Her mother, to whom she hasn't spoken for many years, comes to see her. Her unexpected visit forces Lucy to confront the tension and longing that have informed every aspect of her life: her impoverished childhood in Amgash, Illinois, her escape to New York and her desire to become a writer, her faltering marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable. In My Name Is Lucy Barton, one of America's finest writers shows how a simple hospital visit illuminates the most tender relationship of all-the one between mother and daughter.

    Meanwhile, Ripley’s label, Galaxy Records, is preparing a secret merger agreement that would create the largest record conglomerate in the world. Trouble arises when rumors spread that Ripley and Simon are withholding Ripley’s new album in hopes of renegotiating his contract.When Simon and Judd are shot on the famed Grand Ole Opry stage during the filming of Ripley’s new music video, no one is more upset than Ripley—especially as everyone assumes the shots were meant for him. While Simon’s life hangs in the balance, Judd seeks help from Megan Olsen, Simon’s right hand and Ripley’s day-to-day manager. The two set off on a high-powered chase to disclose the real motive behind the shootings and spare Ripley from a second murder attempt.Not unlike John Grisham’s legal thrillers and Michael Crichton’s science-based thrillers, Stuart Dill’s “music industry thriller” can now be added to the literary lexicon. Murder on Music Row leads readers through a maze of twists and turns that connect Nashville, New York, Los Angeles, and London in a behind-the-scenes look at an industry where there are no limits in the pursuit of money, power, and fame.

    . . . Here, said I, in wild proclamation, is one for history and a half."— Gordon LishFirework is the story of a man who, though ill-equipped to help himself, attempts to help someone else, and the beautifully rendered, perhaps necessary catastrophe that results. Unequaled in intensity and often blackly humorous, it is also an exhilarating expression of the all-too-human impulse to become more than what we seem to be.Eugene Marten is the author of In the Blind and Waste.

    They are Nell Stone, fascinating, magnetic and famous for her controversial work studying South Pacific tribes, her intelligent and aggressive husband Fen, and Andrew Bankson, who stumbles into the lives of this strange couple and becomes totally enthralled. Within months the trio are producing their best ever work, but soon a firestorm of fierce love and jealousy begins to burn out of control, threatening their bonds, their careers, and, ultimately, their lives...

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    It is the work of the constantly amazing wrestler-writer Mick Foley, whose two volumes of autobiography, Have a Nice Day! and Foley Is Good, were each number one on the New York Times National Best-seller List.It tells the story and speaks in the voice—at once innocent and too knowing for his age—of Antietam (Andy) Brown, named for the great-great-great- grandfather who died on that Civil War battlefield. Andy at seventeen is himself the veteran of a violent boyhood, having been locked up in the Northern Virginia Juvenile Detention Center for killing a teenager who attempted to rape him.Now, after seven years, he is out, free, at a crossroads, trying to make a fresh start, to fit into the life of Conestoga High School in the small upstate New York town to which he has been brought by his father—absent from his life since he was a month old. The man is certainly charismatic. He is also crude, apparently addicted to bodybuilding, beer swilling, and (his own words for his serial womanizing) “bareback riding.” He has no visible job, no known past.Associated by the town with his father’s coarseness, hectored by the boorish football coach and the coach’s pack of steroid-pumping teens, feeling himself losing ground, Andy is stunned to discover that the most popular girl in town is attracted to him. Terri, the homecoming queen, the school beauty, every boy’s dream girl, a born-again Christian, a really nice girl. Andy can’t believe it. He is immediately head over heels in love—first love—and determined to protect Terri from everything bad on earth. Worried that his father, even he himself, might contaminate her, and determined for her sake to discover what his father is, Andy begins to delve into the locked rooms and dangerous currents of the elder Tietam Brown’s past and present. What happens is told in a novel that is appealingly direct, moving, and altogether pleasurable in its superb storytelling and celebration of the human spirit.

    Her simple, conventional way of life changes dramatically after her uncle, a sheikh in a dervish order, rapes her--and condemns her to death for shaming the family. Asked to carry out the "honor killing" is his son Cemal, a commando in the Turkish army.So begins a long, mystifying voyage for Meryem as her shell-shocked cousin ushers her to the shining metropolis of Istanbul where another troubled soul, the Harvard-educated professor Irfan, embarks on his own journey of transformation--one that catapults him into the heart of Meryem and Cemal's conflict.The crossed-paths and interwoven destinies of these three characters makes for an affecting, by turns brutal and life-affirming portrayal of traditional and modern-day Turkey that no reader will soon forget.

    A college student and aspiring writer, she devotes herself to a life of the mind--and to the beautiful and endlessly self-possessed Bobbi, her best friend and comrade-in-arms. Lovers at school, the two young women now perform spoken-word poetry together in Dublin, where a journalist named Melissa spots their potential. Drawn into Melissa's orbit, Frances is reluctantly impressed by the older woman's sophisticated home and tall, handsome husband. Private property, Frances believes, is a cultural evil--and Nick, a bored actor who never quite lived up to his potential, looks like patriarchy made flesh. But however amusing their flirtation seems at first, it gives way to a strange intimacy neither of them expect. As Frances tries to keep her life in check, her relationships increasingly resist her control: with Nick, with her difficult and unhappy father, and finally even with Bobbi. Desperate to reconcile herself to the desires and vulnerabilities of her body, Frances's intellectual certainties begin to yield to something new: a painful and disorienting way of living from moment to moment.Written with gem-like precision and probing intelligence, Conversations With Friends is wonderfully alive to the pleasures and dangers of youth."

    The husband returns after many years and the story revolves around how everyone reacts to his comeback.

    She is locked in a mental institution, and her breasts are removed due to a misdiagnosis of cancer. As she looks back, she wonders if she made bad decisions or if the decisions chose her.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

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