It is also a scathing attack on the “public apology” as yet another mask, as a manipulative device, which always seeks to conceal the maintenance and furtherance of the self-interest of its wearer.Clements’s powerful visual sets and soundscapes contain curtains of flames which at times assume the bodies of a chorus passing its remote judgment, devoid of both pity and fear, on the action: a merciless indictment of the cross-cultural, buried worm of avarice and self-interest hidden within the terrorism of the push to “go with the times,” to accept the iconography of a reality defined, contextualized and illuminated by others.Marie Clements writes, or, perhaps more accurately, composes, with an urbane, incisive and sophisticated intellect deeply rooted in the particulars of her place, time and history.Cast of five women and 12 men.

    Then a mysterious stranger hands him a disposable camera with the power to transport him into someone else’s body—and someone else’s life. But with a limited number of shots and trouble mounting click by click, will this unhappy boy find a new life? Or will the secret he’s been keeping follow him wherever he goes? Richard Scrimger’s Lucky Jonah is a hilarious take on a Freaky Friday-esque switcheroo with a major identity crisis.

    After all, the ogre never gets the princess. And since fairy tales are the foundational myths of our culture, how can a girl with a disability ever think she'll have a happy ending?By examining the ways that fairy tales have shaped our expectations of disability, Disfigured will point the way toward a new world where disability is no longer a punishment or impediment but operates, instead, as a way of centering a protagonist and helping them to cement their own place in a story, and from there, the world. Through the book, Leduc ruminates on the connections we make between fairy tale archetypes—the beautiful princess, the glass slipper, the maiden with long hair lost in the tower—and tries to make sense of them through a twenty-first-century disablist lens. From examinations of disability in tales from the Brothers Grimm and Hans Christian Andersen through to modern interpretations ranging from Disney to Angela Carter, and the fight for disabled representation in today's media, Leduc connects the fight for disability justice to the growth of modern, magical stories, and argues for increased awareness and acceptance of that which is other—helping us to see and celebrate the magic inherent in different bodies.

    Each book comprises all new stories, each one set in a distinct neighborhood or location within the respective city. Following the success of Montreal Noir and Toronto Noir, the Noir Series travels to the west coast of Canada.Brand-new stories by: Linda L. Richards, Timothy Taylor, Sheena Kamal, Robin Spano, Carleigh Baker, Sam Wiebe, Dietrich Kalteis, Nathan Ripley, Yasuko Thanh, Kristi Charish, Don English, Nick Mamatas, S.G. Wong, and R.M. Greenaway.From the introduction by Sam Wiebe:You might wonder what shadows could exist in Vancouver, rain-spattered jewel of the Pacific Northwest. Nestled between the US border and the Coast Mountains, the city’s postcard charms are familiar, even to those who’ve never been here, thanks to the films and TV shows shot in Hollywood North: The X-Files and Deadpool, Rumble in the Bronx and Jason Takes Manhattan. Vancouver is the so-called City of Glass. A nice place, in any case, and much too nice for noir.Looked at from afar, Vancouver may seem idyllic. But living here is different—cold and baffling and occasionally hostile. While outsiders focus on high-test BC bud, locals see a heroin crisis: Vancouver is home to the first legalized safe-injection site in North America, now heavily taxed by overdoses resulting from street drugs cut with fentanyl. It’s ground zero for the National Inquiry into Missing and Murdered Indigenous Women and Girls, a nationwide catastrophe involving the deaths and disappearances of hundreds of marginalized women. Money and status trample culture and community . . . If Vancouver is a City of Glass, that glass is underneath our feet.

    Zsuzsi Gartner's exuberant prose gives voice to unforgettable characters who survive by their wits as they cope with indifferent relationships, lackluster jobs, and the myriad curve-balls life throws their way.A woman calls in fake bomb threats from the nineteenth floor of a bank tower as revenge against her ex-lover. The mother of a girl killed by a teenage urban guerilla thrives spectacularly in her industrious grief, transforming herself into a forgiveness guru and talk-show host. Lured into the wilderness by her desire for a man who rebuilds vintage airplanes, a young woman finds she lusts more for biscotti and city sidewalks. A small, heroic child makes a guileless request for pajamas and creates a psychic storm at the center of her anxious, achievement-mad parents' lives.Rendered in a jittery, jazzed-up prose that has been compared to that of Lorrie Moore and Mary Flanagan, these stories brilliantly capture the pathos, beauty, and alienation of contemporary life and signal the arrival of a writer to watch.

    John's. By the Rivers of Brooklyn traces the story of the Evans family across two countries and three generations, exploring the hopes, passions and heartbreaks of those who went away and those who stayed behind. By the Rivers of Brooklyn transforms into fiction the experience of the 75,000 first- and second-generation Newfoundlanders who once lived in Brooklyn, New York - and the experience of Newfoundlanders throughout history who have gone away to find work and prosperity but never stopped dreaming of home.

    Menaka succeeds in bewitching Vishwamitra, but her actions are destined to have dire consequences for both.Eons later, their story is set to repeat itself.Poorva has always played by society’s rules and ideas of decorum. But what happens when her own loved ones betray her in the worst way imaginable? Does she still have to remain bound by their rules?Rudra plays with power and people like they are pieces on a chessboard. He has no qualms about indulging his desires, be it money or women, but is determined not to be bound by either.What happens when these two diametrically opposite souls are brought together by fate?In the game of power, lust, greed and betrayal, some win and some lose. But are there any winners or losers in the game of love?Like Menaka and Vishwamitra, are Poorva and Rudra too destined to see their story end in tragedy? Or will the divine power prevail?

