Their reasons are not theirs alone; they are the last in a long line of Alters who have killed themselves, beginning with their great-grandmother, the wife of a Jewish Nobel Prize-winning chemist who developed the first poison gas used in World War I and the lethal agent used in Third Reich gas chambers. The chemist himself, their son Richard, and Richard’s children all followed suit.The childless sisters also define themselves by their own bad luck. Lady, the oldest, never really resumed living after her divorce. Vee is facing cancer’s return. And Delph, the youngest, is resigned to a spinster’s life of stifled dreams. But despite their pain they love each other fiercely, and share a darkly brilliant sense of humor.As they gather in the ancestral Upper West Side apartment to close the circle of the Alter curse, an epic story about four generations of one family—inspired in part by the troubled life of German-Jewish Fritz Haber, Nobel Prize winner and inventor of chlorine gas—unfolds. A Reunion of Ghosts is a tale of fate and blood, sin and absolution; partly a memoir of sisters unified by a singular burden, partly an unflinching eulogy of those who have gone before, and above all a profound commentary on the events of the 20th century.

    Fifty years later, Philomena decided to find him.Meanwhile, on the other side of the Atlantic, Philomena’s son was trying to find her. Renamed Michael Hess, he had become a leading lawyer in the first Bush administration, and he struggled to hide secrets that would jeopardize his career in the Republican Party and endanger his quest to find his mother.A gripping exposé told with novelistic intrigue, Philomena pulls back the curtain on the role of the Catholic Church in forced adoptions and on the love between a mother and son who endured a lifelong separation.

     Fiona’s parents have the local shop and bar, and her younger sisters are already leading independent lives. Bridget is at a convent school preparing to be a nun and Angela has led a life of her own since she was hospitalised up in Dublin for years with childhood polio. Then, sudden tragedy forces Fiona to postpone her departure for New York. As her mother sinks into illness and depression, her responsibilities mount. When help is offered by her aunt and cousin, Fiona is mystified by her mother’s animosity towards them. As summer approaches, an American architect, Michael O’Sullivan, takes a room above the bar. Within a short time Fiona finds herself involved in an unexpected and passionate affair. Then, as a surprising incident threatens Bridget’s vocation, Angela uncovers information which explodes old family secrets. Before Fiona can embark on an independent life again, perhaps in New York, she must find a new understanding of her family – and of herself.

    And she knows that she's one of the lucky ones. She loves her life, ordinary as it is. And she loves the extraordinary people in it: her spirited daughter, Juliet; her colorful, unruly family; the only man in her big heart, Johnny Faye. Rabbit has big ideas, full of music and love and so much life. She has plans for the world. But the world, it turns out, has other plans for Rabbit: a devastating diagnosis. Rabbit is feisty. And with every ounce of love and strength in her, she promises that she will overcome. She will fight fight fight. She will be with those who love her for as long as she can, and she will live as long as she can with music and love and so much life. And as her friends and family rally round to celebrate Rabbit's last days, they look to her for strength, support, and her unyielding zest for life. Because she is Rabbit Hayes and she will live until she dies.

    For this is the eve of the Battle of Waterloo, and many of the handsome young men attending the ball will find themselves, the very next day, on the battlefield.For Sophia Trenchard, the young and beautiful daughter of Wellington's chief supplier, this night will change everything. But it is only twenty-five years later, when the upwardly mobile Trenchards move into the fashionable new area of Belgravia, that the true repercussions of that moment will be felt. For in this new world, where the aristocracy rub shoulders with the emerging nouveau riche, there are those who would prefer the secrets of the past to remain buried...

    . . .

    His only request of his daughter is to go through the long-forgotten box of memorabilia from his days as a medic on the western front. Then, among his wartime souvenirs, Beth finds a photograph of her father with an adoring and beautiful stranger—a photograph worth a thousand questions.It was 1944 when Max was drawn into the underground resistance by the fearless German wife of a Nazi officer. Together, she and Max were willing to risk everything for what they believed was right. Ahead of them lay a dangerous romance, a dream of escape, and a destiny over which neither had control.But Max isn’t alone in his haunting remembrances of war. In a nearby private care home is a fragile German-born woman with her own past to share. Only when the two women meet does Beth realize how much more to her father there is to know, all the ways in which his heart still breaks, and the closure he needs to heal it.

    On the road with two siblings, twelve-year-old Maydean and five-year-old Willie-Boy, Phoebe is out of money, out of gas, and out of patience. The only things she owns in abundance are backbone and pride--neither of which she can trade for food or gas.A collision with Gage Morgan puts Phoebe's mission in even worse jeopardy--until Phoebe discovers Gage owns the perfect place for her clan. However, she soon discovers that Gage is the unlikeliest man in the universe to offer a helping hand.Phoebe wields all the country smarts she owns to worm her way into Gage's heart, but nothing works. With time running against her family, she plies one last inducement--her scarce feminine wiles.

