The East India Company rules India - or most of it; and its most notorious and celebrated son, Xavier Mountstuart, has gone missing.William Avery, a down-at-heel junior officer in the Company's army, is sent to find him, in the unlikely company of the enigmatic and uncouth Jeremiah Blake. A more mismatched duo couldn't be imagined, but they must bury their differences as they are caught up in a search that turns up too many unanswered questions and seems bound to end in failure.What was it that so captivated Mountstuart about the Thugs, the murderous sect of Kali-worshippers who strangle innocent travellers by the roadside? Who is Jeremiah Blake and can he be trusted? And why is the whole enterprise shrouded in such secrecy?In the dark heart of Company India, Avery will have to fight for his very life, and in defence of a truth he will wish he had never learned.M. J. Carter is a former journalist and the author of two acclaimed works of non-fiction: Anthony Blunt: His Lives and The Three Emperors: Three Cousins, Three Empires and the Road to World War One.

    But when his lifelong friend Lady Jane asks for his help, Lenox cannot resist another chance to unravel a mystery, even if it means trudging through the snow to her townhouse next door.One of Jane's former servants, Prudence Smith, is dead -- an apparent suicide. But Lenox suspects something far more sinister: murder by a rare and deadly poison. The house where the girl worked is full of suspects and, though Prudence dabbled with the hearts of more than a few men, Lenox is baffled by an elusive lack of motive in the girl's death.When another body turns up during the London season's most fashionable ball, Lenox must untangle a web of loyalties and animosities. Was it jealousy that killed Prudence? Or was it something else entirely, something that Lenox alone can uncover before the killer strikes again -- disturbingly close to home?

    For sophisticated booklover Julia Kydd, life’s too short for politics. With her cropped hair and penchant for independent living, Julia wants only to launch her own new private press. But as a woman, Julia must fight for what’s hers—including the inheritance her estranged half brother, Philip, has challenged, putting her aspirations in jeopardy.When her friend’s sister, Naomi Rankin, dies suddenly of an apparent suicide, Julia is shocked at the wealthy family’s indifference toward the ardent suffragist’s death. Naomi chose poverty and hardship over a submissive marriage and a husband’s control of her money. Now, her death suggests the struggle was more than she could bear.Julia, however, is skeptical. Doubtful of her suspicions, Philip proposes a glib wager: if Julia can prove Naomi was in fact murdered, he’ll drop his claims to her wealth. Julia soon discovers Naomi’s life was as turbulent and enigmatic as her death. And as she gets closer to the truth, Julia sees there’s much more at stake than her inheritance…

    Three years ago, she was involved in a tragic incident that left three classmates dead. She served her time, and now her mother, Maria, is resolved to keep that devastating fact tucked far away from their new beginning, hiding the past even from her new husband and demanding that Zoe do the same.Tonight Zoe is giving a recital that Maria has been planning for months. It needs to be the performance of Zoe’s life. But instead, by the end of the evening, Maria is dead.In the aftermath, everyone—police, family, Zoe’s former solicitor, and Zoe herself—tries to piece together what happened. But as Zoe knows all too well, the truth is rarely straightforward, and the closer we are to someone, the less we may see.

      As a sixteen-year-old, Tessa Cartwright was found in a Texas field, barely alive amid a scattering of bones, with only fragments of memory as to how she got there. Ever since, the press has pursued her as the lone surviving “Black-Eyed Susan,” the nickname given to the murder victims because of the yellow carpet of wildflowers that flourished above their shared grave. Tessa’s testimony about those tragic hours put a man on death row.   Now, almost two decades later, Tessa is an artist and single mother. In the desolate cold of February, she is shocked to discover a freshly planted patch of black-eyed susans—a summertime bloom—just outside her bedroom window. Terrified at the implications—that she sent the wrong man to prison and the real killer remains at large—Tessa turns to the lawyers working to exonerate the man awaiting execution. But the flowers alone are not proof enough, and the forensic investigation of the still-unidentified bones is progressing too slowly. An innocent life hangs in the balance. The legal team appeals to Tessa to undergo hypnosis to retrieve lost memories—and to share the drawings she produced as part of an experimental therapy shortly after her rescue.   What they don’t know is that Tessa and the scared, fragile girl she was have built a  fortress of secrets. As the clock ticks toward the execution, Tessa fears for her sanity, but even more for the safety of her teenaged daughter. Is a serial killer still roaming free, taunting Tessa with a trail of clues? She has no choice but to confront old ghosts and lingering nightmares to finally discover what really happened that night.   Shocking, intense, and utterly original, Black-Eyed Susans is a dazzling psychological thriller, seamlessly weaving past and present in a searing tale of a young woman whose harrowing memories remain in a field of flowers—as a killer makes a chilling return to his garden.

    A confrontation with the outlaws ends as Weldon puts a bullet through the rear window of Clyde’s stolen automobile.Ten years later, Second Lieutenant Weldon Holland and his sergeant, Hershel Pine, escape certain death in the Battle of the Bulge and encounter a beautiful young woman named Rosita Lowenstein hiding in a deserted extermination camp. Eventually, Weldon and Rosita fall in love and marry and, with Hershel, return to Texas to seek their fortunes.There, they enter the domain of jackals known as the oil business. They meet Roy Wiseheart—a former Marine aviator haunted with guilt for deserting his squadron leader over the South Pacific—and Roy’s wife Clara, a vicious anti-Semite who is determined to make Weldon and Rosita’s life a nightmare. It will be the frontier justice upheld by Weldon’s grandfather, Texas lawman Hackberry Holland, and the legendary antics of Bonnie and Clyde that shape Weldon’s plans for saving his family from the evil forces that lurk in peacetime America and threaten to destroy them all.

