Max is an inspirational figure, but he is also a flawed idealist whose vow to protect the Javanese from cruelty ends in his own downfall. In Max Havelaar, Multatuli (the pseudonym for Eduard Douwes Dekker) vividly recreated his own experiences in Java and tellingly depicts the hypocrisy of those who gained from the corrupt coffee trade. Sending shockwaves through the Dutch nation when it was published in 1860, this damning exposé of the terrible conditions in the colonies led to welfare reforms in Java and continues to inspire the fairtrade movement today.Roy Edwards's vibrant translation conveys the satirical and innovative style of Multatuli's autobiographical polemic. In his introduction, R. P. Meijer discusses the author's tempestuous life and career, the controversy the novel aroused and its unusual narrative structure.

    The poems speak intimately of their authors' sexual longing, fulfillment and disillusionment.

    This Penguin Classics edition of The Complete Essays is translated from the French and edited with an introduction and notes by M.A. Screech.In 1572 Montaigne retired to his estates in order to devote himself to leisure, reading and reflection. There he wrote his constantly expanding 'assays', inspired by the ideas he found in books contained in his library and from his own experience. He discusses subjects as diverse as war-horses and cannibals, poetry and politics, sex and religion, love and friendship, ecstasy and experience. But, above all, Montaigne studied himself as a way of drawing out his own inner nature and that of men and women in general. The Essays are among the most idiosyncratic and personal works in all literature and provide an engaging insight into a wise Renaissance mind, continuing to give pleasure and enlightenment to modern readers.With its extensive introduction and notes, M.A. Screech's edition of Montaigne is widely regarded as the most distinguished of recent times.Michel de Montaigne (1533-1586) studied law and spent a number of years working as a counsellor before devoting his life to reading, writing and reflection.If you enjoyed The Complete Essays, you might like Francois Rabelais's Gargantua and Pantagruel, also available in Penguin Classics.'Screech's fine version ... must surely serve as the definitive English Montaigne'A.C. Grayling, Financial Times'A superb edition'Nicholas Wollaston, Observer

    It tells the tale of a young woman who moves to Tokyo after the death of her mother, hoping to get over her grief and start a career as a graphic artist. She finds herself spending too much time staring out her window, though ... until she realizes she’s gotten used to seeing a young man across the street staring out his window, too. They eventually embark on a hesitant romance, until she learns that he has been the victim of some form of childhood trauma. Visiting two of his friends who live a monastic life beside a beautiful lake, she begins to piece together a series of clues that lead her to suspect his experience may have had something to do with a bizarre religious cult. . . . With its echoes of the infamous, real-life Aum Shinrikyo cult (the group that released poison gas in the Tokyo subway system), The Lake unfolds as the most powerful novel Banana Yoshimoto has written. And as the two young lovers overcome their troubled past to discover hope in the beautiful solitude of the lake in the country- side, it’s also one of her most moving.

    In this panoramic vision of the Soviet Great Terror, the investigation leads all over the world, netting a whole series of suspects whose only connection is their innocence—at least of the crime of which they stand accused. But The Case of Comrade Tulayev, unquestionably the finest work of fiction ever written about the Stalinist purges, is not just a story of a totalitarian state. Marked by the deep humanity and generous spirit of its author, the legendary anarchist and exile Victor Serge, it is also a classic twentieth-century tale of risk, adventure, and unexpected nobility to sit beside Ernest Hemingway's For Whom the Bell Tolls and André Malraux's Man's Fate.

    The Vajkays—call them Mother and Father—live in Sárszeg, a dead-end burg in the provincial heart of the Austro-Hungarian Empire. Father retired some years ago to devote his days to genealogical research and quaint questions of heraldry. Mother keeps house. Both are utterly enthralled with their daughter, Skylark. Unintelligent, unimaginative, unattractive, and unmarried, Skylark cooks and sews for her parents and anchors the unremitting tedium of their lives.Now Skylark is going away, for one week only, it’s true, but a week that yawns endlessly for her parents. What will they do? Before they know it, they are eating at restaurants, reconnecting with old friends, and attending the theater. But this is just a prelude to Father’s night out at the Panther Club, about which the less said the better. Drunk, in the light of dawn Father surprises himself and Mother with his true, buried, unspeakable feelings about Skylark.Then, Skylark is back. Is there a world beyond the daily grind and life's creeping disappointments? Kosztolányi’s crystalline prose, perfect comic timing, and profound human sympathy conjure up a tantalizing beauty that lies on the far side of the irredeemably ordinary. To that extent, Skylark is nothing less than a magical novel.

    In a body of work as emotionally powerful, formally innovative, and philosophically profound as Clarice Lispector’s, Água Viva stands out as a particular triumph.

