Now, in this funny and necessary book, he turns round to look at men with a clear eye and ask, what sort of men would make the world a better place, for everyone?What would happen if we rethought the old, macho, outdated version of manhood, and embraced a different idea of what makes a man? Apart from giving up the coronary-inducing stress of always being 'right' and the vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships - and that's happiness, right?Grayson Perry admits he's not immune from the stereotypes himself - as the psychoanalysts say, 'if you spot it, you've got it' - and his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness and the belief that, for everyone to benefit, upgrading masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.

    I composed a beautiful letter to you in the sleepless nightmare hours of the night, and it has all gone. I just miss you...' At a dinner party in 1922, Virginia Woolf met the renowned author, aristocrat - and sapphist - Vita Sackville-West. Virginia wrote in her diary that she didn't think much of Vita's conversation, but she did think very highly of her legs. It was to be the start of almost twenty years of flirtation, friendship, and literary collaboration. Their correspondence ended only with Virginia's tragic death in 1941.Intimate and playful, these selected letters and diary entries allow us to hear these women's constantly changing feelings for each other in their own words. Eavesdrop on the affair that inspired Virginia to write her most fantastical novel, Orlando, and glimpse into their extraordinary lives: from Vita's travels across the globe, to Virginia's parties with the Bloomsbury set; from their shared love of dogs and nature, to their grief at the beginning of the Second World War. Discover a relationship that - even a hundred years later - feels radical and relatable.WITH AN ORIGINAL INTRODUCTION FROM ALISON BECHDEL, AUTHOR OF FUN HOME AND CREATOR OF THE BECHDEL TEST.

    Using journals, unpublished manuscripts, songs, news accounts, novels, medical literature, and numerous interviews, she relates an often surprising narrative of lesbian life. "A key work...the point of reference from which all subsequent studies of 20th-century lesbian life in the United States will begin."—San Francisco Examiner.

    The portraits there, large and imposing, were of women: Ida Rubinstein, Una Troubridge, Gluck, Elisabeth de Gramont, Renata Borgatti, Bryher. Romaine's lover Natalie Barney said that Paris had been 'the Sapphic Centre of the Western World', and these women defined it. Capote himself called them 'the all-time ultimate gallery of famous dykes'. This book is about that gallery and celebrates the central role they played in the cultural revolution that was Modernism.Modernism happened in Paris, and these women were Paris. Shocking, free, blatant, they weren't just expats. They'd grouped together to create their own world, far from the restrictions of home. They were talented, often well-off, and lesbian. They answered to no one but themselves. Among them, for example, was Sylvia Beach, the American who set up the legendary Shakespeare & Co in 1919 and published Joyce's Ulysses when nobody else dared to, as well as Radclyffe Hall's The Well of Loneliness which was burned in Britain. The shop became the unofficial meeting place of the Modernists. Gertrude Stein, Beach's friend, bought the work of her friends – Matisse, Cézanne, Picasso, Gauguin – when they were young and unknown. Hemingway, Scott Fitzerald, Paul Bowles and others gravitated to the shop and to the world around these women.Told in the spirit of Stein's Autobiography of Alice B. Toklas, or Hemingway's A Moveable Feast, this book is as colourful and exuberant as the women themselves.

    Fast-paced, poignant, and beautifully illustrated by the award-winning illustrator Mark Zingarelli, Second Avenue Caper is a heartfelt tribute to the generation that faced down AIDS.

    Cultural critic Michael Bronski collects a sampling of these now little-known gay erotic writings—some by writers long forgotten, some never known and a few now famous. Through them, Bronski challenges many long-held views of American postwar fiction and the rise of gay literature, as well as of the culture at large.

    Deeply researched and fully illustrated, this book demystifies an intensely personal—yet universal—facet of humanity. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. This book is an essential tool for understanding and contributing to a necessary cultural conversation, bringing clarity and reassurance to the sometimes confusing process of navigating ones' identity. Whether LGBTQ+, cisgender, or nonbinary, Seeing Gender is a must-read for intelligent, curious, want-to-be woke people who care about how we see and talk about gender and sexuality in the 21st century.

    Street life, drugs, art and nature, family, AIDS, politics, friendship and acceptance: Wojnarowicz challenges us to examine our lives -- politically, socially, emotionally, and aesthetically.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    She arrived as a refugee in London and joined other exiles enlisting in Charles de Gaulle’s army, then stationed in Britain awaiting an invasion of their homeland by Allied forces. But Women’s Barracks is no ordinary war story.As the Blitz rains down over London, taboos are broken, affairs start and stop and hearts are won and lost. Women’s Barracks was banned for obscenity in several states. It was also denounced by the House Select Committee on Current Pornographic Materials in 1952 as an example of how the paperback industry was “promoting moral degeneracy.” But in spite of such efforts—or perhaps, in part, because of them—the novel became a record-breaking bestseller and inspired a whole new genre: lesbian pulp.From the obituary in the New York Times:Tereska Torrès, 92, Writer Of Lesbian Fiction, DiesTereska Torrès, a convent-educated French writer who quite by accident wrote America’s first lesbian pulp novel, died on Thursday at her home in Paris. She was 92……It was not homophobia that caused Ms. Torrès to find her book’s canonical status peculiar. Quite the contrary, she said: because affairs with barracks mates were so much a part of ordinary wartime experience the hoopla seemed simply prurient.“The book spoke very delicately about the few matters of sexual encounters,” Ms. Torrès told Salon.com in 2005. “But so what? I hadn’t invented anything — that’s the way women lived during the war in London.”She added: “I thought I had written a very innocent book. I thought, these Americans, they are easily shocked.”Femmes Fatales restores to print the best of women’s writing in the classic pulp genres of the mid-20th century. From mystery to hard-boiled noir to taboo lesbian romance, these rediscovered queens of pulp offer subversive perspectives on a turbulent era. Enjoy the series: Bedelia; The Blackbirder; Bunny Lake Is Missing; By Cecile; The G-String Murders; The Girls in 3-B; In a Lonely Place; Laura; Mother Finds a Body; Now, Voyager; Skyscraper; Stranger on Lesbos; Women's Barracks.

