Over the next two decades the publication of subsequent editions under the title Norske folkeeventyr made the names Asbjørnsen and Moe synonymous with Norwegian storytelling traditions. Tiina Nunnally’s vivid translation of their monumental collection is the first new English translation in more than 150 years—and the first ever to include all sixty original tales.Magic and myth inhabit these pages in figures both familiar and strange. Giant trolls and talking animals are everywhere. The winds take human form. A one-eyed old woman might seem reminiscent of the Norse god Odin. We meet sly aunts, resourceful princesses, and devious robbers. The clever and fearless boy Ash Lad often takes center stage as he ingeniously breaks spells and defeats enemies to win half the kingdom. These stories, set in Norway’s majestic landscape of towering mountains and dense forests, are filled with humor, mischief, and sometimes surprisingly cruel twists of fate. All are rendered in the deceptively simple narrative style perfected by Asbjørnsen and Moe—now translated into an English that is as finely tuned to the modern ear as it is true to the original Norwegian.Included here—for the very first time in English—are Asbjørnsen and Moe’s Forewords and Introductions to the early Norwegian editions of the tales. Asbjørnsen gives us an intriguing glimpse into the actual collection process and describes how the stories were initially received, both in Norway and abroad. Equally fascinating are Moe’s views on how central characters might be interpreted and his notes on the regions where each story was originally collected. Nunnally’s informative Translator’s Note places the tales in a biographical, historical, and literary context for the twenty-first century.The Norwegian folktales of Asbjørnsen and Moe are timeless stories that will entertain, startle, and enthrall readers of all ages.

    First published in 1993 but out of print for years, Our Troth is back in print, featuring updates and additions from its original compiler, Kveldulf Gundarsson, and from many other Heathen writers, all edited by well-known author Diana L. Paxson. Volume 1 covers the history and lore of Heathen religion, from its deepest Stone Age roots to its flowering today, with information on the Gods, Goddesses, and other beings that receive honor and worship, and the ethics of being Heathen.

    The sky was once so close to the Earth that people cut parts of it to eat, but their waste and greed caused the sky to move far away.

    [Penguin Readers Level 5]

    Ranging from the ribald to the romantic, from the rustic to the mythical, these are lively translations of 150 tales drawn from unique sources including the Swedish National Folklore Archives and numerous private collections, while the humorous and dramatic illustrations are gathered from classic volumes of Swedish folktales. Lone Thygesen Blecher's engaging introduction details the purpose and background of folktales and legends as well as the history of their collection. This distinctive selection presents the storytelling artistry of Sweden's lush folkloric tradition.

    Man's garden, Brer Rabbit is always teaching a valuable lesson. These classic tales are full of wit, humor, and creativity, and Julius Lester brings an added contemporary sense to these forty-eight timeless stories.

    Tom thinks the man is a leprechaun. And Tom knows that leprechauns have gold. Full-color illustrations.

    And when he finds this God he tells his brothers, saying: “If I had not come and spoken to you, you would have no sin, but now you have no excuse for your sins.” God reveals himself to man as his eternal contemporary, saying: “Unless you believe that I am he, you will die in your sins,” but man finds it almost impossible to keep the tense. He thinks of God in the third person, addresses him in the second person, but can only know God in a first person, present tense experience. Just imagine - no one can sin until God reveals himself to the individual in a first person, present tense experience. Only then can man have no excuse for his sin. And when one who finds God tells his brothers, he receives no greater reception than the first one did, because they see him as a man of flesh and blood, and cannot see this invisible being who says: “I came down from heaven.” Man is looking for Christ to come from without, but his revelation is whispered from within.

    But this poor musician seems to know a bit too much about the infamous King Grisly-Beard... and he keeps his face covered a lot of the time.

    Twice the clever little monkey foils the attempts of the crocodile to capture him.

    He’s a fierce warrior, even beating the giant Culcullan and saving Ireland from the Scots. Helpful and kind, he helps the farmers bring in the hay. And everyone in the village of Drumnahoon admires him. “He’s the best-hearted man that ever walked on Ireland’s green grass.” But for all his strength, courage, and goodness, there’s one thing that Finn lacks. He’s just not smart. And he knows it. When a wise man living in a nearby village tells Finn about a magical red salmon with the wisdom of the world, Finn sets out to catch the fish. And he learns a thing or two about himself in the process.

    In this pagan guidebook, Alaric Albertsson presents a complete introduction to Anglo-Saxon cosmology, deities, spirits, and rituals.Travels Through Middle Earth offers practical information about the Saxon Pagan path, including many ways to incorporate Saxon rituals into contemporary spiritual life. Discover the husel, a basic ritual for honoring personal ancestors, the Gods, and dwarves and elves. Learn how to set up a weofod, the Saxon altar, to connect with the Gods. Also covered in this handbook: the concept of wyrd and how it shapes your destiny, the holy tides and how to celebrate them, rites of passage, worship, magic, and even instructions for making mead.

    She prefers good books to good looks and keeps both the royal accounts and the castle drawbridge in working order. When her greedy stepmother and stepsister scheme to spend the royal treasury and her father, the king, falls ill, Rosamond must set out in search of the one thing that can cure him -- the healing waters found in the magical well at the end of the world. In the spirit of The Talking Eggs, award-winning author Robert San Souci has once again created a feisty heroine whose generosity and courage save the day combined with Rebecca Walsh's vibrant paintings. This is an adventure story that readers will turn to again and again.

    The next stage of the ecological revolution begins with the reawakening of the male counterpart of the Goddess, the Green Man, and archetype found in folklore and religious art from the earliest times, and especially linked with Christian origins of modern science. Long suppressed, the archetype emerges now to challenge us to heal our relationship with nature.

    Wicked old hags, clever leprechauns, courageous tailors, evil giants, and other characters come to life in such fanciful yarns as "Hudden and Dudden and Donald O'Neary," "Conal and Donal and Taig," "The Old Hag's Long Leather Bag," "The Field of Boliauns," "The Sprightly Tailor," “The Giant’s Stairs,” “The Bee, the Harp, the Mouse, and the Bum-Clock,” and “The Black Horse.” Reset in large, easy-to-read type, with six illustrations, these beloved stories from the Emerald Isle will delight readers of any age with their warmth, whimsy, and sly humor.