    Frank Stanford was called by Pulitzer Prize-winning writer Alan Dugan a brilliant poet, ample in his work, like Whitman. He was the founder of Lost Roads Publishers and the author of a number of important works, among them the epic THE BATTLEFIELD WHERE THE MOON SAYS I LOVE YOU, reprinted by Lost Roads under the editorship of Forrest Gander and C.D. Wright. Frank Stanford said his purpose in his writing and with his press was to 'reclaim the landscape of American poetry' - The Arkansas Times. Stanford ended his own life in 1978 when he was 29. The reprinting of this major book is a truly important, much anticipated literary event.

    Lorca (1898-1937) is admired all over the world for the lyricism, immediacy and clarity of his poetry, as well as for his ability to encompass techniques of the symbolist movement with deeper psychological shadings. But Lorca's poems are, most of all, admired for their beauty. Undercurrents of his major influences--Spanish folk traditions from his native Andalusia and Granada, gypsy ballads, and his friends the surrealists Salvador Dali and Luis Bunuel--stream throughout Lorca's work. Poets represented here as translators are as diverse as Stephen Spender, Langston Hughes, Ben Belitt, William Jay Smith, and W.S. Merwin.

    Losing her beloved husband after only seven years of marriage, heartbroken widow Nathalie steels herself against emotional attachments until she unexpectedly falls in for her offbeat, guileless co-worker, Markus, who represents the opposite of everything.

    But she was also a Jew, and in 1942 she was arrested and deported to Auschwitz: a month later she was dead at the age of thirty-nine. Two years earlier, living in a small village in central France—where she, her husband, and their two small daughters had fled in a vain attempt to elude the Nazis—she'd begun her novel, a luminous portrayal of a human drama in which she herself would become a victim. When she was arrested, she had completed two parts of the epic, the handwritten manuscripts of which were hidden in a suitcase that her daughters would take with them into hiding and eventually into freedom. Sixty-four years later, at long last, we can read Némirovsky's literary masterpiece The first part, "A Storm in June," opens in the chaos of the massive 1940 exodus from Paris on the eve of the Nazi invasion during which several families and individuals are thrown together under circumstances beyond their control. They share nothing but the harsh demands of survival—some trying to maintain lives of privilege, others struggling simply to preserve their lives—but soon, all together, they will be forced to face the awful exigencies of physical and emotional displacement, and the annihilation of the world they know. In the second part, "Dolce," we enter the increasingly complex life of a German-occupied provincial village. Coexisting uneasily with the soldiers billeted among them, the villagers—from aristocrats to shopkeepers to peasants—cope as best they can. Some choose resistance, others collaboration, and as their community is transformed by these acts, the lives of these these men and women reveal nothing less than the very essence of humanity.Suite Française is a singularly piercing evocation—at once subtle and severe, deeply compassionate, and fiercely ironic—of life and death in occupied France, and a brilliant, profoundly moving work of art.

    Cummings is without question one of the major poets of the 20th century, and this volume, first published in 1959, is indispensable for every lover of modern lyrical verse. It contains one hundred of Cummings’s wittiest and most profound poems, harvested from thirty-five of the most radically creative years in contemporary American poetry. These poems exhibit all the extraordinary lyricism, playfulness, technical ingenuity, and compassion for which Cummings is famous. They demonstrate beautifully his extrapolations from traditional poetic structures and his departures from them, as well as the unique synthesis of lavish imagery and acute artistic precision that has won him the adulation and respect of critics and poetry lovers everywhere.

    With Patriotism, Mishima was able to give his heartwrenching patriotic idealism an immortal vessel. A lieutenant in the Japanese army comes home to his wife and informs her that his closest friends have become mutineers. He and his beautiful loyal wife decide to end their lives together. In unwavering detail Mishima describes Shinji and Reiko making love for the last time and the couple’s seppuku that follows.

    He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men.A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon upon himself a curse that will destroy his entire dynasty ...

    One reinforced-concrete blockhouse in the heart of the forest is manned, this winter of 1939/40, by Lieutenant Grange with three men, who live in a chalet built over it. Cut off from the rest of the world, their senses heightened to capture the sounds and smells of the forest, the men create their own security as autumn turns to winter. Later, though, when winter turns to spring, when the sap rises and the panzer divisions attack, Lieutenant Grange meets the fate he has never believed he would escape. But if this is a story of soldiers, it is not about fighting. It is about solitude, about watching and waiting - and about love, the young Lieutenant's devotion to Mona, the child-widow discovered like a sprite in the forest one rainy night, who, in this surreal period of suspense, becomes his lover.