Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model—one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.

    Reader's estimation of value may be higher or lower, depending on your tolerance for this sort of thing.

    Darrell Rivers begins her happy life at Malory Towers two terms later than the other girls, but she soon makes firm friends with Sally, the steady one, and the adoring Mary Lou.

    She hasn't ever thought of herself as a performer, but when the wonderful director of Oz casts her as a Munchkin, she begins to see herself in a new way. As Julia becomes friendly with the poised and wise Olive - one of the adults with dwarfism who've joined the production's motley crew of Munchkins - and with her deeply artistic neighbor, Mrs. Chang, Julia's own sense of self as an artist grows. Soon, she doesn't want to fade into the background and it's a good thing, because her director has more big plans for Julia!

    . . .Julian Twerski isn't a bully. He's just made a big mistake. So when he returns to school after a weeklong suspension, his English teacher offers him a deal: if he keeps a journal and writes about the terrible incident that got him and his friends suspended, he can get out of writing a report on Shakespeare. Julian jumps at the chance. And so begins his account of life in sixth grade--blowing up homemade fireworks, writing a love letter for his best friend (with disastrous results), and worrying whether he's still the fastest kid in school. Lurking in the background, though, is the one story he can't bring himself to tell, the one story his teacher most wants to hear.Inspired by Mark Goldblatt's own childhood growing up in 1960s Queens, Twerp shines with humor and heart. This remarkably powerful story will have readers laughing and crying right along with these flawed but unforgettable characters. Praise for Twerp:  A Bankstreet Best Book of the Year A Junior Library Guild Selection A Summer Top Ten Kids’ Indie Next List PickA Sunshine State Award Finalist   “Reminiscent of The Perks of Being a Wallflower. . . . You don’t have to be a twerp to read this book.” — New York Post   “A vivid, absorbing story about one boy’s misadventure, heartache, and hope for himself.” —Rebecca Stead, Newbery Award-winning author of When You Reach Me   “Mark Goldblatt is an amazingly wonderful writer.” —Chris Grabenstein, New York Times bestselling author of Escape from Mr. Lemoncello’s Library   “[Fans of] Jeff Kinney’s Diary of a Wimpy Kid who have matured beyond the scope and gravity of that series will find a kindred spirit in Julian.” — School Library Journal   “Reminiscent of movies like The Sandlot. . . . Well-written and funny.” — The Advocate   “Alternately poignant and comical. . . . A thought-provoking exploration of bullying, personal integrity and self-acceptance.” — Kirkus Reviews   “A timely book.” — New York Journal of Books   “Elegant in its simplicity and accessibility.” — The Bulletin of the Center for Children’s Books   “An empathetic and authentic glimpse into the mind of a sixth-grade boy.” — The Florida Times-Union   “Funny, poignant, and an effective commentary on bullying and its consequences.” — The Horn Book Magazine

    And while Jaxter may not have his father’s burglary prowess, his mother’s forgery skills, or his little sister’s mastery of sleight-of-hand, his book-fed knowledge of non-magical solutions to magical problems makes him invaluable to the family’s heists.But the Grimjinxes may have pulled one con too many in their hometown, Vengekeep. After swapping the prophetic tapestry used to guide Vengekeep’s actions for a fake concocted by Jaxter’s mother, the Grimjinxes are stunned when the false prophecies begin coming true, bringing destruction in their wake.Suddenly, Vengekeep is besieged by “natural” disasters and rampaging monsters, courtesy of the secretly enchanted counterfeit tapestry. With his family forced to stay and combat the impending doom, Jaxter must leave his hometown in search of a way to keep the increasingly dangerous prophecies from wiping Vengekeep off the map.

