Dublin-based designer Annie Atkins invites readers into the creative process behind her intricately designed, rigorously researched, and visually stunning graphic props. These objects may be given just a fleeting moment of screen time, but their authenticity is vital and their role is crucial: to nudge both the actors on set and the audience just that much further into the fictional world of the film.

    He examines her Dickensian childhood, her violent first marriage, her painful estrangement from her son, and the troubled sexual dynamics of her marriage to Robert Taylor.

    Every day after school your father takes you to a sprawling castle filled with exotic animals, bowls of candy, and half-naked women catering to your every need.You have your own room. You have new friends. You have an uncle Hef who's always there for you.Welcome to the world of Playground, the true story of a young girl who grew up inside the Playboy Mansion. By the time she was fourteen, she'd done countless drugs, had a secret affair with Hef's girlfriend, and was already losing her grip on reality. Schoolwork, family, and "ordinary people" had no meaning behind the iron gates of the Mansion, where celebrities frolicked, pool parties abounded, and her own father Hugh Hefner's personal physician and best friend, the man nicknamed "Dr. Feel Good" typically held court.Every day was a party, every night was an adventure, and through it all was a young girl falling faster and faster down the rabbit hole trying desperately hard not to get lost.

    Embraced as a cultural touchstone, the 1993 film would also make Matthew McConaughey’s famous phrase—alright, alright, alright—ubiquitous. But it started with a simple idea: Linklater thought people might like to watch a movie about high school kids just hanging out and listening to music on the last day of school in 1976.    To some, that might not even sound like a movie. But to a few studio executives, it sounded enough like the next American Graffiti to justify the risk. Dazed and Confused underperformed at the box office and seemed destined to disappear. Then something weird happened: Linklater turned out to be right. This wasn’t the kind of movie everybody liked, but it was the kind of movie certain people loved, with an intensity that felt personal. No matter what their high school experience was like, they thought Dazed and Confused was about them.Alright, Alright, Alright is the story of how this iconic film came together and why it worked. Combining behind-the-scenes photos and insights from nearly the entire cast, including Matthew McConaughey, Parker Posey, Ben Affleck, Joey Lauren Adams, and many others, and with full access to Linklater’s Dazed archives, it offers an inside look at how a budding filmmaker and a cast of newcomers made a period piece that would feel timeless for decades to come.

    The sleepless body hammering a nail nails itself, hanging crucified.--from "Catullus: Excrucior" In Frank Bidart's collection of poems, the encounter with desire is the encounter with destiny. The first half contains some of Bidart's most luminous and intimate work-poems about the art of writing, Eros, and the desolations and mirror of history (in a spectacular narrative based on Tacitus). The second half of the book exts the overt lyricism of the opening section into even more ambitious territory-"The Second Hour of the Night" may be Bidart's most profound and complex meditation on the illusion of will, his most seductive dramatic poem to date.Desire is a 1997 National Book Award Finalist for Poetry.

    That is what BDSM people are, behind all the pretense...»From critically-acclaimed creator Stjepan Šejić (Death Vigil, Ravine, Aphrodite IX, Witchblade) comes Sunstone, a love story like no other.Lisa's tastes were always...unique. Longing to be restrained, without restrain. Lisa always felt like something was missing from her love life─until she met Ally. Ally was implacably ordinary─successful job, nice house, an average childhood─except for her preference for bedroom domination. Originally posted on DeviantArt, this books collects the first volume of the often erotic, always amusing, and surprisingly heartfelt Sunstone.

    Sarris's The American Cinema, the bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis. In addition, the book includes a chronology of the most important American films, an alphabetical list of over 6000 films with their directors and years of release, and the seminal essays "Toward a Theory of Film History" and "The Auteur Theory Revisited." Over twenty-five years after its initial publication, The American Cinema remains perhaps the most influential book ever written on the subject.

    This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.

