Someone comes into your orbit and swivels you on your axis, like the wind working on a rooftop weather vane. And when they leave, as the wind always does, you are different; you have a new direction. And it’s not always north.Any woman who’s ever been involved with a bad, bad man and been dumped will understand what it feels like to be broken, broken-hearted and bent on revenge. Taylor Bishop is hurt, angry and wants to destroy Angus Hollingsworth in the way he destroyed her: Insidiously. Irreparably. Like a puzzle, he’d slowly dissembled … stolen a couple of pieces from, and then discarded, knowing that nobody would ever be able to put it back together ever again. So Taylor consulted The Art of War and made a plan. Then she took the next step – one that would change her life forever. Then things get really out of control – and The Sunday Girl becomes impossible to put down.

    In her office above her bookstore’s shelves and stacks, where she luxuriates in books and the comfort they provide, she also tracks certain men. Dangerous men. Men who have hurt the women they claim to love. And Nikki likes to teach those men a lesson, to teach them what it feels like to be hurt and helpless, so she can be sure that their victims are safe from them forever.When a regular PI job tailing Karen, a tech company's disgruntled employee who might be selling secrets, turns ugly and Karen's life is threatened, Nikki has to break cover and intervene. Karen tells Nikki that there are people after her. Dangerous men. She says she'll tell Nikki what's really going on. But then something goes wrong, and suddenly Nikki is no longer just solving a case—she's trying hard to stay alive.Part Lisbeth Salander, part Jack Reacher, part Jessica Jones, Nikki Griffin is a kickass character who readers will root for as she seeks to right the world's wrongs. S.A. Lelchuk’s Save Me from Dangerous Men marks the beginning of a gripping new series and the launch of a fabulous new character.

    Psychologically absorbing, original and atmospheric. I could not turn the pages fast enough."--Elin Hilderbrand, #1 New York Times bestselling author of 28 SummersIt's been a decade since Trumanell Branson disappeared, leaving only a bloody handprint behind. Her pretty face still hangs like a watchful queen on the posters on the walls of the town's Baptist church, the police station, and in the high school. They all promise the same thing: We will find you. Meanwhile, her brother, Wyatt, lives as a pariah in the desolation of the old family house, cleared of wrongdoing by the police but tried and sentenced in the court of public opinion and in a new documentary about the crime.When Wyatt finds a lost girl dumped in a field of dandelions, making silent wishes, he believes she is a sign. The town's youngest cop, Odette Tucker, believes she is a catalyst that will ignite a seething town still waiting for its own missing girl to come home. But Odette can't look away. She shares a wound that won't close with the mute, one-eyed mystery girl. And she is haunted by her own history with the missing Tru.Desperate to solve both cases, Odette fights to save the lost girl in the present and to dig up the shocking truth about a fateful night in the past--the night her friend disappeared, the night that inspired her to become a cop, the night that wrote them all a role in the town's dark, violent mythology.In this twisty psychological thriller, Julia Heaberlin paints unforgettable portraits of a woman and a girl who redefine perceptions of physical beauty and strength.Praise for We Are All the Same in the Dark"[Julia] Heaberlin knows how to build to a truly shocking twist, how to break a reader's heart and then begin mending it. 'What's coming is always unimaginable, ' Odette's one-time therapist tells her, 'and by that, I mean just that. It cannot be imagined. What's coming never acts or behaves the way we think it will.' That's true for this novel, too."--Dallas Morning News

    But TWENTY YEARS LATER, to understand the present, you need to listen to the past… Avery Mason, host of American Events, knows the subjects that grab a TV audience’s attention. Her latest story—a murder mystery laced with kinky sex, tragedy, and betrayal—is guaranteed to be ratings gold. New DNA technology has allowed the New York medical examiner’s office to make its first successful identification of a 9/11 victim in years. The twist: the victim, Victoria Ford, had been accused of the gruesome murder of her married lover. In a chilling last phone call to her sister, Victori Emma Kind has waited twenty years to put her sister to rest, but closure won’t be complete until she can clear Victoria’s name. Alone she’s had no luck, but she’s convinced that Avery’s connections and fame will help. Avery, hoping to negotiate a more lucrative network contract, goes into investigative overdrive. Victoria had been having an affair with a successful novelist, found hanging from the balcony of his Catskills mansion. The rope, the bedroom, and the entire crime scene was covered in Victoria’s DNA. But the twisted puzzle of Victoria’s private life just the beginning. And what Avery doesn't realize is that there are other players in the game who are interested in Avery’s own secret past—one she has kept hidden from both the network executives and her television audience. A secret she thought was dead and buried . . . Accused of a brutal murder, Victoria Ford made a final chilling call from the North Tower on the morning of 9/11. Twenty years ago, no one listened. Today, you will.

    Heming. He was the estate agent who showed you around your comfortable home, suggested a financial package, negotiated a price with the owner, and called you with the good news. The less good news is that, all these years later, he still has the key. That's absurd, you laugh. Of all the many hundreds of houses he has sold, why would he still have the key to mine? The answer is; he has the keys to them all. William Heming's most at home in a stranger's private things. He makes it his business to know all their secrets, and how they arrange their lives. His every pleasure is in his leafy community. He loves and knows every inch of it, feels nurtured by it, and would defend it - perhaps not with his life but if it came to it, with yours. Things begin to change when Mr. Hemings' obsession shifts from many people to one, and then a dead body winds up in someone's garden. For a man who is used to going unremarked, Mr. Heming's finds his natural routine becomes uncomfortably interrupted.

