Elodie was smart. Elodie was manipulative. Elodie is dead.When Sylvie Durand receives a letter calling her back to her crumbling family home in the South of France, she knows she has to go. In the middle of a sweltering 1990's summer marked by unusual fires across the countryside, she returns to La Reverie with her youngest daughter Emma in tow, ignoring the deep sense of dread she feels for this place she's long tried to forget.As memories of the events that shattered their family a decade earlier threaten to come to the surface, Sylvie struggles to shield Emma from the truth of what really happened all those years ago. In every corner of the house, Sylvie can't escape the specter of Elodie, her first child. Elodie, born amid the '68 Paris riots with one blue eye and one brown, and mysteriously dead by fourteen. Elodie, who reminded the small village of one those Manson girls. Elodie who knew exactly how to get what she wanted. As the fires creep towards the villa, it's clear to Sylvie that something isn't quite right at La Reverie . . . And there is a much greater threat closer to home.

    Rose Gallagher might dream of bigger things, but she’s content enough with her life as a housemaid. After all, it’s not every girl from Five Points who gets to spend her days in a posh Fifth Avenue brownstone, even if only to sweep its floors. But all that changes on the day her boss, Mr. Thomas Wiltshire, disappears. Rose is certain Mr. Wiltshire is in trouble, but the police treat his disappearance as nothing more than the whims of a rich young man behaving badly. Meanwhile, the friend who reported him missing is suspiciously unhelpful. With nowhere left to turn, Rose takes it upon herself to find her handsome young employer.The investigation takes her from the marble palaces of Fifth Avenue to the sordid streets of Five Points. When a ghostly apparition accosts her on the street, Rose begins to realize that the world around her isn’t at all as it seems―and her place in it is about to change forever.

    Eliza arrives at her new home and finds herself falling for the mysterious lord of Havenwood, Malcolm Winfield. Despite the sinister rumors that surround him, Eliza is drawn to his melancholy charm and his crumbling, once-beautiful mansion. With enough love, she thinks, both man and manor could be repaired.Not long into their marriage, Eliza fears that she should have listened to the locals. There’s something terribly wrong at Havenwood Manor: Forbidden rooms. Ghostly whispers in the shadows. Strangely guarded servants. And Malcolm’s threatening moods, as changeable as night and day.As Eliza delves deeper into Malcolm’s troubling history, the dark secrets she unearths gain a frightening power. Has she married a man or a monster? For Eliza, uncovering the truth will either save her or destroy her.

     What secrets lie hidden in the Medieval college of Kineton and Dacre…? Salster, England, 1385 Master mason Simon of Kineton is building his magnum opus: a great college to rival any in England. But the Bishop of Salster, hostile to free education, is determined to sabotage Simon’s project. When rumours spread that the mason's son is cursed, the bishop sees an opportunity to undermine both Simon and the college. And everything Simon has worked so hard for could end up crumbling down around him… Salster, 2019 Damia Miller has been employed to promote penniless Kineton and Dacre college. Delving into the college’s history, she becomes captivated by the vast grotesque painting that has recently been uncovered during renovations. It soon becomes clear to Damia that the painting holds the key to the past – a past which could reveal exactly what she’s been searching for… TESTAMENT is a gripping dual timeline thriller, reaching back from Medieval England to modern-day Britain. It was longlisted for the Waverton Good Read Award. 'A magnificent novel with broad appeal.' - Buckingham Examiner 'An ambitious first novel by Hawkins, which skilfully bridges two vastly different time periods...' - Peterborough Evening Telegraph 'Testament is an elaborate double narrative, zig-zagging between the 14th century and the present day...' - Mail on Sunday 'This fine novel works on many levels.' - Church Times ‘sensationally good from start to finish. Hawkins has taken the popular spiral narrative split across eras approach but everything that she has done with it is new and fresh. The result manages to be both a cozily satisfying page turner and breathtakingly ambitious’ - Juxtabook Blog ‘well-written and well structured … I recommend this to anyone who's fond of past and present coming together in a very touching and satisfying story.’ - An Awfully Big Blog Adventure ‘an ambitious and complex story … Alis Hawkins has done a terrific job of producing a coherent whole, beautifully balanced and made real … a very enjoyable read indeed’ – Cornflower Book Group ‘highly readable … an excellent first novel’ - myshelf.com ‘a wonderful book’ - Shelf Love

    She also has an insomniac toddler, a precocious, death-obsessed seven-year-old, and a frequently-absent ecologist husband who has brought them all to Colsay, a desolate island in the Hebrides, so he can count the puffins. Ferociously sleep-deprived, torn between mothering and her desire for the pleasures of work and solitude, Anna becomes haunted by the discovery of a baby's skeleton in the garden of their house. Her narrative is punctuated by letters home, written 200 years before, by May, a young, middle-class midwife desperately trying to introduce modern medicine to the suspicious, insular islanders. The lives of these two characters intersect unexpectedly in this deeply moving but also at times blackly funny story about maternal ambivalence, the way we try to control children, and about women's vexed and passionate relationship with work. Moss's second novel displays an exciting expansion of her range - showing her to be both an excellent comic writer, and a novelist of great emotional depth.

