Captain Charles Davis, West Point '39, flies B-17s with the 19th Bomb Group. Lieutenant John T. "Jack" Davis flies P-40s with the 21st Pursuit Squadron. The two young men are part of the reinforcements sent to the Philippines in the late fall of 1941. Charlie must fly his B-17 across the Pacific with a poorly-trained, inexperienced crew just to reach Clark Field, his base in the Philippines. Jack arrives in Manila with his squadron mates to discover there are no airplanes ready for them to fly. To their north, on the island of Formosa, the Japanese Army and Navy wait for word from Tokyo to go to war, with forces that greatly outnumber the Philippines garrison. When the war begins the two brothers must call upon everything they have in terms of skill and training to survive.

    She's never met anyone like American Steve Rossi, and it's hard to resist his good looks and easy confidence. But there's another side to Steve, and when he pulls a knife during a fight, Maggie begins to wonder what other secrets he's concealing. Joshua Lewis is everything Steve's not: kind, considerate and honest. And he's black. When he and Maggie become friends, Steve's true colours are revealed and Maggie begins to wonder if her feelings for Joshua are as paltonic as she first thought...

    They test their friendship with their wickedly fun Seduction Game. Each woman implores the use of a different method of seduction in hopes of proving they are the better catch. The only problem is they practice their game on ONE very lucky man. Things get sticky when feelings get involved and backstabbing and foul play are sure to muddy the playing field. Is their friendship strong enough to survive? Or will they find out that matters of the heart are better left unplayed?

    

    How did he allow the other person to die? How did he help the other person to hang himself to death? He was terribly upset about this. The moment his eyes saw a rope in any form he used to remember everything.........

    Jekyll and Mr. Hyde --The Suicide Club --The bottle imp --The body-snatcher --Olalla.

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    Calvin eats dirt.  He never actually swallows it, just places loose clumps onto his tongue and sucks, I think....He knows better, my son, but he is stillyoung and needs to be watched.So goes the poignant journey of discovery for Gordon Nash, a journey that began two years ago when his wife suddenly walked out on him, leaving him alone toraise their son.  Calvin is now four, fragile yet stubborn, devoted to his pet, a dead Portuguese man-o-war he calls Mom.  Faced daily with the struggle andjoys of raising this bright little boy, Gordon learns the vast reaches of his affection and the limits of his patience.  He plumbs the deep well of rage within himself, to find there disturbing echoes of his own father.  And he comes to understand that nothing is as important as this complex, imperfect love--a lesson he must turn to when his wife reappears one day, threatening to turn his and Calvin's world upside down once again

    But, like butterflies must first be caterpillars, becoming a big boy or girl doesn’t happen overnight.In this funny rhyming story for children aged 3 to 7 years old, children will laugh at the illustrations and the extremes that our little dragon friend goes to, as he tries to breathe fire for the first time. After trying so hard with no luck at all, he meets a wise owl who tells him that his Mom has all the answers. This humorous story was created with the intention of helping young children to understand that life is magic. But, just like real magic, you never really know when it will happen!

    Each casebook reprints documents relating to a work's historical context and reception, presents the best critical studies, and, when possible, features an interview with the author. Accessible and informative to scholars, students, and nonspecialist readers alike, the books in this series provide a wide range of critical and informative commentaries on major texts. Gabriel Garcia Marquez's One Hundred Years of Solitude is arguably the most important novel in twentieth-century Latin American literature. This Casebook features ten critical articles on Garcia Marquez's great work. Carefully selected from the most important work on the novel over the past three decades, they include pieces by Carlos Fuentes, Iris Zavala, James Higgins, Jean Franco, Michael Wood, and Gene H. Bell-Villada. Among the intriguing aspects of the work discussed are its mythic dimension, its "magical" side, its representations of women, its relationship with past chronicles of exploration and discovery, its portrayals of Western power and imperialism, its astounding diffusion throughout the globe and the media, and its simple truth-telling, its fidelity to the tangled history of Latin America. The book incorporates several theoretical approaches--historical, feminist, postcolonial; the first English translation of Fuentes's renowned, oft-cited, eight page meditation on the work; a general introduction; and a 1982 interview with Garcia Marquez.

    This action changes the course of her reality and now has Rhyon contemplating if it all was worth it. On top of her new issue, she’s still separated from Santana, and that leaves her heart fractured. She yearns for him, but she could ruin everything she’s worked so hard for if she was to pursue the very man who’s captured her heart. Santana is saddened that the woman he so desperately wants has shunned him from her life. Rhyon left him hanging with no explanation for her bizarre behavior. Santana tried to figure out where they went wrong, but when Rhyon continues to keep him in the dark, he gives up his quest to keep her in his life. Unknowingly, he has no idea that his new interest may be the reason why the woman he longs for refuses to accept him. Will Santana realize that he’s been entertaining the enemy all along or will Rhyon come to her senses and fight for the man she’s deemed hers?

    It may be gross, but kids love this stuff, and that's the point! I originally wrote this book for my son, a first grader, who was struggling with sight words and reading speed. The sight word books, decodable word books, early reader books, and flash cards they offered him at school were boring, which made it a challenge to get him excited about reading. So I decided to write a series of children's books using sight words but with stories about the things I heard him and his friends laughing about. It worked! My son was able to read my Billy Bad sight word stories with speed and confidence. And because he was laughing I knew his reading comprehension was improving. This book is written using mostly Dolch sight words and a few other words that are easily decodable. Unlike most sight word books and decodable word books, Billy Bad's sight word books have stories that will capture the attention of early readers and make them laugh. When kids enjoy the stories they read they fall in love with reading. I hope your child enjoys these silly (and gross) sight word books as much as my son does.

    From the first not-so-fabulous adventure, to the interactive How to Dork Your Diary, to the latest pet-sitting catastrophe, these books are filled with dorktastic fun!This boxed set includes:Dork Diaries #1: Tales from a Not-So-Fabulous Life Dork Diaries #2: Tales from a Not-So-Popular Party Girl Dork Diaries #3: Tales from a Not-So-Talented Pop Star Dork Diaries #3 1/2: How to Dork Your Diary Dork Diaries #4: Tales From a Not-So-Graceful Ice Princess Dork Diaries #5: Tales from a Not-So-Smart Miss Know-It-All Dork Diaries #6: Tales from a Not-So-Happy Heartbreaker Dork Diaries #7: Tales from a Not-So-Glam TV Star Dork Diaries #8: Tales from a Not-So-Happily Ever After Dork Diaries #9: Tales from a Not-So-Dorky Drama QueenDork Diaries #10: Tales from a Not-So-Perfect Pet Sitter

    In this lively collection, learn how an ordinary young man, Mahesh Das, became the beloved Raja Birbal we all know today, and how he uses his famous wit, time and again, to build a ‘celestial palace’ for Emperor Akbar, order a census of crows, trap a thief using a magic bamboo, and much more.Replete with wisdom and wit, and brought to life by Tapas Guha’s beautiful illustrations, this clever collection of stories also offers valuable life lessons hidden beneath its humour.