    But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    Her greatest joy is her family: her devoted professor husband, her spirited fifteen-year-old stepdaughter, her adorable infant son. And, of course, the steadfast and supportive Charlotte. But Amy’s sweet, uncomplicated life begins to unravel when the mysterious and alluring Angelica Roux arrives on her doorstep one book club night.Sultry and magnetic, Roux beguiles the group with her feral charm. She keeps the wine flowing and lures them into a game of spilling secrets. Everyone thinks it’s naughty, harmless fun. Only Amy knows better. Something wicked has come her way—a she-devil in a pricey red sports car who seems to know the terrible truth about who she is and what she once did.When they’re alone, Roux tells her that if she doesn’t give her what she asks for, what she deserves, she’s going to make Amy pay for her sins. One way or another.To protect herself and her family and save the life she’s built, Amy must beat the devil at her own clever game, matching wits with Roux in an escalating war of hidden pasts and unearthed secrets. Amy knows the consequences if she can’t beat Roux. What terrifies her is everything she could lose if she wins.A diabolically entertaining tale of betrayal, deception, temptation, and love filled with dark twists leavened by Joshilyn Jackson’s trademark humor, Never Have I Ever explores what happens when the transgressions of our past come back with a vengeance.

    It’s early 2009, and the world has gone dark very quickly. The economic collapse has turned an era that magazine headlines once heralded as the second gilded age into something that more closely resembles the Great Depression. The last thing Gavin wants to do is return to his hometown of Sebastian, Florida, but he’s in no position to refuse when he’s offered a job by his sister, Eilo.Besides, Eilo has shown him a photo of a ten-year-old girl who could be homeless and in trouble. The little girl looks strikingly like Gavin and has the same last name as his high school girlfriend, Anna, from a decade ago. Gavin, obsessed with film noir and private detectives and otherwise at loose ends, begins his own private investigation in an effort to track down Anna and their apparent daughter—an investigation that soon takes a surprisingly dangerous turn.

    One of them is a murderer. From debut author Hope Adams comes a thrilling novel based on the 1841 voyage of the convict ship Rajah, about confinement, hope, and the terrible things we do to survive.London, 1841. One hundred eighty Englishwomen file aboard the Rajah, embarking on a three-month voyage to the other side of the world. They're daughters, sisters, mothers--and convicts. Transported for petty crimes. Except one of them has a deadly secret, and will do anything to flee justice.As the Rajah sails farther from land, the women forge a tenuous kinship. Until, in the middle of the cold and unforgiving sea, a young mother is mortally wounded, and the hunt is on for the assailant before he or she strikes again.Each woman called in for question has something to fear: Will she be attacked next? Will she be believed? Because far from land, there is nowhere to flee, and how can you prove innocence when you’ve already been found guilty?

    Its author tells the story of a priceless tarot deck, now lost to history, but as Semele delves further, she realizes the manuscript is more than it seems. Both a memoir and a prophecy, it appears to be the work of a powerful seer, describing devastating wars and natural disasters in detail thousands of years before they occurred.The more she reads, the more the manuscript begins to affect Semele’s life. But what happened to the tarot deck? As the mystery of her connection to its story deepens, Semele can’t shake the feeling that she’s being followed. Only one person can help her make sense of it all: her client, Theo Bossard. Yet Theo is arrogant and elusive, concealing secrets of his own, and there’s more to Semele’s desire to speak with him than she would like to admit. Can Semele even trust him?The auction date is swiftly approaching, and someone wants to interfere—someone who knows the cards exist, and that the Bossard manuscript is tied to her. Semele realizes it’s up to her to stop them: the manuscript holds the key to a two-thousand-year-old secret, a secret someone will do anything to possess.

    Siri Paiboun, a 72-year-old medical doctor, has been unwillingly appointed the national coroner of newly-socialist Laos. Though his lab is underfunded, his boss is incompetent, and his support staff is quirky to say the least, Siri’s sense of humor gets him through his often frustrating days.When the body of the wife of a prominent politician comes through his morgue, Siri has reason to suspect the woman has been murdered. To get to the truth, Siri and his team face government secrets, spying neighbors, victim hauntings, Hmong shamans, botched romances, and other deadly dangers. Somehow, Siri must figure out a way to balance the will of the party and the will of the dead.

    Trapped in a world over which she has no control, Sibyl flees for solace to the parlor of a table-turning medium.But when her brother is suddenly kicked out of Harvard under mysterious circumstances and falls under the sway of a strange young woman, Sibyl turns for help to psychology professor Benton Derby, despite the unspoken tensions of their shared past. As Benton and Sibyl work together to solve a harrowing mystery, their long-simmering spark flares to life, and they realize that there may be something even more magical between them than a medium’s scrying glass.From the opium dens of Boston’s Chinatown to the opulent salons of high society, from the back alleys of colonial Shanghai to the decks of the Titanic, The House of Velvet and Glass weaves together meticulous period detail, intoxicating romance, and a final shocking twist that will leave readers breathless.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.