    They live a simple life, rich in family and friends, in the beautiful Syrian city of Aleppo--until the unthinkable happens. When all they care for is destroyed by war, they are forced to escape. But what Afra has seen is so terrible she has gone blind, and so they must embark on a perilous journey through Turkey and Greece towards an uncertain future in Britain. On the way, Nuri is sustained by the knowledge that waiting for them is Mustafa, his cousin and business partner, who has started an apiary and is teaching fellow refugees in Yorkshire to keep bees.As Nuri and Afra travel through a broken world, they must confront not only the pain of their own unspeakable loss, but dangers that would overwhelm the bravest of souls. Above all, they must journey to find each other again.Moving, powerful, compassionate, and beautifully written, The Beekeeper of Aleppo is a testament to the triumph of the human spirit. It is the kind of book that reminds us of the power of storytelling.

    At the center of the tragedy is Opal Evans. Over fifty years later, terminally ill, Opal's only desire is to forgive herself for the unspeakable aftermath resulting from the chaos. She wants to face the person who betrayed her trust and let him know he separated her from her faith. With the support of her brothers, their families and an unlikely former student, Opal discovers the forgiveness and the faith she thought she left behind in her twenties, while her niece, Joy, discovers a tender love story she never expected as she learns that decisions to "protect" family from information may deprive them of the opportunity to demonstrate the depth of their emotions. Set in a small town in west Texas, the fictitious, Jordanville, embodies most small towns in the late forties. The lifestyles and attitudes that shaped the community defined the values and the prejudices that could condone and precipitate acts of bullying and intimidation. Harold sat watching Opal recall the house. He never expressed his opinion about his parent’s need to maintain a social presence. It didn’t sit well with him. In fact, it irritated him. He thought the need to have material things and be seen in the community as law-abiding, church-goers was the root of their problems. Opal saw the family one way, and he recalled their existence in a different way. He supposed it was a gender thing. Opal liked the silver, china, bridge-playing, choir-singing. He, on the other hand, didn’t feel those things were necessary. He didn’t mind attending church, but he saw duplicity there. The boys tended to be out on the town, observing the men of the church in the pool hall, courting women, not their wives, gambling, and telling irreverent jokes. He knew their father was one of those men, living one way in view of his family and church, and living another way when they weren’t looking. Harold knew the gambling was a problem and caused the financial problems they discovered after Billy Mack’s death. Harold’s memory was not as flattering to his father. Sometimes he thought his mother’s desire for silver and china was the reason their father turned to gambling. He wanted to blame someone, but he wasn’t sure . . . I’ll let Opal have her pleasant memories. No sense upsetting her at this stage of the game. What’s gone is done. Nothing we can do about it now. She may not even know about the financial problems. Opal may have been in the hospital when we discovered that. I can’t remember. No harm done keeping that away from her. She had enough to worry about. Nothing anyone could do about it anyways.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    Thatcher's policies have put husbands and sons out of work, and the city's notorious drugs epidemic is waiting in the wings. Shuggie's mother Agnes walks a wayward path: she is Shuggie's guiding light but a burden for him and his siblings. She dreams of a house with its own front door while she flicks through the pages of the Freemans catalogue, ordering a little happiness on credit, anything to brighten up her grey life. Married to a philandering taxi-driver husband, Agnes keeps her pride by looking good--her beehive, make-up, and pearly-white false teeth offer a glamourous image of a Glaswegian Elizabeth Taylor. But under the surface, Agnes finds increasing solace in drink, and she drains away the lion's share of each week's benefits--all the family has to live on--on cans of extra-strong lager hidden in handbags and poured into tea mugs. Agnes's older children find their own ways to get a safe distance from their mother, abandoning Shuggie to care for her as she swings between alcoholic binges and sobriety. Shuggie is meanwhile struggling to somehow become the normal boy he desperately longs to be, but everyone has realized that he is "no right," a boy with a secret that all but him can see. Agnes is supportive of her son, but her addiction has the power to eclipse everyone close to her--even her beloved Shuggie.A heartbreaking story of addiction, sexuality, and love, Shuggie Bain is an epic portrayal of a working-class family that is rarely seen in fiction. Recalling the work of Edouard Louis, Alan Hollinghurst, Frank McCourt, and Hanya Yanagihara, it is a blistering debut by a brilliant novelist who has a powerful and important story to tell.

    But on V-J Day, her worst fear is realized. As celebrating crowds gather in Times Square, a soldier appears on her doorstep to claim Mary, the baby abandoned to Gwen one year earlier. Suddenly Gwen is on the verge of losing the child she has nurtured and loves dearly.With no legal claim to Mary, Gwen begins to teach Lieutenant John McKee how to care for his child, knowing that he will ultimately take Mary away. What starts as a contentious relationship, however, turns into something more, and Gwen must open her heart to learn that love means taking chances.While You Were Mine paints a vivid portrait of 1940s New York and tells an enchanting tale of the nature of love and trust.

    But after her mother, unsettled by growing political unrest, leaves for medical treatment in India, the civil war intensifies, changing young Enjeela’s life forever. Amid the rumble of invading Soviet tanks, Enjeela and her family are thrust into chaos and fear when it becomes clear that her mother will not be coming home.Thus begins an epic, reckless, and terrifying five-year journey of escape for Enjeela, her siblings, and their father to reconnect with her mother. In navigating the dangers ahead of them, and in looking back at the wilderness of her homeland, Enjeela discovers the spiritual and physical strength to find hope in the most desperate of circumstances.A heart-stopping memoir of a girl shaken by the brutalities of war and empowered by the will to survive, The Broken Circle brilliantly illustrates that family is not defined by the borders of a country but by the bonds of the heart.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...