It is an inspired study in moral uncertainty with the compellingly certain structure of an old-fashioned detective drama. Even as Doubt holds your conscious attention as an intelligently measured debate play, it sends off stealth charges that go deeper emotionally. One of the year’s ten best.”—Ben Brantley, The New York Times“[The] #1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. Blunt yet subtle, manipulative but full of empathy for all sides, the play is set in 1964 but could not be more timely. Doubt is a lean, potent drama . . . passionate, exquisite, important, and engrossing.”—Linda Winer, NewsdayChosen as the best play of the year by over 10 newspapers and magazines, Doubt is set in a Bronx Catholic school in 1964, where a strong-minded woman wrestles with conscience and uncertainty as she is faced with concerns about one of her male colleagues. This play by John Patrick Shanley—the Bronx-born-and-bred playwright and Academy Award-winning author of Moonstruck—dramatizes issues straight from today’s headlines within a world re-created with knowing detail and a judicious eye. After a stunning, sold-out production at Manhattan Theatre Club, the play has transferred to Broadway.John Patrick Shanley is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed), and Moonstruck, for which he won an Academy Award for original screenplay.

    Read by acclaimed actor Benedict Cumberbatch, these new adventures share all the suspense of the original tales. In a drawer in his bureau, Dr. Watson keeps a locked cedar wood chest—a "box of secrets." It contains an archive of notes referring to some of Holmes’ cases that, for one reason or another, never saw the light of day. Now, for the first time, Watson has decided to reveal the truth to the world. In these four thrilling stories, Holmes experiments with the science of ballistics, locates some missing gold bullion, investigates the theft of a large amount of money, and solves the baffling mystery of the Stovey murder. The stories are: "An Inscrutable Masquerade," "The Conundrum of Coach 13," "The Trinity Vicarage Larceny," and "The 10.59 Assassin."2 CDs. 2 hrs.

    Elyot and Amanda, once married and now honeymooning with new spouses at the same hotel, meet by chance, reignite the old spark and impulsively elope. After days of being reunited, they again find their fiery romance alternating between passions of love and anger. Their aggrieved spouses appear and a roundelay of affiliations ensues as the women first stick together, then apart, and new partnerships are formed.

    A. Milne was also the author of numerous dramas, essays, and novels for adults — among them, this droll and finely crafted whodunit.In it, Milne takes readers to the Red House, a comfortable residence in the placid English countryside that is the bachelor home of Mr. Mark Ablett. While visiting this cozy retreat, amateur detective Anthony Gillingham and his chum, Bill Beverley, investigate their genial host's disappearance and its connection with a mysterious shooting. Was the victim, whose body was found after a heated exchange with the host, shot in an act of self-defense? If so, why did the host flee, and if not, what drove him to murder?Between games of billiards and bowls, the taking of tea, and other genteel pursuits, Gillingham and Beverley explore the possibilities in a light-hearted series of capers involving secret passageways, underwater evidence, and other atmospheric devices.Sparkling with witty dialogue, deft plotting, and an intriguing cast of characters, this rare gem will charm mystery lovers, Anglophiles, and general readers alike.

    And then one night there came a knock at the door of a quiet lodging house in the Marylebone Road. . . . This novel, based on the Jack the Ripper murders, was made into a film by Alfred Hitchcock.

    Focusing on the mysteries--romantic, scientific, literary--that engage the minds and hearts of characters whose passions and lives intersect across scientific planes and centuries, it is "Stoppard's richest, most ravishing comedy to date, a play of wit, intellect, language, brio and... emotion. It's like a dream of levitation: you're instantaneously aloft, soaring, banking, doing loop-the-loops and then, when you think you're about to plummet to earth, swooping to a gentle touchdown of not easily described sweetness and sorrow... Exhilarating" (Vincent Canby, The New York Times).

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    An innocent-seeming birthday party for Stanley turns into a nightmare.The Birthday Party was first performed in 1958 and is now a modern classic. Produced and studied throughout the world.

    From shopkeepers to kings, everyone wants the help of Sherlock Holmes, but can he solve these mysteries?

    This Broadway hit starred Katharine Hepburn as Tracy Lord of the Philadelphia Lords, an inhibited and spoiled daughter of the privileged. Divorced from C.J. Dexter Haven, she is engaged to a successful young snob. A gossip weekly sends a reporter and a camera woman to report the wedding arrangements and they are injected into the house by Tracy's brother who hopes to divert their attention from father's romance with a Broadway dancer. Tracy finds herself growing int

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    He has taken the ordinary West End drawing room comedy convention - understatement, upper-class accents and all - and used it as a vehicle for utterly serious ideas.' Observer

    Her courage is tested once again when she arrives at Thornfield Hall, where she has been hired by the brooding, proud Edward Rochester to care for his ward Adèle. Jane finds herself drawn to his troubled yet kind spirit. She falls in love. Hard. But there is a terrifying secret inside the gloomy, forbidding Thornfield Hall. Is Rochester hiding from Jane? Will Jane be left heartbroken and exiled once again?

    From the very first page of the prologue, Beeding makes the very air the characters live and breathe in seem to crackle with an ominous electricity. It is surely what appealed to Alfred Hitchcock when he found in Beeding's work the inspiration for his classic, unforgettable film, 'Spellbound'.Fans of Hitchcock will want to take special notice of 'The House of Dr. Edwardes', for, unlike other adaptations, 'Spellbound' strays rather dramatically from its source material. Not only do the differences offer fascinating peeks into the great director's creative vision, they also ensure that even Hitchcock fans familiar with 'Spellbound' will find much in Beeding?s novel that will surprise and delight. The "house" of the title is in fact a lunatic asylum in France, and Dr. Edwardes is the head psychiatrist and presiding genius there. And although he is a highly esteemed, almost iconic figure in psychiatric circles, there is something clearly amiss. The novel opens with a puzzling, ominous episode in which a patient being transported to the asylum grows agitated as the car bringing him there approaches its destination. He suddenly screams "the gorge of the devil" and attacks and kills one of his supervisors. On the heels of this terrible and inauspicious arrival is another newcomer to the asylum, Dr. Constance Sedgwick. A promising but inexperienced psychiatrist, Dr. Sedgwick accepts a position on Dr. Edwardes' staff to learn at the feet of the great man. But she arrives to discover that Dr. Edwardes has taken a leave of absence to calm his nerves, and it does not take her long to discover that the house is hardly in order. It is probably evident from just that short description that this work has much to say about madness, power and terror. What is interesting is the two very different paths taken by two very different artists-Beeding and Hitchcock-to best give life to these ideas. Hitchcock, as any fan of Spellbound knows, borrowed heavily from Freudian psychoanalysis and its emphasis on dreams, repression and desire. Salvador Dali's surrealistic interpolations serve as vivid illustrations of the irrational throughout the movie. Beeding, however, owes less to Freud, displaying much closer affinities with the brooding, psychological landscapes of the Gothic novels of the eighteenth and nineteenth centuries, especially Emily Bronte's masterpiece 'Wuthering Heights'. The result is a compelling work-part mystery, part modern gothic. 'The House of Dr. Edwardes' is a gripping novel that continues to provoke and inspire readers and artists alike