    Meg has been selflessly caring for Grace for years, and Grace—smiling and optimistic in spite of her many illnesses—adores her mother. So when Meg is found brutally bludgeoned in her bed and her daughter missing, the community is rocked. Meg had lived in terror of her abusive, unstable ex, convinced that he would return to try and kidnap Grace…as he had once before. Now it appears her fear was justified.Jon Katrin, a local journalist, knows he should avoid getting drawn back into this story. The article he wrote about Meg and Grace caused rifts within his marriage and the town. Perhaps if he can help find Grace, he can atone for previous lapses in judgment. The Nichols’ neighbor, Cara—contending with her own guilt over not being a better friend to Grace—becomes an unexpected ally. But in searching for Grace, Jon and Cara uncover anomalies that lead to more and more questions.Through multiple viewpoints and diary entries, the truth about Grace emerges, revealing a tragedy more twisted than anyone could have ever imagined…

    When she stumbles into the opportunity to become the assistant to "Maud Dixon," a celebrated-but anonymous-novelist (think: Elena Ferrante), she believes that the universe is finally providing her big chance. The arrangement feels idyllic; Helen can be prickly, but she is full of pointed wisdom on both writing and living. She even invites Florence along on a research trip to Morocco, where her new novel is set. Florence has never been out of the country before; maybe, she imagines, she'll finally have something exciting to write about herself.But when Florence wakes up in the hospital after a terrible car crash, and Helen is dead, she begins to imagine what it might be like to 'upgrade' into not only Helen's life, but also that of Helen's bestselling pseudonym, Maud Dixon...

    Thirteen years apart.Olivia Shaw has been missing since last Tuesday. She was last seen outside the entrance of her elementary school in Hunts Point wearing a white spring jacket, blue jeans, and pink boots. I force myself to look at the face in the photo, into her slightly smudged features, and I can't bring myself to move. Olivia Shaw could be my mirror image, rewound to thirteen years ago. If you have any knowledge of Olivia Shaw's whereabouts or any relevant information, please contact... I've spent a long time peering into the faces of girls on missing posters, wondering which one replaced me in that basement. But they were never quite the right age, the right look, the right circumstances. Until Olivia Shaw, missing for one week tomorrow. Whoever stole me was never found. But since I was taken, there hasn't been another girl. And now there is.

    When Dawn brings her new boyfriend home from college for a visit, her parents and sister try to hide their doubts because they're glad that Dawn - always an awkward child - appears to have grown into a confident, mature young woman in her relationship with Rud. But when Hanna and her husband, Joe, are beaten savagely in their bed, Rud becomes the chief suspect and stands trial for Joe's murder. Claiming her boyfriend's innocence, Dawn estranges herself from her mother, who survived the attack with serious injuries and impaired memory. When Rud wins an appeal and Dawn returns to the family home saying she wants to support her mother, Hanna decides to try to remember details of that traumatic night so she can testify to keep her husband's murderer in jail, never guessing that the process might cause her to question everything she thought she knew about her daughter.

    When she's pulled over by an unsettling local sheriff, things soon go awry and she is taken into custody. Only when she gets to the station, her kids are gone. And then the cops start saying they never saw any kids with her, that if they're gone than she must have done something with them... Meanwhile, halfway across the country a man hears the frenzied news reports about the missing kids, which are eerily similar to events in his own past. As the clock ticks down on the search for the lost children, he too is drawn into the desperate fight for their return.

    She believes her client, even though those closest to her do not.Together, they enter the most explosive criminal trial of the year, where the only thing that matters is justice for Jodie. But this time justice comes at a devastating cost.

    So did the others . . .At loose ends after the devastating death of her mother, Una Richardson responds to an advertisement for a ladies' companion, a position that leads her into the wealthy, secluded world of Mrs. Elspeth McKenzie.But Elspeth's home isn't the comforting haven it seems.Kathryn, her cold and bitter daughter, resents Una's presence. More disturbing is evidence suggesting two girls lived here before her.What happened to the young women?Why won't the McKenzies talk about them?What are they hiding?As the walls begin to close in around her, Una fears she'll end up just like the other girls . . .

    A timid spinster in her fifties who still sleeps with teddy bears, Marion does her best to shut out the shocking secret that John keeps in the cellar.Until, suddenly, John has a heart attack and Marion is forced to go down to the cellar herself and face the gruesome truth that her brother has kept hidden.As questions are asked and secrets unravel, maybe John isn't the only one with a dark side.

    . . wasn’t? Clara Lawson is torn from her life in an instant. Without warning, her home is invaded by armed men, and she finds herself separated from her beloved husband and daughters. The last thing her husband yells to her is to say nothing. In chapters that alternate between past and present, the novel slowly unpeels the layers of Clara’s fractured life. We see her growing up, raised with her sisters by the stern Mama and Papa G, becoming a poised and educated young woman, falling desperately in love with the forbidden son of her adoptive parents. We see her now, sequestered in an institution, questioned by men and women who call her a different name—Diana—and who accuse her husband of unspeakable crimes. As recollections of her past collide with new revelations, Clara must question everything she thought she knew, to come to terms with the truth of her history and to summon the strength to navigate her future.

    Immediately shut out by a local police department already stretched thin by budget cuts and the growing OxyContin and meth epidemic, Vega enlists the help of a disgraced former cop, Max Caplan. Cap is a man trying to put the scandal of his past behind him and move on, but Vega needs his help to find the girls, and she will not be denied. With little to go on, Vega and Cap will go to extraordinary lengths to untangle a dangerous web of lies, false leads, and complex relationships to find the girls before time runs out, and they are gone forever.