    In exploring the iconic ideal of the beautiful boy, whether a sculpture of Cupid or David, a painting by Caravaggio or Van Dyck, or a photograph by Nan Goldin or Sally Mann, Germaine Greer demolishes one of the last great Western taboos.

    Emma Donoghue brings to bear all her knowledge and grasp to examine how desire between women in English literature has been portrayed, from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murder stories. Donoghue looks at the work of those writers who have addressed the “unspeakable subject,” examining whether such desire between women is freakish or omnipresent, holy or evil, heartwarming or ridiculous as she excavates a long-obscured tradition of (inseparable) friendship between women, one that is surprisingly central to our cultural history.Donoghue writes about the half-dozen contrasting girl-girl plots that have been told and retold over the centuries, metamorphosing from generation to generation. What interests the author are the twists and turns of the plots themselves and how these stories have changed—or haven’t—over the centuries, rather than how they reflect their time and society. Donoghue explores the writing of Sade, Diderot, Balzac, Thomas Hardy, H. Rider Haggard, Elizabeth Bowen, and others and the ways in which the woman who desires women has been cast as not quite human, as ghost or vampire.She writes about the ever-present triangle, found in novels and plays from the last three centuries, in which a woman and man compete for the heroine’s love . . . about how—and why—same-sex attraction is surprisingly ubiquitous in crime fiction, from the work of Wilkie Collins and Dorothy L. Sayers to P. D. James.Finally, Donoghue looks at the plotline that has dominated writings about desire between women since the late nineteenth century: how a woman’s life is turned upside down by the realization that she desires another woman, whether she comes to terms with this discovery privately, “comes out of the closet,” or is publicly “outed.”She shows how this narrative pattern has remained popular and how it has taken many forms, in the works of George Moore, Radclyffe Hall, Patricia Highsmith, and Rita Mae Brown, from case-history-style stories and dramas, in and out of the courtroom, to schoolgirl love stories and rebellious picaresques. A revelation of a centuries-old literary tradition—brilliant, amusing, and until now, deliberately overlooked.

    In Global Gay, Frédéric Martel visits more than fifty countries and documents a revolution underway around the world: the globalization of LGBT rights. From Saudi Arabia to South Africa, from Amsterdam to Tel Aviv, from Singapore to the United States, activists, culture warriors, and ordinary people are part of a movement. Martel interviews the proprietor of a "gay-friendly" café in Amman, Jordan; a Cuban-American television journalist in Fort Lauderdale, Florida; a South African jurist who worked with Nelson Mandela to enshrine gay rights in the country's constitution; an American lawyer who worked on the campaign for marriage equality; an Egyptian man who fled his country after escaping a raid on a gay club; and many others. He tells us that in China, homosexuality is neither prohibited nor permitted, and that much Chinese gay life takes place on social media; that in Iran, because of the strict separation of the sexes, it seems almost easier to be gay than heterosexual; and that Raul Castro's daughter, a gay rights icon in Cuba, expressed her lingering anti-American sentiments by calling for Pride celebrations in May rather than June. Ten countries maintain the death penalty for homosexuals. "Homophobia is what Arab governments give to Islamists to keep them calm," one activist tells Martel. Martel finds that although the "gay American way of life" has created a global template for gay activism and culture, each country offers distinctly local variations. And around the world, the status of gay rights has become a measure of a country's democracy and modernity. Global Gay has been adapted into an award-winning television documentary. This English edition has been thoroughly revised and updated.

    Book by Kramer, Larry

    From Weimar Berlin to LA's Chinatown, from a seaside resort in East Germany to a luxury apartment on the Champs-Élysées, the different settings they inhabit are as richly textured as the roles they play: siren, muse, predator, or lover, each one a carefully calibrated performance. And in the orbit of each star live secondary players--a Chinese immigrant housemaid, a German soldier on leave from North Africa, a pompous Hollywood director--whose voices and viewpoints reveal the legacy each woman left in her own time, as well as in ours. Amanda Lee Koe's playful, wry prose guides the reader dexterously around murky questions of ego, persona, complicity, desire, and difference. Intimate and raw, Delayed Rays of a Star is a visceral depiction of womanhood--its particular hungers, its calculations, and its eventual betrayals--and announces a bold new literary voice.