    She leaves the cold shack she shares with her father for the warmth of her kneading table at Cameron's store and gets caught in a snow storm, sparking events that expose the raw humanity of those around her. Loyalty and betrayal, guilt and shame, and faith and doubt collide as the dirty secrets of the bleak coal mining community throw lives into turmoil. A series of brutal attacks, a murder, and an ambitious sergeant intent on seeing someone hang, reveal a town, oppressed as much by its dreary prospects, as it is by its institutionalized corruption, sexism and racism.Mabel just wants to bake bread, but she has her own secrets to protect.The Bread Maker is a rich, beautifully told narrative that seamlessly weaves humour and tragedy into a touching story about life, love and the potential of the human spirit to overcome great odds....

    These ten powerful stories portray men and women in their most intimate moments. A lover of poetry is asked by his wife to give up what may be his most treasured relationship. A book dealer is forced to face the truth about his life. And in the title story, a translator assists his wife’s suicide, even as he performs a last act of betrayal. James Salter’s assured style and emotional insight make him one of our most essential writers

    . . At a children's party . . .Nothing ever happens in a sleepy American town like Middlebrook. Until the shocking events of one hot Saturday afternoon when, at a back-to-school party, nine children sneak off to a barn. And one child is shot by another.In the media storm that sweeps the nation . . .The press are asking questions. About the type of parents who let their children play unsupervised in a house with guns. About how damaged a child must be to commit this kind of atrocity.In the ensuing police investigation . . .Two questions are the most urgent, and the most baffling. Of the nine children who were present in that barn, which one actually pulled the trigger?And why are the others staying silent?Incredibly gripping and gorgeously written, this is a spellbinding novel that asks how far we'll go to protect our children, and how we can come together when so much divides us.

    Logic says there was no more she could have done to save the mercurial and unhappy Alice, but Lara can’t escape the feeling that she is somehow to blame for the tragedy.She spends a weekend at the rebuilt house with Alice’s charismatic widower, Crow, and his three young children. Rummaging through the remains of their shared past, Lara reveals a friendship with Alice that was as troubled as it was intense. But beneath the surface is a darker, more unsettling secret waiting to be exposed.Through exquisite prose and searing insight, Into the Fire explores the many ways, small and large, we betray one another and our ideals. It’s a compelling story about power, guilt and womanhood from an outstanding voice in Australian fiction.

    Another overfilled, ill-equipped, dilapidated ship has sunk under the weight of its too many passengers: Syrians, Ethiopians, Egyptians, Lebanese, Palestinians, all of them desperate to escape untenable lives back in their homelands. But miraculously, someone has survived the passage: nine-year-old Amir, a Syrian boy who is soon rescued by Vanna. Vanna is a teenage girl, who, despite being native to the island, experiences her own sense of homelessness in a place and among people she has come to disdain. And though Vanna and Amir are complete strangers, though they don't speak a common language, Vanna is determined to do whatever it takes to save the boy.In alternating chapters, we learn about Amir's life and how he came to be on the boat, and we follow him and the girl as they make their way toward safety. What Strange Paradise is the story of two children finding their way through a hostile world. But it is also a story of empathy and indifference, of hope and despair--and about the way each of those things can blind us to reality.

    A woman's husband dies before their divorce is finalized; a man runs for governor and loses much more than the election; two brothers play beneath the infamous bridge at Chappaquiddick; a father and daughter outrun a hurricane--all are vivid and memorable occasions as seen through Orner's eyes. Last Car Over The Sagamore Bridge is also a return to the form Orner loves best. As he has written, "The difference between a short story and a novel is the difference between a pang in your heart and the tragedy of your whole life. Read a great story and there it is--right now--in your gut."

    Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything—friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy’s only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn’t speak up. Nobody believed her the first time—and they certainly won’t now — but the cost of her silence might be more than she can bear.　With a shocking conclusion and writing that will absolutely knock you out, All the Rage examines the shame and silence inflicted upon young women after an act of sexual violence, forcing us to ask ourselves: In a culture that refuses to protect its young girls, how can they survive?

    Héctor is trapped. The water truck, sealed to hide its human cargo, has broken down. The coyotes have taken all the passengers’ money for a mechanic and have not returned. Those left behind have no choice but to wait.Héctor finds a name in his friend César’s phone. AnniMac. A name with an American number. He must reach her, both for rescue and to pass along the message César has come so far to deliver. But are his messages going through?Over four days, as water and food run low, Héctor tells how he came to this desperate place. His story takes us from Oaxaca — its rich culture, its rapid change — to the dangers of the border. It exposes the tangled ties between Mexico and El Norte — land of promise and opportunity, homewrecker and unreliable friend. And it reminds us of the power of storytelling and the power of hope, as Héctor fights to ensure his message makes it out of the truck and into the world.Both an outstanding suspense novel and an arresting window into the relationship between two great cultures, The Jaguar’s Children shows how deeply interconnected all of us, always, are.