Santos has presented what may well be the essence of those years - the loneliness and hunger of a people who were almost all of them hurt and broken to the bone. But for an ideal, which Santos so eloquently dramatizes in this book, they would have lost their very souls. In this sense YOU LOVELY PEOPLE is a document and at once a portrait of the Filipino heart.

    Marks the seasons of the author's life, her early writing, her work as active media practitioner, and her religio-spiritual writing.

    

    Because of this, the sea creatures go their separate ways. Under the leadership of Octopus, the sick are driven away and confined in a fenced area. Read in this story how the sea creatures' problem is solved and how peace and caring among them are restored under the sea.

    Written with extraordinary insight, honesty, and a master writer's creative sensibility.

    Pick up a copy today and find out what makes Pinoys stand out in a crowd!

    So the kind and character of his works: very rare, exceptional, unique, maverick, exceedingly original fiction: rara avis that's a quantum leap away and departure... At least three or four in this collection already strike one as veritable classics." - GREGORIO C. BRILLANTES

    In this vision of the future, popular actor Aga Muhlach is the aging President, the Eraserheads are on a Reunion Tour that spans the stars, and Philippine Spacelines is offering a 50% discount on Moon Travel. We follow the musings of a young man as he journeys through the city, headed for the Grand Liwayway Station, where he plans to take the cheapest train out, since they just opened the Tagaytay Ocean Tunnel connecting to Cebu. All the while, he is composing a missive addressed to his love, who is living on a faraway Orbital Space Station.(from wikipedia.org)

    Sionil José's prodigious production in the last decade, are a moving commentary on the Filipinos. "Waywaya" recreates pre-Hispanic Philippine society and should also be read as allegory. In Sionil José's own language, Ilokano, "Waywaya" means freedom. The last story in the collection, "Progress", has been anthologized abroad and regarded as contemporary social document as well.

    Plus the portrait of a hip chick from then Swinging London as she discourses indelicately on a most delicate topic: the Filipino as Lover.

    He made the sun, the stars, the moon, the planets. His wife, Alunsina, wants to be able to create too. But Tungkung Langit only answered, "I would rather see you smile, fix your hair and stay beautiful." Alunsina was not content with this answer and continued to plead with her husband to allow her to create. And each time, Tungkung Langit ignored her pleas. Finally, Alunsina leaves her husband. Tungkung Langit searched everywhere for his wife until one day, he found her on earth surrounded by trees, flowers, birds, and fish. "I am creating the world," she announces. "I too am a god." So why does it rain? Find out for yourself in this beautifully written and illustrated book.Cacho Publishing House, Inc. (Out of print)

    Set in future Manila, a gleaming metropolis where one's paranoia may not be exactly unfounded and whose lashing sings tribute to Philip K. Dick. "Stations" takes on the ethical trappings of high technology adoption. "August Moon" relies on a succession of flashbacks to uncover, as well as obscure, the eventual doom of a woman who deems herself a "good wife," while "Eyes as Wide as the Sky" depicts a post-war world—scorched yet not wholly devoid of hope. These stories insist on the unreal becoming the real, the rational melding with the irrational, familiarity breeding strangeness.

    Light is shed on events surrounding the Declaration of Independence of June 1898 and the subsequent (violent) US Occupation and colonisation. Several stories focus on the role and personality of Emilio Aguinaldo, titular President of the Philippines 1898-1901. Black-and-white illustrations.

    Presented with drama and poetry, Gonzalez' work counters the myth of of the Philippines' lost native past and cultural weakness in the face of foreign dominance