    But after their father unwittingly sends them to stay with an aunt who’s away on holiday, the Hardscrabble children take off on an adventure that begins in the seedy streets of London and ends in a peculiar sea village where legend has it a monstrous creature lives who is half boy and half animal. . . . In this wickedly dark, unusual, and compelling novel, Ellen Potter masterfully tells the tale of one deliciously strange family and a secret that changes everything.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    She can practically feel the keys under her flying fingers; she can hear the audience's applause. All she needs is a baby grand so she can start her lessons, and then she'll be well on her way to Carnegie Hall.But when Dad ventures to the music store and ends up with a wheezy organ instead of a piano, Zoe's dreams hit a sour note. Learning the organ versions of old TV theme songs just isn't the same as mastering Beethoven on the piano. And the organ isn't the only part of Zoe's life in Michigan that's off-kilter, what with Mom constantly at work, Dad afraid to leave the house, and that odd boy, Wheeler Diggs, following her home from school every day.Yet when Zoe enters the annual Perform-O-Rama organ competition, she finds that life is full of surprises--and that perfection may be even better when it's just a little off center.

    Sitting behind him in class, Andrew once counted eighty-six of them, and that was just a start! If Andrew had freckles like Nicky, his mother would never know if his neck was dirty.One day after school, Andrew works up enough courage to ask Nicky where he got his freckles. When know-it-all Sharon overhears, she offers Andrew her secret freckle juice recipe for fifty cents. It's a lot of money, but Andrew is desperate. At home he carefully mixes the strange combination of ingredients. Then the unexpected happens...

    Young Miriam Willard, on a day that had promised new happiness, finds herself instead a captive on a forest trail, caught up in the ebb and flow of the French and Indian War. It is a harrowing march north. Miriam can only force herself to the next stopping place, the next small portion of food, the next icy stream to be crossed. At the end of the trail waits a life of hard work and, perhaps, even a life of slavery. Mingled with her thoughts of Phineas Whitney, her sweetheart on his way to Harvard, is the crying of her sister’s baby, Captive, born on the trail. Miriam and her companions finally reach Montreal, a city of shifting loyalties filled with the intrigue of war, and here, by a sudden twist of fortune, Miriam meets the prominent Du Quesne family, who introduce her to a life she has never imagined. Based on an actual narrative diary published in 1807, Calico Captive skillfully reenacts an absorbing facet of history.

    So Fiona practices by herself and attracts the attention of the dance teacher. But when her sister, Wallace, disappears, Fiona risks the dance audition and the acceptance she has worked so hard to get and finally finds her place in her family in her life.

    They’ve always played together, eaten with each other’s families, called each other boyfriend and girlfriend and deep down, Sylvie has always believed that they’d end up married to each other. They even have a magical fantasy world that belongs to them alone — and the glass hut where it’s all created, at the bottom of Carl’s garden. But as they become teenagers, things are starting to change. They each have different friends. Sylvie would still rather spend all her time with Carl. But Carl has a new friend, Paul, who is taking all his attention. And he seems much less happy to be called Sylvie’s boyfriend. And in a game of spin the bottle, he avoids having to kiss her. Sylvie can tell his feelings have changed and that her plans for the future may be affected. But can she guess at the true reasons behind it all? A moving, compelling and delicately handled treatment of sexuality from the Children’s Laureate.

    His father is an animal wrangler, so he's grown up with all manner of gators, snakes, parrots, rats, monkeys, snappers, and more in his backyard. The critters he can handle. His father is the unpredictable one. When his dad takes a job with a reality TV show called "Expedition Survival!", Wahoo figures he'll have to do a bit of wrangling himself—to keep his dad from killing Derek Badger, the show's boneheaded star, before the shoot is over. But the job keeps getting more complicated. Derek Badger seems to actually believe his PR and insists on using wild animals for his stunts. And Wahoo's acquired a shadow named Tuna—a girl who's sporting a shiner courtesy of her old man and needs a place to hide out. They've only been on location in the Everglades for a day before Derek gets bitten by a bat and goes missing in a storm. Search parties head out and promptly get lost themselves. And then Tuna's dad shows up with a gun . . .It's anyone's guess who will actually survive "Expedition Survival". . . .

    For twelve-year-old Mathilde, it means food shortages, feuding neighbors, and bombings. Even so, as long as she and her best friend, Megs, are together, they'll be all right.But the army is recruiting children, and paying families well for their service. If Megs takes the test, Mathilde knows she will pass. Megs hopes the army is the way to save her family. Mathilde fears it might separate them forever.A reimagining of war, where even kindness can be a weapon, and children have the power to see what adults cannot.