    Born to radical socialist parents, Elsa attended an all-boys school and later “studied” in Paris with dance pioneer Isadora Duncan. At 17, she opened her own theater, which was frequented by writers such as H. G. Wells, Aldous Huxley, and Evelyn Waugh. She began performing with and then fell in love with a brilliant young actor named Charles Laughton. Soon after their marriage he revealed his homosexuality. Though it made their union shaky at times, it did not overshadow their common love of art, music, and nature, and their marriage endured for 36 years until Laughton’s death. Elsa Lanchester, Herself presents the story of a woman ahead of her time: independent, iconoclastic, liberated. It is the chronicle of a life filled with famous people (from Bertolt Brecht to Henry Fonda), and of a career that spanned almost seven decades. It is also a warm, truthful account of a very special marriage. Witty and wise, Elsa Lanchester’s account of her life and times is a delight.

    This is both one man's remarkable story and an essential guide for anyone who has a celluloid story to tell and the dreams and determination to see it through.  Part production diary, part how-to manual, Rodriguez unveils how he was able to make his influential first film on only a $7,000 budget.  Also included is the appendix, 'The Ten Minute Film Course,” a tell-all on how to save thousands of dollars on film school and teach yourself the ropes of film production, directing, and screenwriting.

    Three years ago, John Schwartz, a national correspondent at The New York Times, got the call that every parent hopes never to receive: his thirteen-year-old son, Joe, was in the hospital following a failed suicide attempt. After mustering the courage to come out to his classmates, Joe’s disclosure — delivered in a tirade about homophobic attitudes—was greeted with dismay and confusion by his fellow students. Hours later, he took an overdose of pills.   Additionally, John and his wife, Jeanne, found that their son’s school was unable to address Joe’s special needs. Angry and frustrated, they initiated their own search for services and groups that could help Joe understand that he wasn’t alone. Oddly Normal is Schwartz’s very personal attempt to address his family’s own struggles within a culture that is changing fast, but not fast enough to help gay kids like Joe. Schwartz follows Joseph through childhood to the present day, interweaving his narrative with common questions, including: Are effeminate boys and tomboy girls necessarily gay? Is there a relationship between being gay and suicide or mental illness? Should a child be pushed into coming out? Parents, teachers, and counselors alike will welcome Oddly Normal and its crucial lessons about helping gay kids –and any kid who is different -- learn how to cope in a potentially hostile world.

    Deeply researched and fully illustrated, this book demystifies an intensely personal—yet universal—facet of humanity. Illustrating a different concept on each spread, queer author and artist Iris Gottlieb touches on history, science, sociology, and her own experience. This book is an essential tool for understanding and contributing to a necessary cultural conversation, bringing clarity and reassurance to the sometimes confusing process of navigating ones' identity. Whether LGBTQ+, cisgender, or nonbinary, Seeing Gender is a must-read for intelligent, curious, want-to-be woke people who care about how we see and talk about gender and sexuality in the 21st century.

    Sometime partner of the eccentric Howard Hughes, drinking buddy of William Faulkner and Ernest Hemingway, an inveterate gambler and a notorious liar, Hawks was the most modern of the great masters and one of the first directors to declare his independence from the major studios. He played Svengali to Lauren Bacall, Montgomery Clift, and others, but Hawks's greatest creation may have been himself.As The Atlantic Monthly noted, "Todd McCarthy . . . has gone further than anyone else in sorting out the truths and lies of the life, the skills and the insight and the self-deceptions of the work." "A fluent biography of the great director, a frequently rotten guy but one whose artistic independence and standards of film morality never failed." -- The New York Times Book Review; "Hawks's life, until now rather an enigma, has been put into focus and made one with his art in Todd McCarthy's wise and funny Howard Hawks." -- The Wall Street Journal; "Excellent . . . a respectful, exhaustive, and appropriately smartass look at Hollywood's most versatile director." -- Newsweek.

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    Gooch presents an unforgettable story of a man who was struck down at the height of his powers. 55 photos.