As Whitney French says in her introduction, Black Writing Matters “injects new meaning into the word diversity [and] harbours a sacredness and an everydayness that offers Black people dignity.” An “invitation to read, share, and tell stories of Black narratives that are close to the bone,” this collection feels particular to the Black Canadian experience.

    She marks out the precious moments of her characters' lives against deceptively commonplace backdrops -- a St. John's hospital cafeteria lit only by the lights in the snack machines; a half-built house "like a rib cage around a lungful of sky" -- and the results linger long in the memory. In Degrees of Nakedness Lisa Moore shows us that love, alongside desire, can sometimes come as a surprise, sometimes an ambush.

    Like all humans, these Native Americans sought to understand their place in the universe, the nature of their relationship with the divine, and the origin of the world into which their ancestors had emerged. The answers lay in their sacred stories.This is a collection of stories from nations and cultures across two continents—the Sea-Ringed World, as the Aztecs called it—from the edge of Argentina all the way up to Alaska.

    Funny, poignant and smart, full of unforgettable characters, these stories explore the violence of family, the constraints of small-town life and the elusive promise of escape.In "Ice Cream Man," an adolescent girl struggles to come to terms with her mother's death and her father's seeming indifference while conducting a secret affair with an older man from the local arena. Gerald, the young boy in "Big Dog Rage," goes to extreme and reckless measures to thwart the expectations of his parents, teachers, and the local priest, leaving his childhood friend to look longingly on. And in the title story, Bethany sees her gentle fiancé anew as she enters the raucous world of his hard-drinking family. Receiving a sharp shot to the mouth from her future sister-in-law Bethany finds her place in this clan secured.With her incisive, resonant prose, Lynn Coady elicits laughter, sadness, and compassion. Play the Monster Blind is a keenly observed, imaginative collection from one of the most distinctive talents to arrive on Canada's literary scene in years.

    The collection includes seminal authors such as Gerald Vizenor, historically important contributions often categorized as "magical realism" by authors like Leslie Marmon Silko and Sherman Alexie, and authors more recognizable to science fiction fans like William Sanders and Stephen Graham Jones. Dillon's engaging introduction situates the pieces in the larger context of science fiction and its conventions.Organized by sub-genre, the book starts with Native slipstream, stories infused with time travel, alternate realities and alternative history like Vizenor's "Custer on the Slipstream." Next up are stories about contact with other beings featuring, among others, an excerpt from Gerry William's The Black Ship. Dillon includes stories that highlight Indigenous science like a piece from Archie Weller's Land of the Golden Clouds, asserting that one of the roles of Native science fiction is to disentangle that science from notions of "primitive" knowledge and myth. The fourth section calls out stories of apocalypse like William Sanders' "When This World Is All on Fire" and a piece from Zainab Amadahy's The Moons of Palmares. The anthology closes with examples of biskaabiiyang, or "returning to ourselves," bringing together stories like Eden Robinson's "Terminal Avenue" and a piece from Robert Sullivan's Star Waka.An essential book for readers and students of both Native literature and science fiction, Walking the Clouds is an invaluable collection. It brings together not only great examples of Native science fiction from an internationally-known cast of authors, but Dillon's insightful scholarship sheds new light on the traditions of imagining an Indigenous future.

    In her first collection in five years, Anne Carson explores this idea with characteristic brilliance and a tantalizing range of reference, moving from Aphrodite to Antonioni, Demosthenes to Annie Dillard, Telemachos to Trotsky, and writing in forms as varied as opera libretto, screenplay, poem, oratorio, essay, shot list, and rapture. As she makes her way through these forms she slowly dismantles them, and in doing so seeks to move through the self, to its undoing.

    At the age of seven she was sent to residential school, and her horrific experiences of abuse there left her without a voice, timid and nervous, never sure, never trusting, and always searching.This is the story of Myrtle battling to recover her voice.This is the story of her courage and resilience throughout the arduous process required to make a claim for compensation for the abuse she experienced at residential school--a process that turned out to be yet another trauma at the hands of the colonial power.This is the story of one woman finally standing up to the painful truth of her past and moving beyond it for the sake of her children and grandchildren. In recounting her tumultuous life, Fox weaves truth and fiction together as a means of bringing clarity to the complex emotions and situations she faced as she walked her path toward healing.

    Now comes a new edition that includes many pieces cut from the original as well as fresh material added by the author. Here finally, after twenty-two years of gathering dust, is the complete version of the groundbreaking bestseller.In this, her best-loved work, Anne Cameron has created a timeless retelling of northwest coast Native myths that together create a sublime image of the social and spiritual power of woman. Cameron weaves together the lives of legendary and imaginary characters, creating a work of fiction with an intensity of style matched by the power of its subject.

    His humor and short fiction appear in various publications throughout the Southeast.

    With Every Mistake is not only a collection of the very best of Dyer’s recent work, but an examination of how, time and again, the media skews fact and opinion, wielding formidable influence on how we all shape our own thoughts. And why is so much of the information wrong? Is it herd instinct, official manipulation, robber-baron owners with ideological obsessions — or just the conflict between the inherently bitty, short-term nature of news reporting and analysis and the longer perspectives needed to understand what is actually going on? How much misinformation stems from simple ignorance and laziness?

