It was not until college that Alison, who had recently come out as a lesbian, discovered that her father was also gay. A few weeks after this revelation, he was dead, leaving a legacy of mystery for his daughter to resolve.

    The title of her new collection, Scattered at Sea, evokes notions of dispersion, diaspora, sowing one’s wild oats, having one’s mind expanded or blown, losing one’s wits, and mortality. Making use of dramatic monologue, elegy, humor, and collage, these poems explore hedonism, gender, ancestry, reincarnation, bereavement, and the nature of prayer. Groping for an inclusive, imaginative, postmodern spirituality, they draw from an array of sources, including the philosophy of the ancient Stoics, diagnostic tests for Alzheimer’s disease, 1950s recipes, the Babylonian Talmud, and Walter Benjamin’s writing on his drug experiences.

    Although his friends accuse him of letting his Tourette's dictate his life, Carter moves from Los Angeles to a quiet California town. He'll keep his head down and avoid people. He doesn't anticipate his new neighbor, Ethan Hart, crashing into his solitude and forcing him to get out and live.From the beginning, Ethan makes his love for Carter clear. But he fears Carter won't see past Ethan's damaged brain, even though it makes Ethan more attuned to his emotions than most people. For Carter, there's a bigger issue: he's been burned by so-called "perfect" matches, and he won't risk his heart again.One way or another, Ethan's determined to show Carter they belong together. Then Ethan receives tragic news. Suddenly he must turn to Carter for strength and support. Will Carter come through when Ethan needs him most?

    The personal and political crash into one language here, gothic as it is supple, meditating on visual art and myth, to desire, the practice of lynching and Hurricane Katrina. Always at its center, though, is the poet himself—confessing a double song of pleasure and inevitable pain.

    In her haunting eighth collection inspired by articles from the weekly “Science” section of the New York Times, Hahn explores identity, extinction, and survival using exotic tropes drawn from the realms of astrophysics, mycology, paleobotany, and other rarefied fields. With warmth and generosity, Hahn mines the world of science in these elegant, ardent poems.from “On Deceit as Survival”   Yet another species resembles   a female bumble bee,   ending in frustrated trysts—   or appears to be two fractious males   which also attracts—no surprise—   a third curious enough to join the fray.   What to make of highly evolved Beauty   bent on deception as survival—

    If you haven't read both books, this will spoil major events. You've been warned._______________Status: CompleteWords: 6,403

    In these fierce yet tender narrative poems, Thom draws from both memory and mythology to create new maps of gender, race, sexuality, and violence. Descended from the traditions of oral storytelling, spoken word, and queer punk, Thom's debut collection is evocative and unforgettable.Kai Cheng Thom is a trans writer and performance artist whose work has been published in Buzzfeed, Autostraddle, Asian American Literary Review, and xoJane. She writes regularly for Everyday Feminism.

    The poems take us back to the womb, and from there on to childhood, to a searing sexual awakening, to the shock of childbirth, to the wonder and humor of parenthood--and, finally, to the depths of adult love.Always bold, musical, honest, these poems plunge us into the essence of experience. This is a highly charged, beautifully organized collection from one of the finest poets writing today.

    Highly recommended."—Library Journal"Intimate and hypnotic."—Ploughshares"Levin has the skilled ear, magnificent tongue, and fierce mind of the truly prophetic."—Rain Taxi"Levin's work is phenomenological; it details how it feels to be an embodied consciousness making its way through the world."—Boston Review"Death is the new and unshakeable lens through which I see," writes Dana Levin about her third book, in which she confronts mortality and loss in subjects ranging from Tibetan Buddhist burial practices to Aztec human sacrifice. Shaped by dreams and "the worms and the gods," these poems are a profound investigation of our inescapable fate. As Louise Glück has said: "Levin's animating fury goes back deeper into our linguistic and philosophic history: to Blake's tiger, to the iron judgments of the Old Testament."They took you in an ambulance even though you were dead,they took youand my sister saidWhy are you saving her if she is dead?     shey shey—Curve of sky a crescent blade.Vultures wheeling     on thermal parapets, shunyata,     void that flays—Yak butter,     barley flour and tea: you watch him     make the paste.Dana Levin's debut volume In the Surgical Theatre won the prestigious APR/Honickman First Book Prize. She teaches creative writing at the University of New Mexico and in the Warren Wilson College MFA Program. She lives in Santa Fe, New Mexico.

