes set on Selah Winston almost immediately. Since meeting her at his brother’s wedding, he felt the sparks that jumpstarted his dormant heart. The connection was instant and undeniable. Whenever he’s near Selah, he feels a sense of home and security. He knows Selah is feeling him too, but she denies their connection and insists she has nothing to offer him but friendship. She’s busy rebuilding her life after struggling with drugs, depression and family issues. She has no time for anything or anyone else. Or so she thinks. She doesn’t know how persistent St. Claire men can be, apparently…Major ‘somewhat’ concedes to her request. He’ll give her friendship (for now), a little bit of space (for now) but it doesn’t thwart his original goal to make her his woman. Everyone has family issues. He knows that all too well. From his perspective, the best way to handle them is to work as a team to help each other overcome their problems. In helping her, he may have found the remedy to his own complications and a new beginning he never saw coming.

    Concludes the end of this series.

    When a group of young Americans jump ship and start the first surf camp in a downtrodden and practically deserted Waikiki, Head Missionary Hiram Bingham becomes apoplectic with rage. A cast of memorable characters fill this novel with many plot twists and ideas that are as relevant today as they were almost two hundred years ago. In 1824 sixteen year old, orphaned William Goode was put aboard ship in New Orleans as an apprentice seaman against his will. A young man with unique abilites, he began an adventure that took him to Hawaii, forging friendships and making enemies along the way. Spanning more than a decade, this fast paced narrative is written in a blend of James Michener and James Patterson, full of accurate history and a rousing ensemble of characters presented in a page turning style. The Calvinist missionaries want to make sure no one is having any fun while William and his friends just want to work their little farm of taro patches and fish ponds and go surfing free from religious oppression. From the beaches of early Waikiki to the chilly winters of Boston, this novel moves back and forth, around the Horn and across the vast Pacific, with enterprising surfers, a beautiful Hawaiian princess, runaway slaves, and a renegade priest. You will fall in love with Hawaii, fall in love with the characters, and see Hawaiian history in a whole new way.

    But her life ends prematurely, and Misuzu’s work is forgotten. Decades later her poems are rediscovered—just in time to touch a new generation devastated by the tsunami of 2011. This picture book features Misuzu’s life story plus a trove of her poetry in English and the original Japanese.Big Catch: At sunrise, glorious sunriseit’s a big catch!A big catch of sardines! On the beach, it’s like a festivalbut in the sea, they will hold funeralsfor the tens of thousands dead.

    She smiles like she is hiding a secret. She holds her head high, like she is wearing an invisible crown. The air Around her is charged with confidence, strength, and courage. Have you heard the whispers? She woke up different today. Yet it feels she has been like this always. Maybe it’s the story that has changed.About the Author‘Fragile but Unbreakable’ is how Reecha describes herself. She believes in miracles, takes life head on, and is passionate about weaving magic with her words. And now that she has found her calling, she desires to spend her entire life reading, travelling, and dwelling in her own little fictional and poetic worlds. An MBA from Loyola Institute of Business Administration, she is based out of New Delhi where she lives with her husband and two kids. She – Screw Silence is her third book.

    Yum! I hope you like it.

    It's for the seekers searching for a new home, for the wanderers leaving their old homes, for the lovers creating a home wherever they are. Sometimes you hold on to what is left, sometimes you just let go to start afresh.