    But tragically, they were not the only Aboriginal women to suffer that year. In fact, an official report revealed that since 1980, 1,200 Canadian Aboriginal women have been murdered or have gone missing. This alarming official figure reveals a national tragedy and the systemic failure of law enforcement and of all levels of government to address the issue.Journalist Emmanuelle Walter spent two years investigating this crisis and has crafted a moving representative account of the disappearance of two young women, Maisy Odjick and Shannon Alexander, teenagers from western Quebec, who have been missing since September 2008. Via personal testimonies, interviews, press clippings and official documents, Walter pieces together the disappearance and loss of these two young lives, revealing these young women to us through the voices of family members and witnesses.Stolen Sisters is a moving and deeply shocking work of investigative journalism that makes the claim that not only is Canada failing its First Nations communities, but that a feminicide is taking place.

    Willis, according to prosecutors, was “the kingpin, organizer and leader of a vast conspiracy,” all within the legendarily insular and vicious Chinese mafia.It started when John Willis was 16 years old . . . his life seemed hopeless. His father had abandoned his family years earlier, his older brother had just died of a heart attack, and his mother was dying. John was alone, sleeping on the floor of his deceased brother’s home. Desperate, John reached out to Woping, a young Chinese man Willis had rescued from a bar fight weeks before. Woping literally picks him up off the street, taking him home to live among his own brothers and sisters. Soon, Willis is accompanying Woping to meet his Chinese mobster friends, and starts working for them. Journalist Bob Halloran tells the tale of John Willis, aka White Devil, the only white man to ever rise through the ranks in the Chinese mafia. Willis began as an enforcer, riding around with other gang members to “encourage” people to pay their debts. He soon graduated to even more dangerous work as a full-fledged gang member, barely escaping with his life on several occasions.As a white man navigating an otherwise exclusively Asian world, Willis was at first an interesting anomaly, but his ruthless devotion to his adopted culture eventually led to him emerging as a leader. He organized his own gang of co-conspirators and began an extremely lucrative criminal venture selling tens of thousands of oxycodone pills. A year-long FBI investigation brought him down, and John pleaded guilty to save the love of his life from prosecution. He has no regrets.White Devil explores the workings of the Chinese mafia, and he speaks frankly about his relationships with other gang members, the crimes he committed, and why he’ll never rat out any of his brothers to the cops.Told to Halloran from Willis’s prison cell, White Devil is a shocking portrait of a man who was allowed access into a secret world, and who is paying the price for his hardened life.

    I loved this book (and) am recommending it to everyone I meet." ~ Sandra Ingerman, author of "Soul Retrieval""Moving and extremely well-written... Besides shamanic themes... the story addresses many other significant issues - climate change, environmental crisis, and indigenous rights - and it does so with both artistry and insight." ~ "Shaman’s Drum Journal" "Flight of the Goose" is an award-winning novel set in a traditional village and the wilds of the far north, where author Lesley Thomas grew up. 1971, the Alaskan Arctic. "It was a time when much was hidden, before outsiders came on bended knee to learn from the elders. Outsiders came, but it was not to learn from us; it was to change us. There was a war and a university, an oil company and a small village, all run by men. There was a young man who hunted geese to feed his family and another who studied geese to save them. And there was a young woman who flew into the world of spirits to save herself..."So relates Kayuqtuq Ugungoraseok, "the red fox". An orphan traumatized by her past, she seeks respect in her traditional Inupiat village through the outlawed path of shamanism. Her plan leads to tragedy when she interferes with scientist Leif Trygvesen, who has come to research the effects of oil spills on salt marshes - and evade the draft. Told from both Kayuqtuq's and Leif's perspectives, Flight of the Goose is a tale of cultural conflict, spiritual awakening, redemption and love in a time when things were - to use the phrase of an old arctic shaman - "no longer familiar"."What an extraordinary novel... (Thomas) deals with shamanism and sorcery in a very realistic way..." ~ "Sacred Hoop Magazine" "An) exquisite example of storytelling... A gifted writer with a sense of Alaska Native culture and tradition..." ~ "First Alaskans Magazine""A serious work of modern literature... Portrays a world in which traditional values clash with modern expectations." ~ "Alaska Anthropological Association""Masterful... Remarkable... Gripping...The authenticity palpable... A joy, a big broad deep river of a book, a work of substance and great beauty of both vision and style... I was moved by the characters and their fates as I have not been by a novel in a long time." ~ Richard Hoffman, author of "Half the House""Flight of the Goose" won first place in several literary contests. It is endorsed by Alaska Native Elders, anthropologists, scientists, writers and shamans.Read at universities and schools, book-clubs and in academic libraries worldwide

    These unforgettable children are taken by government agents from Tsartlip Day School to live at Kuper Island Residential School. The five are isolated on the small island and life becomes regimented by the strict school routine. They experience the pain of homesickness and confusion while trying to adjust to a world completely different from their own. Their lives are no longer organized by fishing, hunting and family, but by bells, line-ups and chores. In spite of the harsh realities of the residential school, the children find adventure in escape, challenge in competition, and camaraderie with their fellow students. Sometimes sad, sometimes funny, always engrossing, No Time to Say Goodbye is a story that readers of all ages won't soon forget.

    Now, all these years later, the two friends have an uncommon bond, the sort that can be fashioned only in serendipitous ways and fortified through shared experiences. Miller draws from his remarkable moments with The Champ to give us a beautifully written portrait of a great man physically devastated but spiritually young—playing mischievous tricks on unsuspecting guests, performing sleight of hand for any willing audience, and walking ten miles each way to grab an ice cream sundae. Informed by great literary journalists such as Joan Didion, Tom Wolfe, and Gay Talese, but in a timeless style that is distinctly his own, Miller gives us a series of extraordinary stories that coalesce into an unprecedentedly humanizing, intimate, and tenderly observed portrait of one of the world’s most loved men.