    But in the words of editor Honor Moore, what strikes the contemporary reader is not the sophistication of Lowell's feminist or antiwar stances, but the bald audacity of her eroticism. Her search for an imagist poetry that is hard and clear, never blurred nor indefinite, found its purest expression in sensual love poems that bristle with lyric intensity. This new selection explores Lowell's full formal range, including cadenced verse, polyphonic prose, narrative poetry, and adaptations from the Chinese, and gives a fresh sense of the passion and energy of her work.

    The Sunflower Cast a Spell to Save Us from the Void embodies what Wang calls oneiric poetry: a poetry that attempts to speak in the language of dreams. Although dreams, in psychoanalytic discourse, have been conceptualized as a window into the unconscious, Wang’s poetry emphasizes the social dimension of dreams, particularly the use of dreams to index historical trauma and social processes.

    Intrauterine insemination is a simple medical procedure that has been available since the 1950s, but doctors were baffled by Jenn's situation. With no man factoring into her relationship, she was disparaged by doctors, given an inaccurate diagnosis, and her medical needs were overlooked.Berney decided to step outside of the system, and, looking into the history of fertility and her own community, she realized queer women have a long history of being disregarded by a patriarchal medical community, and have worked around it to build families on their own terms. In The Other Mothers, Berney reflects on the odds that were stacked against her because of her sexual orientation and envisions a bright future worth fighting for. Writing with clarity, determination, and hope, Berney gives us a wonderful glimpse of what America can be.

    Two long years of sarcastic comments. Two long years of insults, and having to redo the coffee pot four times in the mornings to meet his exacting standards.Not surprisingly he has devoted a lot of time to increasingly inventive ways to murder Gabe. From stabbing him with a cake fork, to garrotting him with his expensive tie, Dylan has thought of everything.However, a chance encounter opens his eyes to the attraction that has always lain between them, concealed by the layers of antipathy. There are only two problems - Gabe is still a bastard, and he makes wedding planners look like hardened pessimists.But what happens when Dylan starts to see the real Gabe? What happens when he starts to fall in love with the warm, wary man that he sees glimpses of as the days pass? Because Gabe is still the same commitment shy, cold man that he’s always been, or is he? Has Dylan had the same effect on Gabe, and has his solid gold rule of no commitment finally been broken? With his heart taken Dylan desperately needs to know, but will he get hurt trying to find the answers?From the author of ‘The Summer of Us’ comes another scorchingly hot romantic comedy, showing what happens between two men when rules get broken.

    As an Ahmadi Muslim growing up in Pakistan, she faced regular threats from Islamic extremists who believed the small, dynamic sect to be blasphemous. From her parents, she internalized the lesson that revealing her identity could put her in grave danger.When her family came to Canada as refugees, Samra encountered a whole new host of challenges: bullies, racism, the threat of poverty, and an arranged marriage. Backed into a corner, her need for a safe space--in which to grow and nurture her creative, feminist spirit--became dire. The men in her life wanted to police her, the women in her life had only shown her the example of pious obedience, and her body was a problem to be solved.So begins an exploration of faith, art, love, and queer sexuality, a journey that takes her to the far reaches of the globe to uncover a truth that was within her all along. A triumphant memoir of forgiveness and family, both chosen and not, We Have Always Been Here is a rallying cry for anyone who has ever felt out of place and a testament to the power of fearlessly inhabiting one's truest self.

    There’s Lila, too: The other woman, the one who stole the rock-solid foundation of his life. And then . . . There’s Jace. Lila’s son. Lila’s smug, regurgitated-fish-scale-blue eyed son. All Cooper wants is to have his family back the way it once was, but there’s something about this boy that promises things will never be the same again. Sedimentary. Resisting the realities of his new life, Cooper and Jace get off to a rocky start. But rocky start or not, after hundreds of shared memories together, they forge something new. A close . . . friendship. Because friendship is all they can have. Although it’s not like they are real brothers. Technically, they’re not even stepbrothers . . . Metamorphic. But how does that friendship evolve under the pressures of life? Under pressures of the heart?