    It is to Chinon that Emily goes on a long-awaited holiday, to meet her charming but unreliable cousin, Harry. Harry wanted to explore the old town and the castle, where Queen Isabelle, child bride of King John, had withstood the siege of Chinon many centuries ago, and where, according to legend, she hid her casket of jewels. But when Emily arrives at her hotel she finds that Harry has disappeared, and as she tries to find him she becomes involved with some of the other guests and learns of a mystery dating from the German occupation during the Second World War. Another Isabelle, a chambermaid at the hotel, fell in love with a German soldier, with tragic results.Emily becomes increasingly aware of strange tensions, old enmities and new loves; as she explores the city, with its labyrinthine dungeons and tunnels and its ancient secrets, she comes ever closer to the mystery of what happened to both the Isabelles of Chinon's history.

    As she discovers remarkable parallels between this woman’s life and her own, it causes her to question the foundation of her own relationship with her husband–and what it means to be a wife fighting for her place in a patriarchal society.When Alice Hale leaves a career in publicity to become a writer and follows her husband to the New York suburbs, she is unaccustomed to filling her days alone in a big, empty house. But when she finds a vintage cookbook buried in a box in the old home’s basement, she becomes captivated by the cookbook’s previous owner–1950s housewife Nellie Murdoch. As Alice cooks her way through the past, she realizes that within the cookbook’s pages Nellie left clues about her life–including a mysterious series of unsent letters penned to her mother.Soon Alice learns that while baked Alaska and meatloaf five ways may seem harmless, Nellie’s secrets may have been anything but. When Alice uncovers a more sinister–even dangerous–side to Nellie’s marriage, and has become increasingly dissatisfied with the mounting pressures in her own relationship, she begins to take control of her life and protect herself with a few secrets of her own.

    A typist for the New York City Police Department, she sits in judgment like a high priestess. Criminals come before her to admit their transgressions, and, with a few strokes of the keys before her, she seals their fate. But while she may hear about shootings, knifings, and crimes of passion, as soon as she leaves the room, she reverts to a dignified and proper lady. Until Odalie joins the typing pool.As Rose quickly falls under the stylish, coquettish Odalie’s spell, she is lured into a sparkling underworld of speakeasies and jazz. And what starts as simple fascination turns into an obsession from which she may never recover.

    She’ll be back.”That’s what the police tell Jessica Moore when her seventeen-year-old daughter, Wyn, vanishes. All signs point to this being true. But days become weeks. Weeks become months. And Jessica begins to fear the terrible truth—that she may never see her daughter again.Then, one year later, when all hope seems lost, Jessica gets a flurry of text messages from Wyn that freezes her blood: mom. please help. i think he’s going to kill me. But Wyn’s terrified plea comes with a warning not to call the police. Her kidnapper wears a badge.As Jessica’s fears are raised again, so are the stakes. Delving into the months leading up to Wyn’s disappearance, Jessica stumbles upon information that could put her own life in danger. With each revelation, the nightmare deepens. Now she must decide just how far she’ll go to bring her daughter home.

    This was an unplanned book: The Great Game was supposed to be a stand-alone story. Then questions about a sequel started coming in. The last words in The Great Game are “This is not the end.” I meant it philosophically, meaning that the struggle between good and evil, quest for power vs. individual liberty will continue as they did through the centuries. But I was being too cute by half and the readers called me on it.And somewhere in the process of working on a sequel I have taken a turn into the past. Events in The Great Game are based on the financial crisis which in turn is rooted in a financial warfare between the US on one side and China and Russia on the other side. I wanted to go back in time and show the beginning of that warfare, show that the seeds have been planted and carefully cultivated prior to the events in the story. And something else started happening. Some of the events “predicted” in The Great Game began to materialize much sooner than I expected, particularly rising tensions between the U.S. and Russia and growing rapprochement of China and Russia. The characters of The Metronome are made up but the backdrop of the events is real and factual. The main protagonist Pavel Rostin is a regular, very flawed man who faces difficult circumstances. I know that the ending of The Metronome will upset some of the readers but I felt it was the only honest way to conclude the first part: the larger context was not Pavel's immediate fate or his flaws, but the moral choices he made at the end and their impact on others. Because “even the smallest person can change the course of the future.”Pavel Rostin has taken too many chances. Once a promising physicist, he abandoned science for finance and risked everything on a speculative venture. Careless and rogue, he gambled with his personal relationships. As Pavel tries to pick up the pieces of his life, a call from Russia informs him that his father is dead.When Pavel follows his father’s footsteps trying to solve the mystery of his death, he turns up some inexplicable clues. The investigation draws him deeper and deeper into his family’s past – and his country’s future. From starving 1941 Leningrad to free-wheeling Moscow of the mid-1990s to bubbly 2006 Wall Street, Pavel uncovers a web of money, murder, revenge and evidence of a plot involving the world’s superpowers. The choices of right and wrong don’t look as clear cut as in newspaper headlines. But is he just a pawn in someone else’s game?

