Although he would prefer to write short stories, he earns a living composing obituaries for a newspaper. He longs to see his work published, yet the subjects of his obituaries continue to cling to life. But when he opens the newspaper to see his work in print for the first time, his pride swiftly turns to terror. He and Misha have been drawn into a trap from which there appears to be no escape.

    These jeweled, intricate poems, like the multilayered "In Search of Evanescence," locate and reflect the America that must be "unseen to be believed."Somewhere between cartographer and stargazer, the Nostalgist links images of water, desert, and myth, returning to Tucson in the monsoons, or seeing Chile in his rearview mirror, all the while creating an intense and vital vision.

    Merwin is one of them. Read him." —The Guardian"Merwin has attained a transcendent and transformative elevation of beaming perception, exquisite balance, and clarifying beauty." —Booklist, starred review of The Moon before Morning "Merwin has become instantly recognizable on the page." —Helen Vendler, The New York Review of BooksW.S. Merwin composed Garden Time during the difficult process of losing his eyesight. When he could no longer see well enough to write, he dictated his new poems to his wife, Paula. In this gorgeous, mindful, and life-affirming book, our greatest poet channels energy from animated sounds and memories to remind us that "the only hope is to be the daylight."From "A Breath of Day":Last night I slept on the floor of the sea in an unsounded part of the oceanin the morning it was a long way upthrough the dark streets of a silent countrywith no language in its empty housesuntil I had almost reached the surfaceof a morning that I had never seenthen a breeze came to it and I beganto remember the voices of young leaves . . .W.S. Merwin served as Poet Laureate of the United States and has received every major literary accolade, including two Pulitzer prizes, most recently for The Shadow of Sirius (Copper Canyon), and the National Book Award for Migration: New and Selected Poems (Copper Canyon). He lives in Hawaii.

    This revised and expanded edition of The Essential Rumi includes a new introduction by Coleman Barks and more than 80 never-before-published poems.Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever.The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.

    Drawing on Matthew Lewis's The Monk, Sade's Justine, K.H. Macha's May, and Murnau's Nosferatu as well as the form and language of the pulp serial novel, Nezval has constructed a lyrical, menacing dream of sexual awakening involving a vampire with a taste for chicken blood, changelings, a lecherous priest, a malicious grandmother desiring her lost youth, and an androgynous merging of brother with sister.In his Foreword Nezval states: "I wrote this novel out of a love of the mystique in those ancient tales, superstitions and romances, printed in Gothic script, which used to flit before my eyes and declined to convey to me their content." Part fairy tale, part Gothic horror, Valerie and Her Week of Wonders is a meditation on youth and age, sexuality and death — an exploration of the grotesque that juxtaposes high and low genres, with shifting registers of language and moods that was a trademark of the Czech avant-garde. The 1970 film version is considered one of the outstanding achievements of Czech new-wave cinema.

    Six-year-old Kassandra is given a doll: "I put her to sleep in her box, but first I cut off her legs and arms so she'd fit," she tells us, "Later, I cut her head off too, so she wouldn't be so heavy. Now I love her very much." Kassandra is an unforgettable narrator, a perfect, brutal guide to childhood as we've never seen it, a journey that passes through the looking glass but finds the darkest corners of the real world.This edition brings Kassandra and the Wolf back into print at last, a tour de force and, as Karapanou liked to call it, a scary monster of a book.

    This full-length collection includes individual lyric poems as well as a previously published chapbook Sea Lyrics and a new collaborative piece "Dumb Duke Death" with illustrations by Jennifer Jarnot.

    Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."

    Sor (Sister) Juana Ines de la Cruz was acclaimed in her time as "Phoenix of Mexico, America's Tenth Muse"; a generation later she was forgotten. In our century she was rediscovered, her works were reissued, and she is now considered one of the finest Hispanic poets of the seventeenth century. She deserves to be known to English-speaking readers for another reason as well: she speaks directly to our concern for the freedom of women to realize themselves artistically and intellectually.Her poetry is surprising in its scope and variety. She handled with ease the intricate verse forms of her day and wrote in a wide range of genres. Many of her lyrics reflect the worldliness and wit of the courtly society she moved in before becoming a nun; some, composed to be sung, offer charming glimpses of the native people, their festivities and colorful diversity. Alan Trueblood has chosen, in consultation with Octavio Paz, a generous selection of Sor Juana's writings and has provided an introductory overview of her life and work. The short poems, and excerpts from her play The Divine Narcissus, are accompanied by the Spanish texts on facing pages. Her long philosophical poem, First Dream, is translated in its entirety, as is her famous autobiographical letter to the Bishop of Puebla, which is both a self-defense and a vindication of the right of women to cultivate their minds.The Anthology was conceived as a companion to the English-language edition of Octavio Paz's magisterial study of Sor Juana. On its own, it will be welcomed as the first representative selection in English of her verse and prose.

    I want to find out how they behave when they're freeLen Howard was forty years old when she decided to leave her London life and loves behind, retire to the English countryside and devote the rest of her days to her one true passion: birds.Moving to a small cottage in Sussex, she wrote two bestselling books, astonishing the world with her observations on the tits, robins, sparrows and other birds that lived nearby, flew freely in and out of her windows, and would even perch on her shoulder as she typed.This moving novel imagines the story of this remarkable woman's decision to defy society's expectations, and the joy she drew from her extraordinary relationship with the natural world.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    Amazing in its thematic range and stylistic breadth, his poetry "leaps continents and covers war and peace, intolerance and human striving . . . a passionate and essential edition of his collected poems" ( The New York Times).

    Now Richard Zenith has collected in a single volume all the major poetry of "one of the most extraordinary poetic talents the century has produced" (Microsoft Network's Reading Forum). Fernando Pessoa was as much a creator of personas as he was of poetry, prose, and criticism. He wrote under numerous "heteronyms," literary alter egos with fully fleshed identities and writing styles, who supported and criticized each other's work in the margins of his drafts and in the literary journals of the time. From spare minimalism to a revolutionary exuberance that recalls Leaves of Grass, Pessoa's oeuvre was radically new and anticipated contemporary literary concerns to an unnerving degree. The first comprehensive edition of Pessoa's poetry in the English language, Fernando Pessoa & Co. is a work of extraordinary depth and poetic precision. "Zenith's selection of Pessoa is a beautiful one-volume course in the soul of the twentieth century." -- Booklist

    When one night they are forced to expel a middle-aged man and a prostitute from their room, Mari finds herself drawn to the man's voice, in what will become the first gesture of a single long seduction. In spite of her provincial surroundings, and her cool but controlling mother, Mari is a sophisticated observer of human desire, and she sees in this man something she has long been looking for.The man is a proud if threadbare translator living on an island off the coast. A widower, there are whispers around town that he may have murdered his wife. Mari begins to visit him on his island, and he soon initiates her into a dark realm of both pain and pleasure, a place in which she finds herself more at ease even than the translator. As Mari's mother begins to close in on the affair, Mari's sense of what is suitable and what is desirable are recklessly engaged.Hotel Iris is a stirring novel about the sometimes violent ways in which we express intimacy and about the untranslatable essence of love.

    Donika Kelly's Bestiary is a catalogue of creatures--from the whale and ostrich to the pegasus and chimera to the centaur and griffin. Among them too are poems of love, self-discovery, and travel, from "Out West" to "Back East." Lurking in the middle of this powerful and multifaceted collection is a wrenching sequence that wonders just who or what is the real monster inside this life of survival and reflection. Selected and with an introduction by the National Book Award winner Nikky Finney, Bestiary questions what makes us human, what makes us whole.