    a literary pirate; an individual capable of doing all that must be done in the universe of books that publishers, authors, and readers must not have a part inLondon, 1890—Pen Davenport is the most infamous bookaneer in Europe. A master of disguise, he makes his living stalking harbors, coffeehouses, and print shops for the latest manuscript to steal. But this golden age of publishing is on the verge of collapse. For a hundred years, loose copyright laws and a hungry reading public created a unique opportunity: books could easily be published without an author’s permission. Authors gained fame but suffered financially—Charles Dickens, Mark Twain, Robert Louis Stevenson, to name a few—but publishers reaped enormous profits while readers bought books inexpensively. Yet on the eve of the twentieth century, a new international treaty is signed to grind this literary underground to a sharp halt. The bookaneers are on the verge of extinction.From the author of The Dante Club, Matthew Pearl, The Last Bookaneer is the astonishing story of these literary thieves’ epic final heist. On the island of Samoa, a dying Robert Louis Stevenson labors over a new novel. The thought of one last book from the great author fires the imaginations of the bookaneers, and soon Davenport sets out for the South Pacific island. As always, Davenport is reluctantly accompanied by his assistant Fergins, who is whisked across the world for one final caper. Fergins soon discovers the supreme thrill of aiding Davenport in his quest to steal Stevenson’s manuscript and make a fortune before the new treaty ends the bookaneers’ trade forever. But Davenport is hardly the only bookaneer with a mind to pirate Stevenson’s last novel. His longtime adversary, the monstrous Belial, appears on the island, and soon Davenport, Fergins, and Belial find themselves embroiled in a conflict larger, perhaps, than literature itself.In The Last Bookaneer, Pearl crafts a finely wrought tale about a showdown between brilliant men in the last great act of their professions. It is nothing short of a page-turning journey to the heart of a lost era.

    The wealthy residents of New Town live in comfort, while Old Town’s cobblestone streets are clotted with criminals, prostitution, and poverty.Detective Inspector Ian Hamilton is no stranger to Edinburgh’s darkest crimes. Scarred by the mysterious fire that killed his parents, he faces his toughest case yet when a young man is found strangled in Holyrood Park.With little evidence aside from a strange playing card found on the body, Hamilton engages the help of his aunt, a gifted photographer, and George Pearson, a librarian with a shared interest in the criminal mind. But the body count is rising. As newspapers spin tales of the “Holyrood Strangler,” panic sets in across the city. And with each victim, the murderer is getting closer to Hamilton, the one man who dares to stop him.

    Two years after the sinking of the Titanic, high society has become obsessed with spiritualism in the form of seances that attempt to contact the spirits of loved ones lost at sea.William is a man of science and a sceptic, but one night with everyone sat around the circle something happens that places doubt in his heart and a seed of obsession in his mind. Could the spirits truly be communicating with him or is this one of Kathleen’s parlour tricks gone too far?This early 20th century gothic set in Northern Ireland contains all the mystery and intrigue one might expect from a Sarah Waters novel. Deftly plotted with echoes of The Woman in Black, readers will be thrilled to discover West’s chilling prose.Based on the true story of William Jackson Crawford and famed medium Kathleen Goligher, and with a cast of characters that include Arthur Conan Doyle and Harry Houdini, The Spirit Engineer conjures a haunting tale that will keep readers guessing until the very end.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    Tillie Pembroke’s sister lies dead, her body drained of blood and with two puncture wounds on her neck. Bram Stoker’s new novel, Dracula, has just been published, and Tillie’s imagination leaps to the impossible: the murderer is a vampire. But it can’t be—can it?A ravenous reader and researcher, Tillie has something of an addiction to truth, and she won’t rest until she unravels the mystery of her sister’s death. Unfortunately, Tillie’s addicted to more than just truth; to ease the pain from a recent injury, she’s taking more and more laudanum…and some in her immediate circle are happy to keep her well supplied.Tillie can’t bring herself to believe vampires exist. But with the hysteria surrounding her sister’s death, the continued vampiric slayings, and the opium swirling through her body, it’s becoming increasingly difficult for a girl who relies on facts and figures to know what’s real—or whether she can trust those closest to her.